A really great night, a remarkable opening event to the winter 2021 European Poetry Festival in London, celebrating contemporary Swiss poetry with performance and collaboration. We had a pretty much full capacity audience witnessed the new works made for the night by eight pairs of poets. The audience were really generous and by the end everyone seemed proper happy. All the videos and photos are online here www.europeanpoetryfestival.com/swiss
Flowers Won't Grow, by Karenjit Sandhu and I, is now available from Sampson Low https://sampsonlow.co/2021/06/21/flowers-wont-grow-karenjit-sandhu-sj-fowler/
35 pages of poetry printed in a limited edition of 150. £4.99.
From the publisher “A unique epistolary poetry collection and a collaborative feat of rare acumen, Flowers Won’t Grow contemplates mundanity and gratitude with a mix of polite curiosity and tender contempt. The lettered, prose-ish poems of Sandhu and Fowler speak to a luminous private public exchange, and the writeable unspeakables of a long London summer. These are playful, complex poems, of a city, of soap and fizzy water, of a search for commonality in quiet, of paper birds and hardened workers. www.stevenjfowler.com/flowers
“‘Exchanges, transfers and transferrals of intimacy and stark urgency – a work of posed questions, thumbed noses and drawn blood’.
Eley Williams
‘This is a nurse’s attention on a knife edge. A pin-prick of address, a poem that says “let’s get out of here” to and about itself. Everything is external, but you can’t get outside, even if you don’t what to know what’s inside. It’s a hostile take over of mundane objects and day-to-day experience in a language that asks us to settle for fruit syrup but reaches beyond to the universe’
Prudence Bussey-Chamberlain
The book was written across 2019, in what seems now a fever of activity and exchange, for this collaboration and in my work in general, and then revised in 2021 for publication. Karenjit is a really excellent writer and performer and I think the text is really good – playful, ludic, knotty.
It's the third in a series of collaborative pamplets with Sampson Low, following Beastings and Crowfinger, and as ever before, Alban Low has done a remarkable job bringing this to life.
Karenjit and I had two launches, following two performances of the text in late 2019. The first was in Richmond Park and the second in Hoxton Trust Gardens, both as part of the European Poetry Festival. Both performances included an exchange of reading and action between us, with very loose suggestions beforehand, and much completely improvised. For both I did forward rolls and some leaping and running, why I did this is a mystery.
I had a really grand time working with editor Alice Willitts on a feature for the latest, collaboration themed, edition of Magma magazine. We spoke quite a few times over many months, sharing ideas, and Alice really put her heart into this issue and I’ve a lot of admiration for her approach.
In the end, the issue features a large interview we did, discussing many things, including my selected collaborations NEMESES and my film THE ANIMAL DRUMS, all available to read online https://magmapoetry.com/archive/magma-78/articles/interview-with-sj-fowler/
The print issue also has a selection of my visual collaborative works, so worth getting a physical copy. The magazine has some brilliant poets in there, really an extraordinary list, including works I had the pleasure to commission, like Christodoulos Makris and Pierre Alferi, alongside many of those I admire https://magmapoetry.com/archive/magma-78/
Robert on the right
I hope this becomes a book. Robert Sheppard’s writing over the summer of 2020 on collaboration and poetry, in the UK, is timely, necessary and long overdue. I am biased as I’m featured and I obviously care about collaboration. But it is strange that so little has been written on the subject. Considering Robert’s standing as a poet and critic, and educator, it’s all the better he has done this work, eloquently, and with wit, and insight.
Robert has been a key influence upon the writing of multiple generations of poets in the UK. For my own part, he specifically influenced my sense of what place, space, biography could be within a complex poetry, he made me reconsider what poetics was and he allowed some light to be shone in the dark spaces where poets don’t make much and are proud of that - he has been prolific, for decades, and worked across the proper ways and means of poetry. I am one of very many who would say this kind of thing.
Finishing off his 14 part series on collaboration, he has concluded and provided a useful contents rundown. Posts include writings on my poetics of collaboration, the most comprehensive review of Nemeses, the second volume of my collaborations. In depth looks at my work on the page with Prue Chamberlain Bussey, and my work with Camilla Nelson, live and in print, with an appreciated nod to wrestling. I repatriate Robert’s concluding post here and enthuse that you should click through and read it all
Conclusion is here “This probably concludes my ‘Thoughts on Collaboration’. I think it is best that my remaining work on the theme is composed offline, for eventual publication as a critical article…. Only one final text to acknowledge, the extraordinary 500 page Poetic Interviews, edited and conducted by Aaron Kent, from Broken Sleep Books, 2019, in which Kent uses poems much as an interviewer uses questions - and various writers (I note SJ Fowler amongst them) reply with poems…. On a personal note, I am pleased to report that there are plans for Veer to republish both my collaborations with Bob Cobbing (which I talk about here ). That’s a good way to end this rambling strand….
The introductory part one, flags up the themes and surveys the territory
In part two, I talk about ways I've collaborated across media
Part three, I talk more about literary collaboration, but I also try to account for my own transformative practices (in 'The English Strain' project) that are not collaborations, not translations, but are transpositions.
Part four, on some of my literary collaborations, is here.
Part five is about SJ Fowler's 'Enemies' collaborative project, in general, and my part in them (with videos). It may be accessed https://robertsheppard.blogspot.com/2020/02/thoughts-on-collaboration-5-literary.html
Part six is on the literary collaborations in Twitters for a Lark; poetry of the European Union of Imaginary Authors (the EUOIA) here.
Part seven considers some of the ways female coauthors have operated and whether the term 'coauthors' isn't a better term… Here.
Part eight consists of two parts: my considerations of the past collaborations of Kelvin Corcoran and Alan Halsey here.
Part nine contains some thoughts on SJ Fowler’s Nemeses: Selected Collaborations of SJ Fowler, 2014-2019. HTVN Press, 2019 : here: https://robertsheppard.blogspot.com/2020/04/robert-sheppard-thoughts-on.html
Part 10 is an account of Fowler’s poetics of collaboration. Here: robertsheppard.blogspot.com/2020/04/robert-sheppard-thoughts-on_3.html
Part 11 is an account of Fowler's collaboration with Camilla Nelson (on the page)
https://robertsheppard.blogspot.com/2020/04/thoughts-on-collaboration-11-steven.html
Part 12 continues to analyse Fowler's collaboration with Nelson, but it takes account of the extraordinary dynamics of its 'Enemies' performance (which was filmed), https://robertsheppard.blogspot.com/2020/04/thoughts-on-collaboration-12-steven.html
Nearly 200 people came to this event. That’s gratifying, having run events in this space of Rich Mix since May 2010, and this taking place in october 2018. It was the best attended event in that space. 27 poets from 20 countries showed off new collaborations. I met new friends, some of whom had travelled in from Spain, Greece, Latvia, and spent lovely hours with old friends, from across Europe, but many of whom live in London. It was a collective, as before with the Camarade events, bonding between those making the works and witnessing them.
The actual work was a little different than normal, a little more mixed, but many of the poets, 5 in fact, were giving their first ever readings, as I’d met them through their work in different fields, around poetry, me feeling the poetry in their work, or through courses I’d run at a few different institutions. This created a valley peak feel to the outputs, which can be better, at times, to offer contrast in not only rhythm, but style. But it was a captivating mass, energised, intense, various, experimental. And it bodes well for the project, The European Poetry Festival, and it’s next full festival coming in April 2019. www.europeanpoetryfestival.com/eurocamarade
A very special evening at the rich mix, the third time ive put this event together, with students from all over the UK. As ever, collaboration absolutely engenders friendships while producing challenging, idiosyncratic poetry. The students involved were universally excellent, brave, bold and the evening left a real impression on the audience, and I think, I hope, on the rest of their poetry / writing / performing lives. I believe sincerely that opportunity is what shapes people's journey and growth, and this event gives people young in their experience a real urge to go into new spaces.
I was especially content with the showing of my students, who we and are markedly their own, which is all I want from them, to expand and explore their own paths, with some erratic guidance www.theenemiesproject.com/unicamarade / www.writerscentrekingston.com/richmix
Ledbury Poetry festival is an internationally renowned fest, one entering its 21st year in fact, and for my first time attending I was happy to perform and organise a small Camarade with poets local to the festival or tied to it in some fashion. Set in the beautiful Malvern hills its very much a festival aligned with the more formal in British poetry than myself and the Enemies project, but as I’ve repeated a lot -my tastes and work is what it is for my own ends but that can only exist within the range and width and panoply of traditions, and it’d be hypocritical to not seek out difference in poetry, to not always be open to generous invitations, and be ready to listen and learn and discover what people are writing. I found the festival to be utterly welcoming, hospitable and full of interesting work. Myself and 11 other poets in the Camarade were treated so well, we had a lovely audience in the Market Theatre, a great space and in fact were asked to be the very last, 87th, event of this 10 day incarnation of the festival. My work with Harry Man, one of my closest friends in poetry, went down well and though my visit was brief, it was a really positive experience.
Such a great group of people to work with Seryu Oh, Chaikwan Lee and all the folk from the WOW festival who will host myself, Hannah Silva and Luke Kennard in September following this duo of events in London at the start of June. Check it out proper here http://www.theenemiesproject.com/southkorea
Friday night was a panel talk in the very jazzy Korean Cultural Centre in central London. It was crazy at times, 2 hours or more of winding chat, swearing, funny questions, in a hot basement without a break, but the discovery of the poets from South Korean in the project - Kiwan Sung, Minjung Kim and Hwang Yuwon - was fantastic, so talented and sooo funny all three of them. Such a great vibe immediately upon our meeting, a great laugh, and Kiwan and I worked out our collaboration that night.
Saturday night was the big event at Rich with loads of pairs. Kiwan recorded my heartbeat live, then his own, merged them with a live coding programme the audience could see before I sounded out the consonants our our alphabet and he did the vowels, while I held the camera. Was peachy. All the pairs were great in fact and we went out afterwards to solidify our new poet friendship over tapas. What more can one ask for?
Had a fun burst of gab chatting with the folk at Monocle Radio about internationalism, collaboration, poetry and stuff that's done wrong / right to change people's perception of poetry in the UK, if that's even desirable. Broadcasts 7.30pm on May 29th 2017 and then available as a podcast after that
https://monocle.com/radio/shows/culture-with-robert-bound/294/
One of the best events I’ve put on for awhile, one of the best Enemies ever by all accounts. Over 130 people packed into Rich Mix, 13 new collaborations from 26 poets from over 12 nations across Europe. It was intense, energetic, original and still open, welcoming, engaging. Having organised two events the two nights previous on the same continental theme, taken everyone visiting London to dinner the night before, to show a wee bit of all too rare London hospitality, and then having a collaboration on myself, it would be fair to say in the buildup, I was busy. In the end it was smooth as you like. www.theenemiesproject.com/epn
My collaboration with Ásta Fanney SigurðardóttirAsta was one my favourite performances I’ve done. We worked on it very sporadically, so much of it open to improvisation just moments before, much of it fleshed out in a stairwell in the venue. This kind of liveness and intensity gave the piece something, and the control of tone, the pace, the balance and rhythm of delivery really seemed to work. The big turn at the heart of the piece, and the satire driving it seemed to surprise / resonate with the audience. Always something special working with Asta.
By the end in the bars of Brick Lane, many new friendships had been made and there was the distinct payoff such endeavours occasionally provide – the feeling something special, something small and transitory, but none the less special, had taken place.
As part of three days of European poetry celebrations last week I had the pleasure of accompanying four Scandinavians poets to Norwich, to read at an event I organised, which also drew in local Europeans, in the camarade model, in pairs. The night was brilliant, full of energy and warmth. I met lots of poets new to me, and reconnected with many friends. We had a grand turnout thanks to the Nordlit seminar on translation which had been taking place that day, hosted by those who had kindly hosted us, Writers Centre Norwich and the International Litcase Showcase. http://www.theenemiesproject.com/norwich
I collaborated for the fourth time with Ásta Fanney Sigurðardóttir. We’ve only known each other for just over a year, but our collaborative magic feels many years deep. We put on a kind of Eurovision Poetry Contest, or hosted something to that effect. As ever, Asta’s rare energy and invention told, it was a weirdly beautiful piece of poetry theatre.
We were shown great hospitality too, with Dan, Endre, Martin, Asta and I taken to dinner, and then out on the town for many hours after the event. Always wonderful people to work with, Jonathan Morley, Sam Ruddock and everyone involved made sure the beginning of EPN was memorable.
This is a project I am delighted has come off the ground, it features a second leg in South Korea too, which will be my first time there and a grand privilege.
Three of South Korea's most brilliant and innovative contemporary poets visit London for a dynamic new collaborative project, where they will present new live works created in cahoots with British poets. Introducing South Korean writers Yuwon Hwang, Minjung Kim and Kiwan Sung, all three remarkably original poets and artists, to a British audience this headline event at Rich Mix London will feature new works for the night, as well as new collaborations from multiple pairs of locally based poets .
Hannah Silva and Minjung Kim / Kiwan Sung and SJ Fowler / Luke Kennard and Yuwon Hwang plus Edward Doegar and Anna Selby / Dacy Lim and Cheryl Moskowitz / Dorothy Lehane & Elinor Cleghorn / Joe Turrent & more
With a program visiting both nations, Beyond Words will explore the 21st century international avant garde which has seen poetic pracitioners engage in performance and collaboration in a way never seen before.
Beyond Words is part of UK/Korea Creative Futures series, sponsored by ARKO (Arts Council Korea) and ACE (Arts Council England). Curated by Seryu Oh, Hyounjin Lee, SJ Fowler and Chaikwan Lee.
European Poetry Night : London
Rich Mix : May Saturday 6th : 7.30pm
www.theenemiesproject.com/epn
An opportunity to see some of the most exciting contemporary poets from all over Europe, as over 20 poets travel to London to share new collaborative poems, premiered on the night, in pairs, across languages, styles & nations. These are some of the most dynamic literary and avant-garde poets of the 21st century, celebrating the potential of collaboration to generate truly innovative poetry and work firmly against the divisive idea of a reduced closeness of spirit across our continent. Curated by SJ Fowler.
European Poetry Night 2017 in London. May Saturday 6th: Rich Mix
7.30pm - Free Entry. 35-47 Bethnal Green Road, London E1 6LA
Bas Kwakman & Jen Calleja / Kinga Toth & Simon Pomery / Endre Ruset & Harry Man / Alessandro Burbank & Max Hofler / Ásta Fanney Sigurðardóttir & SJ Fowler / Theodoros Chiotis & Vanni Bianconi / Tom Jenks & Weronika Lewandowska / Henriette Støren & Astra Papachristodoulou / Livia Franchini & Maarten van der Graaf / Frank Keizer & Dan Aleksander Ramberg Andersen / Damir Sodan & Tomica Bajsic / Iris Colomb & Serena Braida
The European Poetry Night is supported by Arts Council England, NORLA, The Royal Norwegian Embassy, Dutch Foundation for Literature, Institut Francais London, Austrian Cultural Forum London and many generous others. www.theenemiesproject.com/epn
Presented by The Enemies Project, European Poetry Night is actually one of three events in three nights on the European theme, creating a mini-festival of sorts. This begins in Norwich Writers Centre on May Thursday 4th before going on to Libreria Bookshop on May Friday 5th. All events are free. Details below.
European Poetry Night : Norwich - Writers' Centre Norwich
May Thursday 4th : Doors 6pm for 6.30pm start. Entrance Free.
Dragon Hall, 115-123 King St, Norwich NR1 1QE www.theenemiesproject.com/norwich
EPN Norwich features brand new collaborative works of poetry from pairs of poets drawn from different European nations visiting for the event and as well as many local to Norwich too. Supported by Writers Centre Norwich and the International Literature Showcase. Featuring:
Martin Glaz Serup & Jeremy Noel-Tod / Endre Ruset & Rebecca Tamas / Jonathan Morley & Dan Aleksander Ramberg Andersen / Ásta Fanney Sigurðardóttir & SJ Fowler / Alison Graham & Matthew Gregory / Chris Hamilton-Emery & Richard Lambert / Zein Sa'dedin & Sarra Said-Wardell / Doug Jones & Sam Jordison / Andrew Wells & Nathan Hamilton / Emily Willis & Olivia Walwyn
May Friday 5th : European Poetry at Libreria
7:00 pm - 9:00 pm / Free Entry / 65 Hanbury St, London E1 5JP
http://www.theenemiesproject.com/libreria
Readings from some of Europe's most innovative and dynamic poets, visiting London from a half dozen European nations. This event will celebrate the shared literary tradition of our continent with truly contemporary readings and performances in one of London's most beautiful bookshops.
The future is in good hands if this event is any indication. Though ostensibly about pairing students across the country, and allowing them to experiment / collaborate / create new friendships, what it is really about is giving a platform to younger poets who might be locked into the boundaries that come with being a 'creative writing' student or in a university. It's just a way to discover people, to see them shine, and they were really remarkable on this occasion, all 22 poets, from all over the UK. A really resonant evening, all the videos are here www.theenemiesproject.com/unicamarade worth watching.
I enjoy collaborating with Aase Berg. We put on something conceptual, something about surprise, coldness, fakery, a satire I suppose, about the opinions of others. And about liveness against the page. A new work for the new audience. We had fun doing so.
This event was a return to the Camarade Harry Man and I put together at the Stockholm International Poetry fest last November, but this time, in enemies project style, pulling in 20 poets in all, 3 from swedeland, and a 100 people to witness the 10 new works. It was a fun evening, full of energy. All the videos www.theenemiesproject.com/fiender
Fiender: Swedish Enemies in London - Rich Mix : Saturday January 28th 2017
Free entry 7.30pm - 35-47 Bethnal Green Rd, London E1 6LA
www.theenemiesproject.com/fiender
Brand new collaborations of poetry and text for one night only, written by pairs of poets commissioned for this unique literary event. Visiting Swedish poets will present new works of avant-garde and literary poetry with their British counterparts alongside other 'Camarade' pairs especially for the evening.
Featuring: Aase Berg & SJ Fowler - Harry Man & Jonas Gren - Elis Burrau & Holly Corfield Carr - Kathryn Maris & Patrick Mackie - Fabian Peake & Jeff Hilson - Nick Murray & Joe Turrent - Prudence Chamberlain & Eley Williams - Hannah Lowe & Richard Scott - Annie Katchinska & Mark Waldron & more
Fiender: Swedish Enemies is multifaceted transnational collaborative poetry project engaging poets from both Sweden and the UK. Taking place in both nations across 2016 and 2017, Fiender is an ambitious, exploratory engagement with contemporary poets across Europe.
Curated by Harry Man and SJ Fowler, with curatorial assistance from Emanuel Holm and Madeleine Grive. Supported by Arts Council Sweden. www.theenemiesproject.com
So happy to be co-curating another Enemies tour in the UK, this time with Tom Jenks, visiting cities in the North and North West of England. It is no exaggeration to say that the presses and poets at the centre of the current modern / avant garde scene in this region have supported and inspired my work as much as anyone else.
So many of the poets, publishers and organisers who have been based there during my time in poetry - people like Tom, Scott Thurston, Alec Newman, James Davies, Sandeep Parmar, James Byrne, Richard Barrett, Tim Allen, Mark Cobley, Nathan Jones, Robert Sheppard, Patricia Farrell, Nikolai Duffy, Philip Davenport, Ben Morris, Chris McCabe, Daniele Pantano - have been key in my development, both as a poet and as someone trying to understand the best way to organise events. The Other Room series was an early and pivotal inspiration for the Enemies project, and it reflects what I'd happily generalise for poets and readings in the region, that its defined by strong, complex, challenging work underpinned by a very dry sense of humour, and surrounded by unpretentious, friendly people, who believe in a community of writers without talking too much about that.
So it's important to me to keep going back to cities like Liverpool, Sheffield, Manchester, where I've been treated so well so often, as well reading for the first time in cities like York and Leeds. We've got over 60 poets involved, and we'll create over 50 new collaborative works. It's such a pleasure to do, and with the arts council supporting us, it's grand we can do it properly. Visit http://www.theenemiesproject.com/northwest for the full lineups
The North by North West Poetry Tour features over sixty poets collaborating in pairs to produce brand new collaborative works for performance, commissioned for each event, over six nights in January and February 2017. Poets local to each of the six venues will perform on each night alongside a core group of touring poets, who will perform at every venue. These free events will aim to draw in the amazing, experimental, dynamic resurgence in literary and avant-garde poetry which has so marked the north and north west poetry scene over the last decade. For full details visit this link, or see below:http://www.theenemiesproject.com/northwest
The project is curated by Tom Jenks and SJ Fowler, with local curators Christopher Stephenson, JT Welsch, Linda Kemp and Robert Sheppard. The North West Poetry Tour is supported by Arts Council England.All events are free to attend with doors at 7.30pm for an 8pm start, unless stated otherwise. The poets, pairs and links continue to be updated.
January Friday 13th - York : City Screen
January Saturday 14th - Manchester : International Anthony Burgess Foundation
January Thursday 19th - Edge Hill Arts Centre
February Thursday 9th - Leeds : Wharf Chambers Co-operative Club
February Friday 10th - Sheffield : Bank St. Arts
February Saturday 11th - Liverpool : Everyman Playhouse
Read the full writeup here with all the videos and pictures www.stevenjfowler.com/sweden 10tal's Stockholm International Poetry Festival - November 22nd 2016
An inspiring burst of collaborative performative energy and invention in the Swedish capital for the Fiender project at the 20th anniversary of 10tal’s famed Stockholm International Poetry Festival. Six months in the planning, curated by myself, Harry Man and festival director Madeleine Grive and Emanuel Holm, this was a intense experience, with nothing but fascinating people in attendance at the fest and a genuinely resonant team feeling to the collaborations.
I had the pleasure of working on a new poem performance with Aase Berg, without overstatement one of the most interesting European poets of the last twenty years, whom I’d interviewed for my Maintenant series just after I started writing really. Our correspondence collaboration broke through powerfully when she suggested we might work on the notion of guiltlessness, the quality, or characteristic rather, of being cold, unemotional and somehow shading psychopathy, so rarely admitted in contemporary arts circles (!). I share such a suspicious about myself, that I have an empty chasm in my chest sometimes and am capable of terrible deeds, simply fenced in by a comfortable life and very little stress and opportunity to render harm, and we quickly wrote something akin to a miniplay made up of poems, a test to give out to the audience and conceptual acts. In real time we put all this together on the day really, in the hotel an hour or two before performance. It came together beautifully. Aase was the cold dictatorial matriarch and me the kvetching jelly, at various times lying face down on stage, taking the fetal position and drooling on myself. It was awkward in the best way possible.
Visit www.theenemiesproject.com/fiender for more specific info
"With this year’s Jubilee Festival we wish to draw attention – with gravity, sensitivity and intellect – to poetry in its many shapes as a living and constantly changing art form through which we peer inwards into the human mind and outwards unto the incredible Universe. Our aim has been to present a succinct but also light programme, where each individual reading and performance gets the focus it deserves whether it is poetry, music, dance or talks. Come along with us inside the theatre house and move freely between programme points, the beautiful theatre foyer, the bar and the restaurant!
.... We have invited poets from South Korea, Colombia, Belgium, Norway, Denmark, Finland and Great Britain. We present the result of a workshop that is running during the festival – the unique performance Fiender (Enemies), with three British and three Swedish authors. AKT UNG! – the scene for young, Swedish poetry – has its fifth anniversary and will show how very lively the young poetry is. We present poets that have been with us from the start, but also many new voices, who will take poetry into the future. Welcome to enjoy three days of literary art! = Madeleine Grive, Artistic Director and Editor-In-Chief"
Programme - Tuesday 22 November - 9 pm
Poetry Performance: Fiender (Enemies)
Six innovative poets from Great Britain and Sweden have collaboratively written poems that are performed in pairs in a unified performance: Aase Berg (SWE) and Steven J Fowler (UK), Jonas Gren (SWE) and Harry Man (UK), Elis Burrau (SWE) and Holly Corfield Carr (UK).
An amazing privilege to perform an improvised sound poetry piece with the legendary Phil Minton on October Friday 7th 2016 at Kings Place, London.
For over fifty years Phil Minton has been performing, singing, vocalising around the world. He absolutely has shaped, even defined, free vocalisation and improvised sound poetry since WWII. To get to work with him for the first time, with no prior preparation, no conversation about what we'd do before the performance even, was such an honour, and beautiful / terrifying in equal measure. So important for me to feel I'm crossing over with the greats of previous generations. This was a real landmark for me. There's more pictures like this beautiful pair below by Ed Prosser on www.stevenjfowler.com/soundings
A great night overall too, closing out the Hubbub residency in a sense, with some fine work from James Wilkes, Emma Bennett, Phaedra ensemble and others making it a varied and intense evening of performance.
