A note on : Colin Herd reviews Crayon Poems on Adjacent Pineapple

Crayon Cover.jpg

Colin Herd has been gentle enough to review my latest poem-brut visual poetry book, CRAYON POEMS, at the online journal known as Adjacent Pineapple. Do read here, with excerpts below, https://www.adjacentpineapple.com/sj-fowler-review

“There's one piece, for example, called 'Way Overboard', in which a scrawl of letters congeals for me into "Water Board Confessions", "Water Bard Confessions", and "Watl baro confessions", with what could be three alphabet-creatures, teeth and eyes and tails in a squeeling "eee" I don't know what they're frightened of? Themselves?  Like Stephen Ratcliffe said of the drawing poems of Robert Grenier in Fowler's Crayon Poems, the "words are also physically in space". And because of that suddenly the kinds of tidy neat meaning arrangements we're so used to start to melt, bleed, congeal, emulsify etc. I think of these poems as events of a sort - they convey an immediacy of composition - the event of the drawing itself - but they also need to be sort of rubbed, felt with the eyes, in the event of the reading (as all poems do). ​

In another Crayon Poem, "Visual Rinse Wig", a green and blue fretwork of o's and smileys also includes a dr's note scribble: I think I can make out "it's good" or "I like chaos" or "to be good", "other" "commas", "another person's freeze"  

In an accompanying essay, Fowler emphasises crayons through their associations with childhood, the child-like freedom to "do text without planning": "If creatureliness drives the images in this book, then wonder drives the text"…

And the book can be purloined here https://penteractpress.com/store/crayon-poems-sj-fowler

A note on: The European Camarade & collaborating with Endre Ruset

All but 2 pairs had never met each other before the night itself. From the 18 poets participating, travelling in from 12 nations across the continent, virtually none had established friendships. Yet, by the end of the night, a night that went on long after I went home, it was clear that a community had been made and relationships which would last years had begun. I can't emphasise enough how the collaborative creative act and the diffusion of energy away from the singular, representative, pre-written poetry, creates closeness and community and energy and openness. Quite amazing to witness on this night, almost the perfect evidence for what I spend quite a lot of my time talking about, theorising behind the Enemies project. The most gratifying thing was the poets themselves feeling they had had a generous and memorable experience, one where they were treated with hospitality and due respect. For me it was a great privilege to see so many friends,  Christodoulos Makris, Gabriele Labanauskaite, Christoph Szalay, Valgerður Þóroddsdóttir, Ville Hytonen and co, whom I had only known before in their countries, or during a festival. And to meet so many new poets. Every collaboration was distinct and dynamic in it's own way and many remarked it was the best Camarade they'd been to. All the videos are here: http://www.theenemiesproject.com/europeancamarade

And working with Endre Ruset, a friend for many years now, was wonderful. We had written a poem with ascending lines corresponding to the Fibonacci sequence, and then planted lines with other poets in the audience, so as our collaboration grew in number, so the number of voices would multiply too, and become intermittently choral. 

It capped a great run for me with events and performances, each one has been a special experience and motivating to keep on, keep curating and creating together. And keep travelling, extending reach and asking poets from all over the world to visit us in London.

European Literature Night Edinburgh videos

More to come from the various and ambitious readings that took place across the city of Edinburgh on May 14th, but a good selection can be found here http://www.theenemiesproject.com/eln 

Including Colin Herd & I's launch of the collaboration poetry book celebrating the life of Oskar Kokoschka - Oberwildling. 

considering Kakania before the IV at the Austrian Cultural Forum

http://www.acflondon.org/literature-and-books/kakania-iv/ Book your place
March 26th Thursday 7pm!

Kakania has been one of the most satisfying curatorial experiences of my career, perhaps the most satisfying. It's not just that the concept was so lovingly taken up by all the artists I approached, and that there was such a groundswell of positive responses from the extensive audiences and readers and creative folk involved, but because it began ambitious, almost intimidatingly so, and yet is coming to a close feeling intimate, careful and thoroughly realised. It's hard to marry one's ambition to reality in these kind of art projects, but four events in, two books, 40 artists each with a new commission and it feels I've barely broke a sweat. Without being cloy, the genuinely amazing support of the Austrian Cultural Forum is a huge part of this.

The final event is not a culmination, it is, as each event has been, it's own entity, curated with it's own rhythm and feel, relative to the venue and artists. Yet, there is a natural build towards it. It is built on language works, poets, both new to Kakania and those who have acted as a sort of creative spine to the project, will be reading - Stephen Emmerson so beautifully engaging with Rilke (his son is called Rainer), Colin Herd so brilliantly evoking Kokoschka, George Szirtes born to write about Schnitzler. These poets are complimented with some radically different mediums, Josh Alexander with his abstract film on Paul Wittgenstein, Fabian Faltin with a conceptual performance on Otto Wagner and Ben Morris, a sound art beast, on Ernst Krenek. 

The point is to create a specific energy and experience throughout the evening that rests on complimentary and responsive artforms, artworks and artists. And more than that to show how powerful the connection is in 21st century London to the iconoclasts of early 20th century Vienna. Each work will speak to the next, as together they are far more about the artists through the ghost voices of their Habsburg predecessors, than the details of the individual artworks themselves. It'll be unique, come along

Kakania at the Horse Hospital - February 19th

Another extraordinary lineup of contemporary artists presenting new works responding to figures of Habsburg Vienna one century ago marks our third Kakania event, this time taking place at the iconic Horse Hospital in Bloomsbury, London. A host of artists I am very proud to present, coming from Vienna, Paris, Zagreb & elsewhere just for Kakania. Doors 7pm, for a 7.30 start.
 
Caroline Bergvall on Gustav Klimt
Martin Bakero on Arnold Schoenberg
Colin Herd on Oskar Kokoschka
Marcus Slease on Max Kurzweil
Damir Sodan on Gustav Mahler
Joerg Zemmler on Karl Kraus
Stephen Emmerson on Rainer Maria Rilke
 
Tickets, at £8, on the door, with info available here: http://www.thehorsehospital.com/now/kakania-iii/

More news soon on the launches of the Kakania anthology and Oberwilding: on the life of Oskar Kokoschka, both original publications made for the project, now in print and presented for the first time at the Freud Museum. As well as our last event on March 26th at the Austrian Cultural Forum, who must be thanked for their generous support of this project. www.kakania.co.uk / www.acflondon.org
 
I would also like to draw your attention to the awful news that the Horse Hospital, an endlessly innovative and generous home for avant garde artwork in London, for 20 years now, is in the process of being sold off. There is a campaign against this http://www.thehorsehospital.com/horse-hospital-to-be-sold/ Please support the HH in anyway you can.

the Auld Fold! 1st publication of 2015

As part of Kathrine Sowerby's beautiful Four Fold publication series, five of the core touring poets also produced this collaborative poem that was published in January 2015 as the Auld Fold, featuring nick-e melville, Colin Herd, Ryan Van Winkle, Ross Sutherland and SJ Fowler. https://fourdotfold.wordpress.com/

Auld Enemies in London

It all ends up in London, and so we reconvened at the Rich Mix Arts Centre to invite new pairs of poets, screen some of Ross Sutherland's amazing documentary he made during our Scotland tour and share excerpts of the core poet's collaborations. A lovely evening to come together so soon, to reminiscence {already} and share our experience with friends and the like.  Auld Enemies London
Ross Sutherland & Colin Herd & Ryan Van Winkle & nick-e melville & SJ Fowler https://www.youtube.com/watch?v=GSUC5L742SQ
Emily Berry & John Clegg https://www.youtube.com/watch?v=RJeKEFHrpUA
Vahni Capildeo & Jeremy Noel-Tod https://www.youtube.com/watch?v=nfA6MIC94mo
Tim Atkins & Jeff Hilson https://www.youtube.com/watch?v=bi6wp_2wLFQ
Nick Murray & Eley Williams https://www.youtube.com/watch?v=f9RD4-hGK84
Kirsty Irving & Harry Man https://www.youtube.com/watch?v=3VP91dLg1qk

my summer reading on 3am magazine

http://www.3ammagazine.com/3am/summer-reading-steven-j-fowler/ 

summer reading: steven j. fowler

By Steven J. Fowler, Poetry Editor
@stevenjfowler
Poetry:
Stephen Emmerson’s Comfortable Knives
Colin Herd’s Glovebox
Tim Allen’s Tattered by Magnets
James Davies’s Two Fat Boys
Kristiina Ehin’s Walker on Water
Tom Jenks’s On Liberty, Repressed and Crabtree
Anna McKerrow’s Regressive Poetics
Tom Chivers’s Flood Drain
Chris McCabe’s in the catacombs 

Essays 
Tom Chivers & Martin Kratz’s Mount London 
Fiction
Tomaz Gonzalez’s In the Beginning was the Sea

Auld Enemies: July 9th - 26th

7 locales : over 40 poets : a national tour of Scotland
​& brand new innovative poetic collaborations : a Scottish Enemies project http://weareenemies.com/auldenemies.html

The Enemies project: Auld Enemies is a transnational poetry collaboration where six poets will work in rolling pairs to produce original works for readings across the breadth of Scotland. Each event will also feature numerous pairs of writers from the region, who will be presenting brand new poetry collaborations as well. Auld Enemies is a groundbreaking exploration of contemporary Scottish poetics through the potential of collaboration.
​​​
Auld Enemies will commence with a six date tour of Scotland, taking in Dundee, Glasgow, Edinburgh, Aberdeen, Lerwick in the Shetlands and finishing with Kirkwall in the Orkneys. It will conclude with an event in London, at the Rich Mix Arts Centre, on July 26th, which will feature many of the new works from the tour, new collaborations and a documentary screening about Auld Enemies.

 Auld Enemies is fundamentally about the creation of new collaborative works and the integration of differing poetic communities​, and has only been possible through the generosity of a series of organisational partners, first and foremost Creative Scotland, but also the Scottish Poetry Library, Literary Dundee, Summerhall, Shetland Arts, the Orkney Islands Council and Northlink Ferries.

 Please find below the schedule and the poet's involved, and if possible, do spread the word, and attend all and any of the events you can:

July 9th - Dundee - 6pm
​Duncan of Jordanstone (studio & foyer space) University Of Dundee, Perth Rd, Dundee DD1 4HT (with thanks to Peggy Hughes)

 Billy Letford & nick-e melville / Ryan Van Winkle & SJ Fowler / Colin Herd & Ross Sutherland
plus AZ Jackson & Lindsay MacGregor / James Stewart & Dawn Wood / Richard Watt & more
July 10th – Glasgow - 8pm
​McChulls 40 High Street (http://mcchuills.co.uk/) (with thanks to Henry Bell)

 Ross Sutherland & Ryan Van Winkle / Billy Letford & Colin Herd / nick-e melville & SJ Fowler
plus ​Thomas Betteridge & Neil Davidson / Katy Hastie, Antony Autumn, Iyad Hayatleh & more
July 11th - Edinburgh - 7pm
​Summerhall -- Demonstration Room. 1 Summerhall EH9 1PL
​ http://www.summerhall.co.uk/ (with thanks to Jen White)

 Colin Herd & Iain Morrison / Billy Letford & Ryan Van Winkle / SJ Fowler & Ross Sutherland
​nick-e melville & Jane Goldman / Dave Coates & Rachel McCrum / JL Williams & Elspeth Smith / Luke Allan & Graeme Smith / Karen Veitch & Mike Saunders / Ed Smith & Thomas MacColl / Rob McKenzie & more
July 12th - Aberdeen 7pm
Cellar 35, 35 Rosemount Viaduct (http://www.list.co.uk/place/21626-cellar-35/ (with thanks to Gerard Rochford & Richie Brown)​

 Billy Letford & SJ Fowler / Ryan Van Winkle & Colin Herd / Ross Sutherland & nicke melville
Gerard Rochford & Richie Brown / Maureen Ross & more
July 14th – Lerwick, The Shetland Islands- 7pm
At the http://www.mareel.org/ arts centre. ZE1 0WQ (with thanks to Donald Anderson)

 Ross Sutherland & nick-e melville / Colin Herd & SJ Fowler / Ryan Van Winkle
Nat Hall & James Sinclair / Donald Murray /  Laurajayne Friedlander & more
July 17th - Kirkwall, The Orkney Islands - 7pm
​Kirkwall Library -- 44 Junction Rd, Highlands and Islands, Kirkwall KW15 1AG -- https://www.facebook.com/orkneylibraryandarchive) (with thanks to Pam Beasant)

 Ross Sutherland & SJ Fowler / Colin Herd & nick-e melville
Rosemary Merriman, Sylvia Hays, Rosie Alexander, Lydia Harris & more
July 26th - London - 7pm
​​
Ross Sutherland / nick-e melville / Colin Herd / Ryan Van Winkle / SJ Fowler
Emily Berry & John Clegg / Tom Chivers & Roddy Lumsden
Nick Murray & Eley Williams / Vahni Capildeo & Jeremy Noel-Tod
​Kirsty Irving & Harry Man / Daisy Lafarge & more​​​​

Gorse issue #1 arrives


This is an extraordinary journal, the production value is breathtaking, removing it from the package it really strikes one as a wholly considered and serious arrival on the avant garde literature scene. It has the feel of something that might be remembered as a moment. Great credit goes to Susan Tomaselli and the team in Dublin, the contributors are all remarkable, but especially nice to be the only poetry in the magazine alongside Colin Herd. 

Colin Herd's Glovebox is on its way

http://colinherd.com/books/ How many poets of our time own their universe as Colin Herd owns his? Work so disarming, so true and graceful, and deserving of these moribund superlatives precisely because the poetry is so urbane, personal, and assured. It is an offhand profundity he possesses, and the poems within Glovebox evidence yet again his poignancy, his accuracy and his depth. Encountering this collection I can’t help but recall the reason why Ginsberg, Bukowski and O’Hara are responsible for the ruin of an entire generation of aspiring poets. They wrote with an unerring and deceiving simplicity that was all their own, and was every bit as accessible as it was groundbreaking, and thus could not be imitated. So it is with Colin Herd, and we are better for only being able to watch on in admiration. S J Fowler, author of Fights, Red Museum and Recipes http://www.knivesforksandspoonspress.co.uk/