my bio in Serbian

С.Џ. Фаулер(1983), савремени је авангардни енглески песник и уметник. Рођен је у Труроу, Корвнолу, и студирао је на Универзитетима у Дурхаму и Лондону (Беркбек колеџ). Објавио је шест збирки песама, од укупно двадесет и једне публикације, међу којима су књиге у кутијама, песнички памфлети и постери. У свом представи значајне европске песнике и филозофе 21. века. Од 2011. главни је уредник Лириклајна за Британију и часописа 3АМ. Збирке поезије: Ротвајлеров водич за власнике паса (2014), Непријатељи: избране сарадње С. Џ. Фаулера (2013), Рецепти (2012), Зубар у затвору минималног обезбеђења (2011), Борбе (2011), Црвени музеј (2011). Живи у Лондону. * стваралаштву бави се асемантичком, конкретном и звучном поезијом, соничком уметношћу, инсталацијама, перформансом, визуелним уметностима и прозом. Примио је наруџбине од Тејта, Мерсија, Укљештених на маргини, Лондонске синфониете, Војсворкс пројекта и Ливерпулског бијенала. Његова дела су преведена на тринаест језика, наступао је на бројним манифестацијама широм света, укључујући и Вигморску салу, Рич микс арт центар, Салу св. Џорџа, Модерни торањ, Сејџ, Лабораторио арте алмаеду (Мексико сити) и Арс поетику (Братислава). Предавао је у Саутбенк центру, Школи песништва бербечког колеџа, Колеџу св. Мартина и Британској библиотеци. Куратор је пројекта Непријатељи, покренутог 2013. године, у оквиру кога ради на оригиналним заједничким перформансима, сарадњи међу сликарима, фотографима, вајарима и другим ствараоцима. У намери да развије могућности сарадње и писану реч, овај пројекат јеукључио преко две стотине стваралаца и добио нагрaде од Уметничког савета Енглеске, Џервудске фондације, Британског савета и Креативне Шкотске. За часопис 3АМ 2010. године почео је серију интервјуа "Одржавање" која до данас има око 99 наставака, у намери да енглеској публици и песницима

performing the striking of light & sound for Syndrome: Liverpool

http://www.syn-dro.me/syndrome-2-1-choros-21st-24th-august/ Such a privilege to work with Nathan Jones again on his remarkable Syndrome project in Liverpool, and creating a piece of work which will be one of the most innovative and intensive pieces of performance art that I've ever undertaken. Again it calls back to my martial arts practise, but this time, in collaboration with two remarkable technologists, the performance of shadow boxing, or kata, is in a light and sound receptive cell, a space in which every move I undertake is responded to, not only in colour and light, but in sound, both specific to the space into which I move and to the depth also. It is complex, better seen than explained, and I'm lucky to have a small residency with Syndrome with which to develop it before the big performance on Thursday August 21st, at 5.30pm at Kitchen 24. 

Syndrome 2.1: Choros // 21st – 24th AUGUST

A room-as-instrument devised by artist Jamie Gledhill with sound artist Stefan Kazassoglou, using an array of computers attached to X-box Kinect devices. This project brings together popularly available motion capture technology with 3D audio set up into a unique experiential and performative artwork.
The work will allow for the dynamics and speed of a users movement within the space form a live illustrative mapping on the walls, and for sound to be literally ‘thrown’ across the 3D space by a performer – and members of the public as active participators in their own performative moment with the work.
The CHOROS installation will be open for playing and viewing from 10 – 4pm on 22nd – 24th August. Entering the space, the movements of your limbs will be traced by light and sound across a 3D axis using projections and an ambisonic speaker array. Entry is free for all, and suitable for all ages.
A launch event will feature a brand new movement work by SJ Fowler in which he explores the ritual and violence of martial arts:
The Book of Five Rings by SJ FOWLER
The Book of Five Rings is an unforgettable exploration of physicality and martial spirituality through cutting edge avant garde theatre and performance. And while each Ring will be decidedly different, each a unique, responsive production to its subject, as a whole, they will form an unforgettable tale of a universal human expression, battle without violence, war without war.
no. 1: Pugilistica UK / US (western boxing)
A conceptual performance exploring the sport of Boxing. SJ Fowler takes the audience through a boxing workout with a different, shadow boxing with a complex, cutting edge technological rig, so that each movement has a responsive light and sound reaction. An exhausting, explosive performance of light and sound
The work will then be available to view from 21st – 24th August.
Booking recommended and encouraged for groups.

Revolve:R exhibition in Lugano, Switzerland

I'm a very small part of this group exhibition in Switzerland http://www.choisi.info/eventi.php#27 with some poetry of mine included in the remarkable Revolve:R collaborative project led by Ricarda Vidal and Sam Treadaway. 
"Focus: “Revolve:R”
Revolve:R is a project in visual correspondence, by Sam Treadaway and Ricarda Vidal, in collaboration with a number of international artists, writers, and curators.
Revolve:R culminates in the publication of hand-made limited edition bookworks and giclée prints.
The project explores the possibilities of an exchange of ideas via a visual and tactile, rather than virtual, form of communication. Each cycle of the project we call a Revolve. After six Revolves the work is published as a limited edition bookwork.

Edition one, inspired by chaos theory, was initiated in late 2011 and published in 2013. The second edition will be published in early 2015.

Edition Two. Works by: Alastair Whitton, Ricarda Vidal, Linnea Vedder, Sam Treadaway, Kate Street, Clare Thornton, Emily Speed, Solveig Settemsdal, Matt Rowe, James Rigler, Bernd Reichert, Domingo Martínez, John Matthias, Anna Mace, Antun Maračić, Julie McCaldon, Sharon Kivland, Hayden Kays, Alice Hendy, Verena Hägler, Patrick Galway, Steven Fowler, Stephanie Douet, Todd DiCiurcio, Emma Cocker, Anna Cady, Oscar Bandtlow, Diana Ali, plus special guests."

Yes But Are We Enemies? an Irish Enemies project

6 locales : over 30 poets : a national tour of Ireland
& brand new innovative poetic collaborations : an Irish Enemies project
http://weareenemies.com/yesbutareweenemies.html

I’m very happy to announce Yes But Are We Enemies? an Irish Enemies project. Beginning on September 18th in Belfast and visiting Derry, Galway, Cork, Dublin and finishing in London on September 27th, YBAWE is a multinational project about collaboration and innovation in contemporary poetry.

Six core poets, 3 Irish, 3 English, will present new collaborative works across the six date tour. At each reading they will be joined by numerous pairs of locally based poets. Every event features never before seen collaborative works.

Yes But Are We Enemies, co-curated by Christodoulos Makris, is fundamentally about the creation of new collaborative works and the integration of differing poetic communities, and has only been possible through the generosity of a series of organisational partners, first and foremost The Arts Council of Ireland / An Chomhairle Ealaíon and The Arts Council of Northern Ireland, through their Touring and Dissemination of Work scheme.

Please find below the schedule and the poet's involved, and if possible, do spread the word, and attend all and any of the events you can. ALL EVENTS ARE FREE:



Thu 18 September, 8pm: Crescent Arts Centre, Belfast
http://www.crescentarts.org/
Stephen Connolly & Stephen Sexton
Manuela Moser & Padraig Regan
Sophie Collins & Robert Maclean
Caitlin Newby & Andy Eaton
Tom Saunders & Lorcan Mullen
Christodoulos Makris & Sam Riviere
Billy Ramsell & SJ Fowler
Ailbhe Darcy & Patrick Coyle


Fri 19 September, 8pm: Verbal Arts Centre, Derry
http://theverbal.co/
Aodán McCardle & Ailbhe Hines
James King & Ellen Factor
Christodoulos Makris & Patrick Coyle
Billy Ramsell & Sam Riviere
Ailbhe Darcy & SJ Fowler
Sophie Collins & Robert Maclean


Sun 21 September, 8pm: Galway Arts Centre, Galway
http://www.galwayartscentre.ie/
Elaine Cosgrove & Anamaría Crowe Serrano
Elaine Feeney & Kevin Higgins
Eleanor Hooker & Sarah Hesketh
Christodoulos Makris & SJ Fowler
Billy Ramsell & Patrick Coyle
Ailbhe Darcy & Sam Riviere


Tue 23 September, 8pm: Triskel Arts Cenre, Cork
http://triskelartscentre.ie/events/2795/yes-but-are-we-enemies-english-and-irish-poets-having-words/
Christodoulos Makris & Sam Riviere
Billy Ramsell & Patrick Coyle
Ailbhe Darcy & SJ Fowler
Sarah Hayden & Rachel Warriner
David Toms & James Cummins
Doireann Ni Ghriofa & Cal Doyle
Paul Casey & Afric McGlinchey
Sarah Hesketh & TBA


Thu 25 September, 7pm: Irish Writers' Centre, Dublin
http://www.writerscentre.ie/html/events/atthecentre.html
A discussion moderated by Susan Tomaselli
Christodoulos Makris & Patrick Coyle
Billy Ramsell & SJ Fowler
Ailbhe Darcy & Sam Riviere
Rob Doyle & Dave Lordan
Michael Naghten Shanks & Cal Doyle
John Kearns & Kit Fryatt
Anamaría Crowe Serrano & Alan Jude Moore


Sat 27 September, 7pm: Rich Mix Arts Centre, London
http://www.richmix.org.uk/whats-on/event/the-enemies-project-irish-poetry-yes-but-are-we-enemies/
Christodoulos Makris & SJ Fowler
Billy Ramsell & Sam Riviere
Ailbhe Darcy & Patrick Coyle
Kimberly Campanello & Kit Fryatt
Pascal O’Loughlin & Marcus Slease
Robert Kiely & Sarah Kelly
Becky Cremin & Stephen Mooney
Sophie Collins & Livia Franchini
+ Philip Terry, Sarah Hesketh & more


Yes But Are We Enemies? follows Auld Enemies, Fjender and Wrogowie as international Enemies projects in 2014, and will be followed in 2015 with a another series of similarly innovative projects outside of the UK.

http://yesbutisitpoetry.blogspot.co.uk/

www.weareenemies.com supported by Arts Council England.

International Translation Day - September 26th at the British Library

International Translation Day 2014 at The British Library Friday 26 September

Had a grand time leading a session with Ricarda Vidal from Translation Games and chatting about Enemies for the second year running at the ITD. Some brilliant speakers and I was happy to be commissioned to present a new piece on how collaboration might engage with the notion of traditional literary translation. http://translationgames.net/?page_id=192

30_sept_international_translation_day.jpg

la dominate: a collaboration with Ariadne Radi Cor on Cordite

the last of the five collaborations published as part of my feature for Cordite magazine, this work with Ariadne Radi Cor came about from our time together in Venice as part of the Crossing Voices project. She is an incredible artist and filmmaker - a live writer, a calligrapher, a poet. Her speed and tone are very complimentary to my own in their difference and singularity. Im so glad our creative relationship has continued on into this year, and this work, to be published in its full form for an anthology about Crossing Voices is a true collaboration, with a suite of my poems written for the task having been rendered beautiful by Ari's talents. http://cordite.org.au/poetry/collaboration/la-dominate/

Poets recently published on 3am magazine

The editorial duties at 3am remain something I am very privileged to have, very proud I am to be associated with the magazine. That being said, as I've always said, the thing is tempered by reality. 30 subs a day on average, many of which are resolutely in their derivation. Yet, though I have slowed in my responding to them, it is worth it when I claw out some genuine brilliance from people from all over the world. Here are the recent few: http://www.3ammagazine.com/3am/index/poetry/

 Christodoulos Makris - http://www.3ammagazine.com/3am/chances-are/
Nikki Lee Birdsey - http://www.3ammagazine.com/3am/nikkilee-birdsey/
Steve Komarnyckyj - http://www.3ammagazine.com/3am/steve-komarnyckyj/
Alex MacDonald - http://www.3ammagazine.com/3am/alex-macdonald-everything-is-fine/
Lauren Hilger - http://www.3ammagazine.com/3am/lauren-hilger/
Daisy Lafarge - http://www.3ammagazine.com/3am/daisy-lafarge/
Prudence Chamberlain - http://www.3ammagazine.com/3am/steubenville-other-poems/
Alison Gibb - http://www.3ammagazine.com/3am/alison-gibb/
Andy Spragg - http://www.3ammagazine.com/3am/andy-spragg/



Samurai: a collaboration with Andy Spragg on Cordite

I'm really excited to be writing an extended work with Andy Spragg. He's one of the most underrated contemporary British poets in my opinion, his work full of rapidity and intensity and complexity. Much to his credit, as is his prolificism. We are writing a book about lordless Samurai, Ronin, or something like that that isn't that 
http://cordite.org.au/poetry/collaboration/samurai/

 Miyata encounters the 15 vexations
1. the persistence of the stain after the fact
2. abandoned in the face of an undefined duty
3. loosed footing amongst the chatter.
4. Presently, the earth offers no cloistered respite,

collaborations with David Berridge & Tom Jenks on Cordite

Both these works are about to emerge in their entirety with Knives forks and spoons press, and really kick off the Enemies series, a selection of my collaborative works published as stand alone books in their full form. // http://cordite.org.au/poetry/collaboration/40-feet/ David Berridge and I wrote 40 feet, made of 40 poems over a year ago now, and it stands to me as a very specific representation of a time, and a city, before David migrated south.

now everything’s big, everybody’s mother
is bluer than blue, whiter than white
privileged as a dip in the car thief fame and muscling up
for money
sounds like a good deal to me
when I’ve become wealthy
I’m bound to be calmest
said a Giant, currently fashionable
if the screaming doesn’t end by sunday we’ll call a doctor, said the elephant

 http://cordite.org.au/poetry/collaboration/1000-proverbs/ Tom Jenks and I took an unknown amount of time to write 1000 proverbs, and an unknown amount of wisdom. All of his are very very funny. 

 Better an egg today than an egg nog tomorrow.
Better Butlin’s than a Russian prison. Better a scarf in Skegness than rubber gloves in Minehead.
Better a wrestler in the vale than in Bognor Regis.
Better a bugger in Bognor than a penis in Penistone.

Vanguard: a course for the Poetry School

I’m really pleased to announce a new course I’ll be teaching for the Poetry School during their upcoming Autumn term - Vanguard http://www.poetryschool.com/courses-workshops/face-to-face/vanguard.php The course will be held on Thursday evenings at the Poetry School, in Lambeth, London. Here’s the info:
 
“Explore the expansive modern tradition of British experimental poetry, as SJ Fowler presents a necessarily idiosyncratic insight into the vibrant innovative poetries which have sought originality in the UK over the last 50 years.
 
Five bi-weekly sessions will explore the distinctive qualities of the British avant garde and chart a course through an enormous field of writing. Not formed by generation, region or faction, Vanguard explores characteristics that are possessed by, but in no way encompass, the work of many great British poets. These are qualities, and poets, chosen through the acknowledged limits of Steven's knowledge and interests, & representative of that alone.
Week 1 : October 23rd : Rapidity
Exploring immediacy, alertness; quickness; celerity, concision. Scalpel cuts at smugness / pomposity, seeking the fragmentary whole.
Drawing from the work of Tom Raworth, Maggie O'Sullivan, Denise Riley, Barry MacSweeney, Andy Spragg, Frances Kruk & others
Week 2 : November 6th : Proximity
Nearness in place, time, order, occurrence, or relation. Imbued with situation / location / historicity.
Drawing from the work of Iain Sinclair, Bill Griffiths, Geraldine Monk, Lee Harwood, Carol Watts, Roy Fisher & others
Week 3 : November 20th : Sonority
Excavations in sound, the condition of being resonant, multi & non lingual / vocal. Performativities. Technologies.
Drawing from the work of Caroline Bergvall, Bob Cobbing, Phil Minton, Hannah Silva, James Wilkes, Zoe Skoulding & others.
Week 4 : December 4th : JocosityUmour. Disjunction, juxtaposition, reappropriation - deftness, humour as disturbance, sublimation. Humour as a liferaft.
Drawing from the work of Tim Atkins, Holly Pester, Jeff Hilson, Philip Terry, Robert Sheppard, Tom Jenks & others.
Week 5 : December 18th : Destability
Undermining the oppressive in language / politics, situating complicity, interrogation / rejection of subjectivity. Externality and the refraction of worlds of language as a mode.
Drawing from the work of Veronica Forrest-Thomson, JH Prynne, Allen Fisher, Sean Bonney, Emily Critchley, Keston Sutherland & others.
During the course the onus will be on how these qualities in modern British poetry can enrich writing practise, rather than dense historical analysis, and how experimentation emerges from necessary innovations that are required for a poet to be truly contemporary in a rapidly changing society. Vanguard is a chance for students to diversify from singular, retrograde modes of writing and provides an all too rare insight into a world of poetry that is a profound part of our literary culture and heritage.”
 
I will organise a post-course reading for students on this course, and they will have the opportunity to attend a series of experimental poetry events during its duration, including Camaradefest II, to be held at the Rich Mix Arts Centre on Saturday October 25th, which will feature 100 poets in 50 pairs presenting 50 brand new collaborative works in one day.
 
Vanguard follows on from my Maintenant course http://www.poetryschool.com/courses-workshops/face-to-face/maintenant.php which explored post-war European avant garde poetry, which I’m happy to say was a grand success, due almost entirely to extraordinary group of students, who can be seen reading original work they collaborated to write during the course here – https://www.youtube.com/watch?v=07uFwjvBHNg
 
As part of next year’s Poetry School Spring term I’m delighted that Maintenant will happen again, in its entirety, but as an interactive program of teaching this time, so anyone can join in, even if they live outside of London. You can read more about that course by clicking the link above and reading this interview, with Sarah Dawson http://campus.poetryschool.com/maintenant-interview-s-j-fowler/ More news on that next year.
 

a new collaboration with William Letford: Oil - on Cordite

http://cordite.org.au/poetry/collaboration/oil/ {click to read the poem in its entirety} such a pleasure to write with Billy, this poem took part in the Auld Enemies project, and we wrote it out on tour, it really growing into something I think is really considered and genuinely collaborative in its theme and style and exchanges. You can see us read it below.

 poetry of a man with no legs whose only
wy to making were pulling things from
out of the sea, a cough too that lingered
won’t leave, spitting black hank into a
banana peel

 bell nipple, big bear, blow out, cold vent
core sample, drill sting, the floorhand
ran these words over his tongue, and felt
metal in his mouth. (Fish: any object
unintentionally dropped into the wellbore)
The floorhand spat into the wellbore. 

 the bear named for a terror
oil caked put still at the praising lids
not even a hair to wash his hands
when men in swarms part for another’s
entry on an oil rig, son, you know he were
a hard man

Visual Verse: August issue: Sink

Great to be part of Visual Verse, a really innovative writing project in online journal form where authors are asked to respond, in the course of one hour, to an original artwork, an image, across a range of mediums, be it poetry or art etc. You have a size limit, between 50 and 500 words, and that one hour. 

 My poem, Sink, is in Volume one of Chapter 10, and I join an amazing list of writers who have taken part in the Visual Verse experience. Check out the poem (it's unusually concise, for me) 

http://visualverse.org/submissions/sink/

Cordite: a feature on collaboration for the Australian Journal

Cordite is one big publication out of Oz, and I was delighted to be asked to put something wide together for a special issue on collaboration. I adapted some words on collaboration itself, as it is as part of my practise and tied this into five excerpts from brand new, never before seen collaborations. They are all works I'm really excited to share, all part of a continuation of my work with others since the publication of Enemies. I'll be blogposting excerpts from these works one by one, but for now.

 Here's the full issue: http://cordite.org.au/content/poetry/collaboration/

 Here's the link to my article: http://cordite.org.au/guncotton/in-collaboration/

& from that "These five collaborations are no more or less representative of my overall collaborative output than any other five I could’ve chosen. Rather, I choose them, as I do my collaborators, because of a sense of who these people are and the creative and social energy they have exchanged with me. I write this in fact on a tour of the Scottish islands, writing new collaborations every day, to be read in the evenings, to small audiences on Orkney and Shetland. The collaborative process is ever in flux for me now, and so these five works also seem new to me, as though they were written this morning too.
Yet the work with Tom Jenks, ‘1000 proverbs’, was built over a year period or more – and readied by rapidly batted back and forth email – for publication as a separate book with Knives Forks and Spoons Press. Too, ‘40 feet’, is a poem where David Berridge and I tried to embrace the failure of encapsulation, writing 40 poems that were about themselves, over a 40 day period. ‘Samurai’, with Andrew Spragg, is new … begun this year and currently growing poem by poem as we both research a randomly chosen topic and warp it through our shared poetics. ‘La dominate’ was written and rendered artistically by Ariadne Radi Cor in Venice – both of us part of a collaborative project with a university there – as part of a project called Crossing Voices, one expertly curated by Alessandro Mistrorigo and James Wilkes. And ‘Oil’, with William Letford, was written for reading, for this current tour, and read in Aberdeen, Scotland on 15 July, 2014, after an exchange of stanzas lasting a few weeks. Our processes produce the content, and that’s where the joy is, in making sure a process is the thing of it all.
To date I’ve engaged in over 100 collaborations..."

Modes of Aberrant Research - next week at the Whitechapel Gallery

Very excited to be part of this event with brilliant artists, and I'll be reading my experimental story MueuM for the first time in public after it was White Review prize nominated this year.
Whitechapel Gallery Header.gif
performanceevents,-august.jpg
Performances coming up this August at the Whitechapel Gallery

Performance: Modes of Aberrant Research
Thursday 7 August, 7pm 
An evening of deviant anecdotes, radical storytelling and narrative segues through archives, collections and institutions. Through experimental fiction, multi-media performance and voice-driven texts, five artists and writers, including SJ Fowler, Patrick Coyle, Holly Pester and Kreider + O’Leary,  examine the subject’s status as agitator, witness and unwitting member of memory institutes.  

£8.50 full price (£4.25 members price).

Book now

Auld Enemies: a documentary on poetry, touring, Scotland & collaboration

What this means to me, Ross Sutherland's generous, technically excellent and warm hearted documentary of our Auld Enemies tour of Scotland, is quite significant. It's the most apt testament to what we did, in it's humour and flow and deference, and its so rare to have something concrete, something that will last, that somehow captures one of these poetry things I've been experiencing in the last year. So many times, like with my visits to Iraq, Mexico, Denmark, Venice etc.. in the last year, the experience feels so intense, so wonderful at the time that I know I'll remember it so fondly, and it'll be so significant to me, and yet there is only the work itself and the memory left. Which is a good thing. Yet when I confront this documentary, see what it stands for, for me, I am left feeling very grateful, very humbled that I might get to relive something very special, in the years to come, through it's being watched. 

Auld Enemies in London

It all ends up in London, and so we reconvened at the Rich Mix Arts Centre to invite new pairs of poets, screen some of Ross Sutherland's amazing documentary he made during our Scotland tour and share excerpts of the core poet's collaborations. A lovely evening to come together so soon, to reminiscence {already} and share our experience with friends and the like.  Auld Enemies London
Ross Sutherland & Colin Herd & Ryan Van Winkle & nick-e melville & SJ Fowler https://www.youtube.com/watch?v=GSUC5L742SQ
Emily Berry & John Clegg https://www.youtube.com/watch?v=RJeKEFHrpUA
Vahni Capildeo & Jeremy Noel-Tod https://www.youtube.com/watch?v=nfA6MIC94mo
Tim Atkins & Jeff Hilson https://www.youtube.com/watch?v=bi6wp_2wLFQ
Nick Murray & Eley Williams https://www.youtube.com/watch?v=f9RD4-hGK84
Kirsty Irving & Harry Man https://www.youtube.com/watch?v=3VP91dLg1qk

Auld Enemies diary - Kirkwall

After a day of exploring the sights of the Shetland mainland we boarded another ferry south, much more comfortable a journey this time, to Kirkwall in Orkney. We stayed in more wonderfully comfy B&Bs and I went on a night walk just after arriving late, taking in the pedestrian town centre and the awesome St Magnus Cathedral. We met Ross' friend Amy Liptrot, a brilliant writer who is from and has lived on the island for the last few years after being in London and Edinburgh. To have someone show such generosity in showing us the epic stones of Brodcar, the archaeological dig nearby and a trip up to the Kitchener monument and the nearby Puffin cliffs, places we never would have got to in one day by ourselves, carless, really transformed the experience of the place. An amazing beauty the island possesses was given context by Amy and her knowledge and her experience of the place, her closeness to it. We caught her just before she was apart to depart too. The reading itself was another intimate and pleasant affair, the very generous Pam Beasant hosting and contributing, and we did a round robin reading of sorts, with only 4 of us remaining. After departing the library we all flopped into a local chinese, that looked like a shipping container with a sign, and reflected on a really brilliant, unexpectedly touching, week or so on tour together. Sad to see it come to a close in Scotland, we said our goodbyes that night. 

 Auld Enemies Kirkwall
nick-e melville & Colin Herd & Ross Sutherland & I https://www.youtube.com/watch?v=QkVfrWtSLMQ
Rosie Alexander & Rosemary Merriman https://www.youtube.com/watch?v=2C0NqXaSLHI
Pam Beasant & Lydia Harris https://www.youtube.com/watch?v=FjKp7E7aXXg