European Poetry Festival 2023 : program announced

A note on : EPF 2021, collaborating with Clea Chopard

An extraordinary poet and performer Clea Chopard is. I was lucky to work with her and I’m happy with how our collaboration turned out. Clea is brilliant with concepts and a really adapt improviser, so we worked up a couple of ideas and let it happen on the night, having met a few hours before for the first time. There was a levity in it, an ease, that is a credit to her skill and confidence. From translation to art poetry to talking performance to a kind of dance, and then being a poem burrito, human gift wrap, live walking poem board…

A note on : Swiss brilliance at the Rich Mix, European Poetry Festival winter 2021 opens

A really great night, a remarkable opening event to the winter 2021 European Poetry Festival in London, celebrating contemporary Swiss poetry with performance and collaboration. We had a pretty much full capacity audience witnessed the new works made for the night by eight pairs of poets. The audience were really generous and by the end everyone seemed proper happy. All the videos and photos are online here www.europeanpoetryfestival.com/swiss

A note on : European Poetry Festival begins in 10 days, with Swiss then Norwegian poets!

EUROPEAN POETRY FESTIVAL : SWITZERLAND
November Saturday 20th at Rich Mix, London
www.europeanpoetryfestival.com/swiss

7pm doors / Free Entrance : EPF 2021 begins with an event centered around visiting contemporary Swiss poets presenting brand new performance collaborations with British-based counterparts, made for the night, at one of East London’s most iconic poetry venues. With Baptiste Gaillard & Vik Shirley / Rolf Hermann and Joe Dunthorne / Clea Chopard & SJ Fowler / Ghazal Mosadeq and Simona Nastac / Mikael Buck and Michael O’Mahony / Vanessa Onwuemezi and Martin Wakefield / Ana Seferovic and Konstantinos Papacharalampos & more. Supported by Pro Helvetia.

EUROPEAN POETRY FESTIVAL : NORWAY
November tuesday 23rd at Open Ealing, London
www.europeanpoetryfestival.com/norway

7pm doors / Free Entrance : EPF 2021 continues with a celebration of contemporary Norwegian poetry, in collaboration. New performance poems made in tandem for this event will be presented across styles and languages. With Endre Ruset & Harry Man / Bjørn Vatne & Richard Marshall / Jon Ståle Ritland & JT Welsch / Maren Nygård & Susie Campbell / Silje Ree & Maria Celina Val / Tamar Yoseloff & Alison Gill / Chris Kerr & Virna Teixeira. Supported by The Norwegian Embassy UK and NORLA. The event will also serve as a launch for Utøya Thereafter : Poems in Memory of the 2011 Norway Attacks by Harry Man and Endre Ruset available from Hercules Editions

New course : Live Poetry and Performance, begins October 3rd

Live Poetries and Performance : an online course

Begins October 3rd 2021, running for 6 weeks. £200. All info here https://www.poembrut.com/courses

Sound Poetry, dance-poetry, video-poetry, theatre-poetry. Reading, recitation, installation, improvisation. Live collaboration and performance literature - Every live poem is a new work and poetry began in sound. Comprehensively reflecting upon an artform borne of liveness, this course will explore readings, recitation, installations, dramaturgy, sound poetry, dance, music, collaboration and performance - delving into what is possible when the poet mindfully explores the body, the voice, time, space, presence and absence, technology and the immutable idea of the audience.

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Not a course aimed at extraverts, this course will be a practical, as well as conceptual, journey through what is often erroneously second in the poet's arsenal. What is the meaning of a poem spoken and heard, over written and the read? What are the possibilities of recorded or installed poems? Why has the 21st century seen a grand resurgence in performance literature, which takes live art as inspiration? We will examine the art of public reading, improvisation, talking performances, scripts and scores, as well as orchestration and planning.

This course will emphasise method. Participants will be sent a succinct document of resources once a week – ideas, examples, concepts, history, accompanied by exercises or prompts. Then, on a private blog-forum, responses - including written poems, video and audio recordings, images, scores, notations and performance plans - can be posted, with comments and feedback from all involved. When the course finishes, an event will consolidate that which everyone has produced.

Backed up with case studies on a swathe of brilliant poet performers or those who wrote with liveness in mind - from Samuel Beckett to Peter Handke, Marina Abramovic to Elaine Mitchener, Bob Cobbing to bp nichol, Maja Jantar to Jonathan Burrows and many many others- this course with expand the knowledge of those familiar with live events and offer strategies to those looking to tread boards.

Published : a tool to express bafflement, an interview for Shuddhashar

An interview with the brilliant Tutul, otherwise known as Ahmedur Rashid Chowdhury, whose work I got to know running the English PEN festival, hearing of how he had to flee Bangladesh. I was obviously really happy then to be asked to provide a selection of my poems, that I considered political, alongside an interview, with questions standardised for the many excellent poets featuring in this special edition of Tutul’s online magazine - Shuddhashar. The entire issue can be seen here, https://shuddhashar.com/magazine/issue-25-political-poetry/, with some great poets involved.

My interview specifically is here, and below, https://shuddhashar.com/a-tool-to-express-bafflement/

As mentioned, it includes 7 poems, taken from the collections A Guide to Being Bear Aware, The Rottweiler’s Guide to the Dog Owner, The Wrestlers, {Enthusiasm} and Minimum Security Prison Dentistry. It’s a mini selected poems, drawing from those five books.

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European Poetry festival - summer 2021, a mini documentary

Nice to have this small documentary as a kind of gentle summation of the EPF summer 2021 program, which presented a quartet of events in London, returning to live happenings across the city. From our showcase Camarade, with 20 UK-baed European poets presenting new works in pairs at St Johns on Bethnal Green, to an outdoor reading in Richmond Park and events held in collaboration with the Scottish Poetry Library, Peer Gallery and more. All events were free to attend and socially distanced.

The EPF will return in winter 2021, November 18th to December 3rd with events featuring international poets from across the continent, with events celebrating Austrian, Swiss, Spanish, Latvian, Hungarian, Swedish, Norwegian poets and more. https://www.europeanpoetryfestival.com/

Published : Flowers Won't Grow, with Karenjit Sandhu

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Flowers Won't Grow, by Karenjit Sandhu and I, is now available from Sampson Low https://sampsonlow.co/2021/06/21/flowers-wont-grow-karenjit-sandhu-sj-fowler/

35 pages of poetry printed in a limited edition of 150. £4.99.

From the publisher “A unique epistolary poetry collection and a collaborative feat of rare acumen, Flowers Won’t Grow contemplates mundanity and gratitude with a mix of polite curiosity and tender contempt. The lettered, prose-ish poems of Sandhu and Fowler speak to a luminous private public exchange, and the writeable unspeakables of a long London summer. These are playful, complex poems, of a city, of soap and fizzy water, of a search for commonality in quiet, of paper birds and hardened workers. www.stevenjfowler.com/flowers

“‘Exchanges, transfers and transferrals of intimacy and stark urgency – a work of posed questions, thumbed noses and drawn blood’.
Eley Williams
‘This is a nurse’s attention on a knife edge. A pin-prick of address, a poem that says “let’s get out of here” to and about itself. Everything is external, but you can’t get outside, even if you don’t what to know what’s inside. It’s a hostile take over of mundane objects and day-to-day experience in a language that asks us to settle for fruit syrup but reaches beyond to the universe’
Prudence Bussey-Chamberlain

The book was written across 2019, in what seems now a fever of activity and exchange, for this collaboration and in my work in general, and then revised in 2021 for publication. Karenjit is a really excellent writer and performer and I think the text is really good – playful, ludic, knotty.

It's the third in a series of collaborative pamplets with Sampson Low, following Beastings and Crowfinger, and as ever before, Alban Low has done a remarkable job bringing this to life.

Karenjit and I had two launches, following two performances of the text in late 2019. The first was in Richmond Park and the second in Hoxton Trust Gardens, both as part of the European Poetry Festival. Both performances included an exchange of reading and action between us, with very loose suggestions beforehand, and much completely improvised. For both I did forward rolls and some leaping and running, why I did this is a mystery.

EPF 2021 : Event #1 - Writers Kingston in Richmond Park

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The European Poetry Festival 2021 opened with the last event of the Writers Kingston program for the academic year. I led around 50 people from the Richmond gate of the park into the long grass, where some were eaten by insects and others haayfevered, but most seemed happy. We then had over a dozen performances from a range of poets, many local to the Kingston area, many students and member of the popogrou collective.

Four publications were also launched this night, by Sylee Gore in absentia, Nina Fidry, Patrick Cosgrove and myself and Karenjit Sandhu.

Watching the sun go down over the park, it was an atmospheric start to the festival punctuated by a genuine feeling of camaraderie and some fantastic live works. All performances are video’s here https://www.europeanpoetryfestival.com/writerskingston

Published : 2nd edition of 1000 proverbs and Knives Forks and Spoons books

In 2015 I published a full length conceptual collaborative book with my nemesis Tom Jenks. We sent each other warped poetry proverbs, one liners, for a few years, and Knives Forks and Spoons press, headed up by Alec Newman, put it out. It was a poetry society book recommendation and recently sold out of its print run. Took 5 years but none the less, it has been printed in a 2nd edition, with a fancy new cover, see images. I am delighted, as Tom and I continue our collaborations. It also made me reflect on how important Knives Forks and Spoons press has been to my own work and development. In the image below you can see the six books I have published with them. One of my three debut collections (I released three in the same summer) Red Museum, amongst four collaborative volumes and an early Fights pamphlet. I think if Alec hadn’t have supported my work around this time 2010, 2011, then perhaps I wouldn’t have become as overconfident with publishing as I have. But seriously, his faith in me did me a huge boost and I’m very proud to be associated with what the press has continued to do over the last decade. Visit them https://www.knivesforksandspoonspress.co.uk/

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A note on : The Printed Poetry Project

A new page dedicated to the PPP www.stevenjfowler.com/ppp

Aiming to create overlaps between poetry and letterpress, as well as publishing and book arts, I’m lucky to be the poet at the centre of this project so far, thanks to Angie Butler and Sarah Bodman. Evolving organically over many months of correspondence, the PPP is creating a generous, generative space for real collaboration between those with the expertise to realise printed matter and those who might write the poems within.

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Supported by the Centre for Fine Print Research at UWE, Bristol, the current form of the project is really the brainchild of Angie Butler and has taken in, so far, a short residency at The Whittington press working with Pat Randle of Nomad Letterpress in May 2021.

This will be followed with a limited edition publication, entitled 25 poems, which was written during, and about, the project, before being collaboratively typeset and printed by Angie and Pat. This will be followed by an ambitious symposium in October 2021 and more happenings into the future.

A full diary of my time in Bristol is a available too, www.stevenjfowler.com/ppp, an excerpt here “The process then was a whirl. The evenings in my airbnb, doing long runs through Bristolian suburbs, the sharing of ideas with Sarah Bodman and the the postgraduate students at UWE, and the conversations with Angie, both for an online event and in her motorcar - these all fed into the poems I wrote, that were to be finished in this week so they could be printed there and then! We found an old cast in the press that said ‘25 poems’, next to an image of a cock and bull, and i leapt on this as the title. So 25 poems. A perfect chance for me to exorcise a desire to write one word poems I thought, following Aram Saroyan and 16 were created, for the opening and closes pages. Then notes, fragments, overheard conversations, things I thought when I was not thinking, these began coming together for the remaining 9 poems - with a sense always of the vernacular of letterpress and printing, of the terminology, the vocabulary, the intense sense of workable knowledge.

A note on : Photo Poetry Surfaces and the Bristol Photo Festival

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very cool to be a part of this project celebrating photo poetry, something ive been working away at the last half decade, teaching, sharing publishing https://www.photopoetrysurfaces.com/

my work with Norwegian poet Bard Torgersen - CROWFINGER - will be part of the exhibition online and I’ll be appearing at the online event on June 17th. www.bristolphotofestival.org/photopoetry

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As part of the Bristol Photo Festival 2021, the Photo Poetry SURFACES (photo-visual-poetics) activities (curated by David Solo, Astra Papachristodoulou and Paul Hawkins) will be exploring and presenting a range of works. The programs will include mapping out the range of combinations (and sometimes going outside the lines), exhibiting a selection of current examples and presenting mixed media presentations of the work. We’re also hosting conversations about the nature of such collaborations, how such material may be “read” and looking at ways to assess or evaluate it.

A note on : poem of the day at National Poetry Library

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https://www.nationalpoetrylibrary.org.uk/online-poetry/poems/photographer

an unexpected thing, my poem The Photographer, taken from my 2014 book The Rottweiler’s Guide to the Dog Owner, has been featured on the National Poetry Library’s website as their poem of the day for May 5th 2021.

it’s an audio recording of the poem, one I gave years ago I think, I don’t remember. it’s a very short clipped work kind of about my friend alexander kell, who took the photo featured on the site, while we were both working at the british museum

A note on : Bristol - The Printed Poetry Project

Angie Butler at work

Angie Butler at work

I am very lucky indeed to have been working on a project with Angie Butler and Sarah Bodman at UWE in Bristol over the last number of months, since the summer of 2020 really, that will come to fruition in multiple instances throughout this year 2021. The Printed Poetry Project will see some collaborations, teaching, publications, conversation, conferences and the like, and it begins with my going to Bristol next week and working with Angie at the Whittington Press in Cheltenham https://whittingtonpressshop.com. What we create is ahead of us, but it’s the kind of project I really love, where i get to learn and work collectively and drain other people’s experience to open up new avenues in my own work. As part of my time in Bristol, I’ll be chatting with Angie in this online talk, which anyone can watch!

Print in Conversation: The Printed Poetry Project with Steven J Fowler: poet, writer and artist (13 May 2021)
https://cfpr.uwe.ac.uk/the-printed-poetry-project-with-steven-j-fowler/

Thursday 13 May 12.30pm – 1.15pm A free, open session for anyone to join. Part of the Art of the Maker event series : An informal lunchtime public engagement session, talking candidly with poet, writer and artist, Steven J Fowler about his collaborative research project-in-progress with the Centre for Fine Print Research (CFPR), UWE, Bristol. We will discuss Steven’s experience so far, in terms of the development of our project ideas and how the work has developed during the course of the week. We will explain how we are using the craft of type-setting and the process of letterpress printing in relation to the haptic production of the printed word within contemporary publishing activities. They’ll be time for Q&A, too!

Published : reading list massage (If A Leaf Falls press)

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Very happy to have a new pamphlet released with If a leaf falls press, in an edition of 60, entitled reading list massage.

It has sold out on the publisher’s site, Sam Riviere, but do go buy other titles https://www.samriviere.com/index.php?/together/if-a-leaf-falls-press/

I have a few copies spare, signed, and welcome enquiries if anyone wants one http://www.stevenjfowler.com/contact.

A few words on the book = “A succinct suite of minimal misspelled poems written for, and published by, Sam Riviere's If a leaf falls micropress. Fragments of speech, mis or unlabelled quotations and comforting typopoetry reference self-referentiality as a kind of brief, grim spectre descending upon writers and academics, in rare moments of lucidity, too clever by half.”

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The booklette was written a few years ago, and is constructed, in parts, of quotations, with my poetry written through. The tone was meant to be different than most of my literary work, ironising a personal subjective involvement in the poems a little bit, following people like Paul Blackburn, Ed Dorn. and Tom Raworth, who weren’t ironic, but acknowledged themselves in their poems with a raised eyebrow.

❧ If a Leaf Falls Press publishes limited edition titles with an emphasis on appropriative and procedural writing processes.

A note on : Edwin Morgan Centenary Concrete Poetry Poster

Such a pleasure to have been a tiny part of the 101 WORDS FOR EDWIN MORGAN CENTENARY concrete poetry POSTER OF 101 ONE WORD POEMS, edited brilliantly by Julie Johnstone and Greg Thomas.

“101 poets, artists, publishers, editors and researchers were invited to send a word or a one word poem for Edwin Morgan on the occasion of his centenary. This poster is published on what would have been his 101st birthday, 27 April 2021. The contributors were given the following instructions: Each “word” must be a straight horizontal line, fifteen characters maximum in length (no minimum length), and must not include any spaces. Each letter and punctuation mark counts as a character (think of it as having fifteen presses of a typewriter’s keys to work with, except for the return key and space bar). The poster design is based on an initial arrangement of words by character count, with each group of words then arranged in alphabetical order.”

My word was URSIGN, check out all contributors and more info https://juliejohnstone.com/edwinmorgan/

Published : Virtual Oasis, an AI anthology from Trickhouse Press

Very good yes to have a poem in a new anthology from Trickhouse Press, edited by Dan Power, who are publishing my new visual poetry brut book Sticker Poems soon in 2021. The anthology is entitled VIRTUAL OASIS and “is a collaboration between human writers and AI artists, a dream shared between machines both fleshy and fibre-optic. This anthology contains 23 original poems responding to automatically generated images.” Some brilliant people within, such as James Knight, Matthew Haigh, Robin Boothroyd, Sam Riviere, and Vik Shirley. Buy one here https://www.trickhousepress.com/product/virtual-oasis-/5?cs=true&cst=custom

A note on : an interview with David Spittle

oo i don’t half go on… the person encouraging me here, a friend and peer, david spittle, an expert no less in cinema and poetry, interviewed me for the specific purpose of helping me share context and knowledge on my new book COME AND SEE THE SONGS OF STRANGE DAYS : POEMS ON FILMS www.stevenjfowler.com/comeandsee

however we talked not just on that but on many things, and my history of publishing particularly, drawing back to my book fights, from ten long years ago. if you’ve a spare hour, well parts may entertain

A note on : A reading and why I write for Sun Seekers

Ana Seferovic has started an excellent new youtube and instagram channel called sun seekers, where she asks poets to respond to the question why they write and provide a short reading too. Below you can find my instalments in the series, reading a poem from my upcoming book Come and See the Songs of Strange Days and answering the question with a question, maybe, or with some scepticism perhaps. Ana is a brilliant poet too, do look up her work, and she’ll hopefully be part of this year’s European Poetry Festival. More on sun seekers here https://www.youtube.com/channel/UCmwsnHv_atKf_c4tpPoXwrQ/videos