Dublin has become one of my favourite cities in which to perform. I’ve had three brilliant experiences, in 2015, 2017 and now, for Phonica, in 2018. Every time the audience has been alive to what I’m doing, always generous and inquisitive. Phonica itself is a grand achievement by curators Christodoulos Makris and Olesya Zdorovetska, who have brought together cutting edge contemporary musicians with poets and literary performance.
I went on last for Phonica 8, spending all night up on the very highest flooring of a spiral staircase within the gorgeous Smock Alley Theatre, lying down, peeking down to the performance stage, listening, waiting. There were some great discoveries for me, Alyce Lyons and Justyn Hunia presented a wonderful filmpoetry collaboration, many years in the making, subtle in that connection between those arts. Alex Bonney presented a sound piece that was immersive and made me want to collaborate with him. And Diamanda Dramm, a remarkable performer, a violinist singing poetry amidst her playing.
I had the chance to follow them and did so with a mostly improvised piece, one of my recent Powerpoint performances, where I have nothing planned really apart from some aberrant slides that respond to the specific event / place. It went better than I could’ve hoped, I think, I don’t know, I discerned from the feedback. The performance was about self-awareness I suppose, about the conflation of self-knowledge where things can become so true they are false. It was also about performance itself, and poetry’s place in that. We all decamped after the event to an underground speakeasy bar by the river before I skulked back to my Airbnb happy.