A note on : European Poetry Festival Camarade at Rich Mix

Nearly 200 people came to this event. That’s gratifying, having run events in this space of Rich Mix since May 2010, and this taking place in october 2018. It was the best attended event in that space. 27 poets from 20 countries showed off new collaborations. I met new friends, some of whom had travelled in from Spain, Greece, Latvia, and spent lovely hours with old friends, from across Europe, but many of whom live in London. It was a collective, as before with the Camarade events, bonding between those making the works and witnessing them.

The actual work was a little different than normal, a little more mixed, but many of the poets, 5 in fact, were giving their first ever readings, as I’d met them through their work in different fields, around poetry, me feeling the poetry in their work, or through courses I’d run at a few different institutions. This created a valley peak feel to the outputs, which can be better, at times, to offer contrast in not only rhythm, but style. But it was a captivating mass, energised, intense, various, experimental. And it bodes well for the project, The European Poetry Festival, and it’s next full festival coming in April 2019. www.europeanpoetryfestival.com/eurocamarade

eurocamarade.jpg

A note on: The University Camarade III was brilliant

A very special evening at the rich mix, the third time ive put this event together, with students from all over the UK. As ever, collaboration absolutely engenders friendships while producing challenging, idiosyncratic poetry. The students involved were universally excellent, brave, bold and the evening left a real impression on the audience, and I think, I hope, on the rest of their poetry / writing / performing lives. I believe sincerely that opportunity is what shapes people's journey and growth, and this event gives people young in their experience a real urge to go into new spaces. 

I was especially content with the showing of my students, who we and are markedly their own, which is all I want from them, to expand and explore their own paths, with some erratic guidance www.theenemiesproject.com/unicamarade / www.writerscentrekingston.com/richmix

A note on: Performing at Ledbury Poetry Festival 2017

Ledbury Poetry festival is an internationally renowned fest, one entering its 21st year in fact, and for my first time attending I was happy to perform and organise a small Camarade with poets local to the festival or tied to it in some fashion. Set in the beautiful Malvern hills its very much a festival aligned with the more formal in British poetry than myself and the Enemies project, but as I’ve repeated a lot -my tastes and work is what it is for my own ends but that can only exist within the range and width and panoply of traditions, and it’d be hypocritical to not seek out difference in poetry, to not always be open to generous invitations, and be ready to listen and learn and discover what people are writing. I found the festival to be utterly welcoming, hospitable and full of interesting work. Myself and 11 other poets in the Camarade were treated so well, we had a lovely audience in the Market Theatre, a great space and in fact were asked to be the very last, 87th, event of this 10 day incarnation of the festival. My work with Harry Man, one of my closest friends in poetry, went down well and though my visit was brief, it was a really positive experience.

A note on: The South Korean Enemies project was very cool

Such a great group of people to work with Seryu Oh, Chaikwan Lee and all the folk from the WOW festival who will host myself, Hannah Silva and Luke Kennard in September following this duo of events in London at the start of June. Check it out proper here http://www.theenemiesproject.com/southkorea

Friday night was a panel talk in the very jazzy Korean Cultural Centre in central London. It was crazy at times, 2 hours or more of winding chat, swearing, funny questions, in a hot basement without a break, but the discovery of the poets from South Korean in the project - Kiwan Sung, Minjung Kim and Hwang Yuwon - was fantastic, so talented and sooo funny all three of them. Such a great vibe immediately upon our meeting, a great laugh, and Kiwan and I worked out our collaboration that night.

Saturday night was the big event at Rich with loads of pairs. Kiwan recorded my heartbeat live, then his own, merged them with a live coding programme the audience could see before I sounded out the consonants our our alphabet and he did the vowels, while I held the camera. Was peachy. All the pairs were great in fact and we went out afterwards to solidify our new poet friendship over tapas. What more can one ask for?

A note on: On Monocle 24 radio discussing poetry

Had a fun burst of gab chatting with the folk at Monocle Radio about internationalism, collaboration, poetry and stuff that's done wrong / right to change people's perception of poetry in the UK, if that's even desirable. Broadcasts 7.30pm on May 29th 2017 and then available as a podcast after that

https://monocle.com/radio/shows/culture-with-robert-bound/294/

A note on : European Poetry Night London 2017

One of the best events I’ve put on for awhile, one of the best Enemies ever by all accounts. Over 130 people packed into Rich Mix, 13 new collaborations from 26 poets from over 12 nations across Europe. It was intense, energetic, original and still open, welcoming, engaging. Having organised two events the two nights previous on the same continental theme, taken everyone visiting London to dinner the night before, to show a wee bit of all too rare London hospitality, and then having a collaboration on myself, it would be fair to say in the buildup, I was busy. In the end it was smooth as you like. www.theenemiesproject.com/epn

My collaboration with Ásta Fanney SigurðardóttirAsta was one my favourite performances I’ve done. We worked on it very sporadically, so much of it open to improvisation just moments before, much of it fleshed out in a stairwell in the venue. This kind of liveness and intensity gave the piece something, and the control of tone, the pace, the balance and rhythm of delivery really seemed to work. The big turn at the heart of the piece, and the satire driving it seemed to surprise / resonate with the audience. Always something special working with Asta.

By the end in the bars of Brick Lane, many new friendships had been made and there was the distinct payoff such endeavours occasionally provide – the feeling something special, something small and transitory, but none the less special, had taken place.

A note on : European Poetry Night Norwich 2017

As part of three days of European poetry celebrations last week I had the pleasure of accompanying four Scandinavians poets to Norwich, to read at an event I organised, which also drew in local Europeans, in the camarade model, in pairs. The night was brilliant, full of energy and warmth. I met lots of poets new to me, and reconnected with many friends. We had a grand turnout thanks to the Nordlit seminar on translation which had been taking place that day, hosted by those who had kindly hosted us, Writers Centre Norwich and the International Litcase Showcase. http://www.theenemiesproject.com/norwich

I collaborated for the fourth time with Ásta Fanney Sigurðardóttir. We’ve only known each other for just over a year, but our collaborative magic feels many years deep. We put on a kind of Eurovision Poetry Contest, or hosted something to that effect. As ever, Asta’s rare energy and invention told, it was a weirdly beautiful piece of poetry theatre.

We were shown great hospitality too, with Dan, Endre, Martin, Asta and I taken to dinner, and then out on the town for many hours after the event. Always wonderful people to work with, Jonathan Morley, Sam Ruddock and everyone involved made sure the beginning of EPN was memorable.

A note on: South Korean Enemies Project - June 3rd in London

This is a project I am delighted has come off the ground, it features a second leg in South Korea too, which will be my first time there and a grand privilege.

www.theenemiesproject.com/southkorea

Three of South Korea's most brilliant and innovative contemporary poets visit London for a dynamic new collaborative project, where they will present new live works created in cahoots with British poets. Introducing South Korean writers Yuwon Hwang, Minjung Kim and Kiwan Sung, all three remarkably original poets and artists, to a British audience this headline event at Rich Mix London will feature new works for the night, as well as new collaborations from multiple pairs of locally based poets .

Hannah Silva and Minjung Kim / Kiwan Sung and SJ Fowler / Luke Kennard and Yuwon Hwang plus Edward Doegar and Anna Selby / Dacy Lim and Cheryl Moskowitz / Dorothy Lehane & Elinor Cleghorn / Joe Turrent & more

With a program visiting both nations, Beyond Words will explore the 21st century international avant garde which has seen poetic pracitioners engage in performance and collaboration in a way never seen before.

Beyond Words is part of UK/Korea Creative Futures series, sponsored by ARKO (Arts Council Korea) and ACE (Arts Council England). Curated by Seryu Oh, Hyounjin Lee, SJ Fowler and Chaikwan Lee.

A note on: European Poetry Night! May 6th in London

European Poetry Night : London
Rich Mix : May Saturday 6th : 7.30pm

www.theenemiesproject.com/epn

An opportunity to see some of the most exciting contemporary poets from all over Europe, as over 20 poets travel to London to share new collaborative poems, premiered on the night, in pairs, across languages, styles & nations. These are some of the most dynamic literary and avant-garde poets of the 21st century, celebrating the potential of collaboration to generate truly innovative poetry and work firmly against the divisive idea of a reduced closeness of spirit across our continent. Curated by SJ Fowler. 

European Poetry Night 2017 in London. May Saturday 6th: Rich Mix
7.30pm - Free Entry. 35-47 Bethnal Green Road, London E1 6LA


Bas Kwakman & Jen Calleja  /  Kinga Toth & Simon Pomery  /  Endre Ruset & Harry Man  /  Alessandro Burbank & Max Hofler  /  Ásta Fanney Sigurðardóttir & SJ Fowler  /  Theodoros Chiotis & Vanni Bianconi  /  Tom Jenks & Weronika Lewandowska  /  Henriette Støren & Astra Papachristodoulou  /  Livia Franchini & Maarten van der Graaf  /  Frank Keizer & Dan Aleksander Ramberg Andersen  /  Damir Sodan & Tomica Bajsic  /  Iris Colomb & Serena Braida 

The European Poetry Night is supported by Arts Council England, NORLA, The Royal Norwegian Embassy, Dutch Foundation for Literature, Institut Francais London, Austrian Cultural Forum London and many generous others. www.theenemiesproject.com/epn


Presented by The Enemies Project, European Poetry Night is actually one of three events in three nights on the European theme, creating a mini-festival of sorts. This begins in Norwich Writers Centre on May Thursday 4th before going on to Libreria Bookshop on May Friday 5th. All events are free. Details below.

European Poetry Night : Norwich - Writers' Centre Norwich
May Thursday 4th : Doors 6pm for 6.30pm start. Entrance Free. 
Dragon Hall, 115-123 King St, Norwich NR1 1QE www.theenemiesproject.com/norwich

EPN Norwich features brand new collaborative works of poetry from pairs of poets drawn from different European nations visiting for the event and as well as many local to Norwich too. Supported by Writers Centre Norwich and the International Literature Showcase. Featuring:

Martin Glaz Serup & Jeremy Noel-Tod  /  Endre Ruset & Rebecca Tamas  /  Jonathan Morley & Dan Aleksander Ramberg Andersen  /  Ásta Fanney Sigurðardóttir & SJ Fowler  /  Alison Graham & Matthew Gregory  /  Chris Hamilton-Emery & Richard Lambert  /  Zein Sa'dedin & Sarra Said-Wardell  /  Doug Jones & Sam Jordison  /  Andrew Wells & Nathan Hamilton  / Emily Willis & Olivia Walwyn


May Friday 5th : European Poetry at Libreria
7:00 pm - 9:00 pm / Free Entry / 65 Hanbury St, London E1 5JP
http://www.theenemiesproject.com/libreria
Readings from some of Europe's most innovative and dynamic poets, visiting London from a half dozen European nations. This event will celebrate the shared literary tradition of our continent with truly contemporary readings and performances in one of London's most beautiful bookshops. 

A note on: The University Camarade II

The future is in good hands if this event is any indication. Though ostensibly about pairing students across the country, and allowing them to experiment / collaborate / create new friendships, what it is really about is giving a platform to younger poets who might be locked into the boundaries that come with being a 'creative writing' student or in a university. It's just a way to discover people, to see them shine, and they were really remarkable on this occasion, all 22 poets, from all over the UK. A really resonant evening, all the videos are here www.theenemiesproject.com/unicamarade worth watching.

A note on: Fiender, performing with Aase Berg

I enjoy collaborating with Aase Berg. We put on something conceptual, something about surprise, coldness, fakery, a satire I suppose, about the opinions of others. And about liveness against the page. A new work for the new audience. We had fun doing so.

This event was a return to the Camarade Harry Man and I put together at the Stockholm International Poetry fest last November, but this time, in enemies project style, pulling in 20 poets in all, 3 from swedeland, and a 100 people to witness the 10 new works. It was a fun evening, full of energy. All the videos www.theenemiesproject.com/fiender

A note on: Fiender - Swedish Enemies in London - January 28th

Fiender: Swedish Enemies in London - Rich Mix : Saturday January 28th 2017
Free entry 7.30pm - 35-47 Bethnal Green Rd, London E1 6LA

www.theenemiesproject.com/fiender

Brand new collaborations of poetry and text for one night only, written by pairs of poets commissioned for this unique literary event. Visiting Swedish poets will present new works of avant-garde and literary poetry with their British counterparts alongside other 'Camarade' pairs especially for the evening. 

Featuring: Aase Berg & SJ Fowler - Harry Man & Jonas Gren - Elis Burrau & Holly Corfield Carr - Kathryn Maris & Patrick Mackie - Fabian Peake & Jeff Hilson - Nick Murray & Joe Turrent - Prudence Chamberlain & Eley Williams - Hannah Lowe & Richard Scott - Annie Katchinska & Mark Waldron & more

Fiender: Swedish Enemies is multifaceted transnational collaborative poetry project engaging poets from both Sweden and the UK. Taking place in both nations across 2016 and 2017, Fiender is an ambitious, exploratory engagement with contemporary poets across Europe.

Curated by Harry Man and SJ Fowler, with curatorial assistance from Emanuel Holm and Madeleine Grive. Supported by Arts Council Sweden. www.theenemiesproject.com

A note on: Performing in Stockholm with Aase Berg

Read the full writeup here with all the videos and pictures www.stevenjfowler.com/sweden 10tal's Stockholm International Poetry Festival - November 22nd 2016

An inspiring burst of collaborative performative energy and invention in the Swedish capital for the Fiender project at the 20th anniversary of 10tal’s famed Stockholm International Poetry Festival. Six months in the planning, curated by myself, Harry Man and festival director Madeleine Grive and Emanuel Holm, this was a intense experience, with nothing but fascinating people in attendance at the fest and a genuinely resonant team feeling to the collaborations.

I had the pleasure of working on a new poem performance with Aase Berg, without overstatement one of the most interesting European poets of the last twenty years, whom I’d interviewed for my Maintenant series just after I started writing really. Our correspondence collaboration broke through powerfully when she suggested we might work on the notion of guiltlessness, the quality, or characteristic rather, of being cold, unemotional and somehow shading psychopathy, so rarely admitted in contemporary arts circles (!). I share such a suspicious about myself, that I have an empty chasm in my chest sometimes and am capable of terrible deeds, simply fenced in by a comfortable life and very little stress and opportunity to render harm, and we quickly wrote something akin to a miniplay made up of poems, a test to give out to the audience and conceptual acts. In real time we put all this together on the day really, in the hotel an hour or two before performance. It came together beautifully. Aase was the cold dictatorial matriarch and me the kvetching jelly, at various times lying face down on stage, taking the fetal position and drooling on myself. It was awkward in the best way possible.

A note on: Fiender at the 20th Stockholm Internationella Poesifestival

Visit www.theenemiesproject.com/fiender for more specific info

"With this year’s Jubilee Festival we wish to draw attention – with gravity, sensitivity and intellect – to poetry in its many shapes as a living and constantly changing art form through which we peer inwards into the human mind and outwards unto the incredible Universe. Our aim has been to present a succinct but also light programme, where each individual reading and performance gets the focus it deserves whether it is poetry, music, dance or talks. Come along with us inside the theatre house and move freely between programme points, the beautiful theatre foyer, the bar and the restaurant!
.... We have invited poets from South Korea, Colombia, Belgium, Norway, Denmark, Finland and Great Britain. We present the result of a workshop that is running during the festival – the unique performance Fiender (Enemies), with three British and three Swedish authors. AKT UNG! – the scene for young, Swedish poetry – has its fifth anniversary and will show how very lively the young poetry is. We present poets that have been with us from the start, but also many new voices, who will take poetry into the future. Welcome to enjoy three days of literary art! = Madeleine Grive, Artistic Director and Editor-In-Chief"


Programme - Tuesday 22 November - 9 pm
Poetry Performance: Fiender (Enemies)

Six innovative poets from Great Britain and Sweden have collaboratively written poems that are performed in pairs in a unified performance: Aase Berg (SWE) and Steven J Fowler (UK), Jonas Gren (SWE) and Harry Man (UK), Elis Burrau (SWE) and Holly Corfield Carr (UK).

A note on: performing with Phil Minton

An amazing privilege to perform an improvised sound poetry piece with the legendary Phil Minton on October Friday 7th 2016 at Kings Place, London.

For over fifty years Phil Minton has been performing, singing, vocalising around the world. He absolutely has shaped, even defined, free vocalisation and improvised sound poetry since WWII. To get to work with him for the first time, with no prior preparation, no conversation about what we'd do before the performance even, was such an honour, and beautiful / terrifying in equal measure. So important for me to feel I'm crossing over with the greats of previous generations. This was a real landmark for me. There's more pictures like this beautiful pair below by Ed Prosser on www.stevenjfowler.com/soundings

A great night overall too, closing out the Hubbub residency in a sense, with some fine work from James Wilkes, Emma Bennett, Phaedra ensemble and others making it a varied and intense evening of performance.

 

A note on: Jerwood Open Forest with David Rickard - Part #1

Over the last few months I've had the opportunity and pleasure to work with the artist David Rickard, in quite an inspiring context. David, whose remarkable career as artist has been marked by a particularly complex and deft relationship to space, object, architecture and process, has been shortlisted for the Jerwood Open Forest scheme.

After being shortlisted for his idea David, very generously, began a conversation about how poetry might find a place in his idea. His proposal was to engage with Fielder Forest in Northumberland and create a trail throughout unmarked woods. The rail would be made of a reclaimed house or building, stripped and dissembled into the very rawest wood of a structure, bare planks, and on each of these planks, following a carefully selected route, would be inscribed one word. This trail would then be read as it is followed, neither a narrative, or a poem, or a story, but all of these. And then, vitally, the trail and its posts would rot, become once again the forest, and so my words would be edited by the very forest itself.

From the Jerwood Open Forest blog, David wrote: "Returnings: 29 Jul 2016 - So far my search for a forest has been headed simultaneously in two very different directions. Firstly, for a growing, photosynthesising cluster of trees, a forest in the current tense and secondly for a building with timber bones, a forest in the past sense. Eventually these two will come together, but for now they are poles apart. The living forest will be a plantation, established and grown for the eventual yield of its timber and Kielder Forest has been identified as the prime candidate – an expanse of 600 square kilometres of forest stretching across the northern half of Northumberland.

In parallel there have been conversations with demolition contractors, with names like Titan and Redhammer, and the hunt is on to establish how we can find a suitable building that will form the fabric of the installation. It will be a timber structure that has come to the end of its functional life and is ready for a return trip to its place of origin.

Carved into the surfaces of the beams and boards will be words.  One word on each piece, which together form an expansive poem with no beginning or ending; a meandering narrative that flows through the circuitous journey that the timber has taken. The voice of these words will be S J Fowler, a contemporary English poet that has agreed to collaborate on the creation of ‘Returnings’. Now there are fragments; a forest, a hunt for a building and words. There’s still a lot to do before these fragments combine to form a work."

A note on: Soundings #6 with Sharon Gal

The Soundings project comes to an end for the time being this October with the 7th instalment and the end of the Hubbub residency and I've had an extraordinary time collaborating with 6 artists so far, the latest being Sharon Gal, a major figure on the London experimental music scene since the late 80s.

This is a work I'm very proud of. Sharon's work has been a real influence on me, so it was brilliant to work so closely with her developing a series of performances, embedded in some unusual and industrial / suburban hidden spots of west london, for film. Again working with Ed Prosser, who has filmed most of soundings to great effect, we spent a brilliant day roaming from Kilburn to Kensal, along the grand union canal and into wormwood scrubs, playing with soundscapes, found sounds and instruments. We utilised the possibilities of film, performing in scenes of a sort, to create something original in the edit. Such a privilege to have this opportunity, and once again responding to materials given by Wellcome Library in response to prompts given by Hubbub curators.

A note on: South West Poetry Tour - St Ives, Falmouth, Dartington

For latest blogs on the tour visit www.stevenjfowler.com/southwest 

A collaborative poetry tour of Cornwall, Devon and Somerset spread over a week in August 2016. A project I co-curated with Camilla Nelson, bringing over 70 poets together over 5 nights, the first Enemies project style tour I've done in England, writing new works every night with core poets JR CarpenterJohn HallMatti SpenceAnnabel Banks and Camilla herself.  It was a memorable week, a return to old places and friends, and the beginning of new ventures. For much more information and documentation visithttp://www.theenemiesproject.com/southwest

St Ives - August 1st 2016

I was born in Cornwall, in Truro, and I grew up as a small child in Newquay. This was the first reading I'd ever given in the county and the first time I had been back since I was a teenager. St Ives, famous for its artistic community, welcomed us with torrential rain. Annabel Banks drove me from London, picking up other poets on the way, for a rare and joyful road trip south. We arrived at night, nearly ten hours on the road, and accommodation famously being at a premium in one of the UK's summer tourism hotspots, I jumped out of the car in a dark lane to enter a property called the hobbit hole, which was a shed with a bed in a garden. Actually quite fun to live, briefly, like a hobbit.

The reading itself was held at the Barbara Hepworth museum, and supported by Tate St Ives. I was told afterwards that we were in the very room in which Barbara Hepworth died of smoke inhalation. Surrounded by her sculptures, it was an unforgettable space to read within. I met many poets for the first time, some after long correspondence, met the core touring poets as a group for the first time, and had the great pleasure to read with John Hall. His work has been influential on my own ever since I began to trace the line of my own interests back through British poetry to the 60s and before. He published his first book in 1968, and his rare poise, presence and judgement as a poet and a person was great to share, if briefly, as we read our piece in such a special room. I tried simply to follow his rhythm, his play with silence and pause and I felt very comfortable in that space, almost not like a reading for me, closer to a performance of reading.

St Ives provided a fascinating beginning to the tour, quite intense in a strange way - the weather, the tourists, sleeping in a shed, bombarded with new faces and hearing new poetry and being responsible for that. Already a sense that things are moving quickly, picking up steam, switching modes to performance and travel, and to start this near the very foot of the country, to work north, as feels natural to me.

Falmouth - August 2nd 2016

A journey across Cornwall, weather lightening, energy rising, travelling with Camilla, a remarkable poet and immensely organised and responsible as a co-curator. Luxurious accommodation too, with a landlady who even came to the reading and insisted on baking me vegan cookies. We were housed at The Poly for the event, with young, helpful, accommodating staff. And I got to work with Matti Spence, a fascinating and generous man, a fine poet. I first met him after he returned to London from some years away in Australia and after he had studied a UEA. Completely assured and singular, while being essentially warm hearted, Matti is a peer to learn from. We wrote a poem I was very happy with and decided then to turn it performatively, breaking the fourth wall, and using the assumed context of the reading against the audience, in a light-hearted way. A lovely touch for me was that my old friend and collaborator Thomas Duggan attended, his studio being deep in the Cornish countryside, and I hugged him mid reading. Everyone seemed lifted by the event, the format of collaboration once again creating ties and bonding people from different scenes and styles. 

Dartington - August 3rd 2016

Back into Devon, driving up with Camilla and Matti, skirting Dartmoor, crossing the Tamar, heading to Schumacher College, near where I grew up as a teenager in Exeter. Another strange return, but realising on the tour that it isn't a return when the company and purpose is utterly new. And in Dartington it felt the most fresh, like I had not been to this part of England before. This is perhaps because Schumacher College is so unique, set apart in the countryside, an ecosystem unto itself. Staying in dorms too, cells, made the experience feel really embedded and somehow enclosed. This was a remarkable evening of poetry too, a full house again, with some brilliant collaborations highlighting an evening that felt complete, energised, memorable. It was inevitable the lineage of Dartington College of Arts would cast a spell on the reading, and so many in the room had ties to that institution (more here on that), and multi-disciplinary practise and performance art was a key feature of the collaborations. 

Collaborating with JR Carpenter was a blast. We took a text she had generated with her computer, basically three simple phrases and then, introducing ourselves with a little bit of water pouring, on theme, used repetition to build an improvisational structure. I love this kind of work, completely open, free and high pressured. It requires time and expertise to do well, and can be a dud on the wrong night. This wasn't, it flowed, as we leaned into each other, swaying slightly, the clear purpose of the work was well expressed, well received and seemed all the more satisfying to me because in a way, it was a small work, miniature and light. It represented the moment, it was of the space, and very much a product of the tour.

We finished the evening in the White Hart, where Dartington College of Art, before it's merger with Falmouth University in 2010, held many events, many long nights. I sat with John Hall, who taught at the institution for 34 years, and he told me of the poets who had read in the room and the history of the place. It felt a very special privilege to hear that from him and to imagine our event as a small, brief, resurgence of that tradition in the area.

A note on: filming Soundings #6 with Sharon Gal

The Soundings project comes to an end for the time being this October with the 7th instalment and the end of the Hubbub residency and I've had an extraordinary time collaborating with 6 artists so far, the latest being Sharon Gal, a major figure on the London experimental music scene since the late 80s. Sharon's work has been a real influence on me, so it was brilliant to work so closely with her developing a series of performances, embedded in some unusual and industrial / suburban hidden spots of west london, for film. Again working with Ed Prosser, who has filmed most of soundings to great effect, we spent a brilliant day roaming from Kilburn to Kensal, along the grand union canal and into wormwood scrubs, playing with soundscapes, found sounds and instruments. We utilised the possibilities of film, performing in scenes of a sort, to create something original in the edit. Such a privilege to have this opportunity, and once again responding to materials given by Wellcome Library in response to prompts given by Hubbub curators.