Very generously Jerome Rothenberg, whose life's work has been a continual and immense influence on me, and no small inspiration for my mode of collaborating prolifically, has posted my introduction to my selected collaborations, written in 2013, on his www.poemsandpoetics.blogspot.com & at the Jacket2 site https://jacket2.org/commentary/%E2%80%9C-miniaturized-bulwark-against-being-solitary%E2%80%9D-sj-fowler-introduces-enemies-selected-coll
A real high point for me as a curator, and a major step forward in this area of interest. A really wonderful night, brilliant talks from Srivas Chennu, Lotje Sodderland, Sam Winston and Barry Smith, so full of insight and so remarkably balanced together. I had such a resonant and engaged experience working with Wellcome on these events, do visit www.stevenjfowler.com/statesofmind for more.
A lovely evening celebrating the exhibition Kate Mercer have produced this year, photography and poetry beautifully balanced, after visiting Newport, coming to London, with a good few dozen folk down in the basement gallery of Rich Mix, near Brick Lane, on one of the hottest days of the year.
Great to have Nia Davies, Ghazal Mosadeq and Marcus Slease read too, all with new works responding to the themes of our work. Visit www.theenemiesproject.com/nighttimeeconomy and www.stevenjfowler.com/nighttimeeconomy
Very happy to be reading at Jonathan Mann' CapLet series again in Bethnal Green, and to have another chance to perform with Prue Chamberlain, launching our book further into the world www.stevenjfowler.com/houseofmouse
CapLet was conceived as a community of readers and writers of poetry from a range of backgrounds and traditions. Since its launch last year, it has gone from strength to strength, hosting some of the most innovative poets around. Come and join in the discussions at this special event. Details about this event are available here: https://www.facebook.com/events/1705524116380796/
So lovely to release a new collaborative book into the world, written alongside the brilliant Prue Chamberlain. We performed at The Poetry School Camarade, an event I curated at Rich Mix alongside 8 other pairs of poets, in what was a fine night all told, by alternatively reading, blindfolding, spinning and sticking noses on an olaf the snowman poster. The spinning was my favourite part of it, which perhaps goes some way to evidence my current feeling toward reading, but everything Prue and I have done in collaboration has been energising, such is her humour, intelligence and adventurousness. Buy our book please www.stevenjfowler.com/houseofmouse
One of the most generous and definitive collaborative relationships that I have, working with Maja Jantar. She's so brilliant, and such a pleasure to work with, this collaboration, so full of play, of song, of physicality and intensity, really is the kind of work I want to do. Really great to do it with such a lovely audience at Parasol Unit and with the curatorial support of Simon Pomery and Lala Thorpe. A memorable experience.
A highpoint to speak and curate at Wellcome Collection for these three events as part of their States of Mind: Tracing the edge of consciousness exhibition. I've had the chance to bring together some of the finest neuroscientists, psychologists, artists, speakers and thinkers working today, and curate these evenings as complimentary in their differences, letting new questions be asked through the presentations, rather than trying to tie together complex threads on a very complex issue - consciousness itself.
The first event focused on poetry and consciousness, language really, and the second on sound and consciousness. Both were a pleasure to put together and amazing to witness. Daniel Margulies, Noah Hutton, Jen Calleja, Maja Jantar, Nick Ryan, Vincent Moon and John Gruzelier have all spoken wonderfully, insightfully and the sold out audiences have seemed engaged and pleasantly surprised by the variance of expertise.
I also had the chance to speak at the first event, talking about poetry and consciousness, which has been a concern of mine for sometime, in the sense that I studied philosophy with an emphasis on phenomenology towards the end and am always trying to probe at the why underneath my practise and the genre in general, especially through recent teaching experiences. Unfortunately during this talk I had to wear a headset and look like a member of a 90s boyband, but you can't have it all. I looked how I felt.
A really great job done by Mischa Foster Poole curating this reading series in Peckham. I had a great experience reading alongside Jen Calleja, Isabel Galleymore and some strong open mic poets. Completely relaxed and open vibe, everyone was really friendly and my reading, trying out some brand new poems I've written in the last month, when travelling, and then finishing with an interactive, conceptual twist, playing Jacques Brel while inviting people to write farewell messages to their own continent, seemed well received.
Wonderful that the hugely respected literary journal, Gorse, has announced it will begin publishing outside of its magazine format in the near future, beginning a press, and even more wonderful, that one of its first few titles, and its first poetry book, will be my collaborative collection, Subcritical tests, written with Ailbhe Darcy. The announcement was made here with an interview by Tristan Foster http://www.3ammagazine.com/3am/interview-with-gorse/
Gorse is a perfect place for our book, the situation could not be more fitting and pleasing, can't help but give Ailbhe and I, wading through the poetry sandpit, renewed energy and optimism. Susan Tomaselli, who founded Gorse, is someone who has helped me from within months of my starting writing, and with Gorse, the respect her erudition and activity has always commanded has been quite properly expanded, which is so gratifying to witness.
Gorse’s poetry editor, Christodoulos Makris, is one of the finest poets, innovators and organisers in Europe. His work has been an influence on my own, and to have the chance to work with him directly as an editor is exciting. These relationships should never be underestimated. And Ailbhe, such a remarkable poet. We met on the Yes But Are We Enemies? tour of 2014, beginning writing then about what we felt was pressing, for various reasons - a potential nuclear holocaust, and for well over a year beyond that brilliant few weeks we had been bonded by writing more and more poems on the same theme together, always in correspondence. We discovered how ubiquitous nuclear testing has become since WWII, how truly close the world has come to nuclear destruction, often from snaffus and clumsiness as much as aggression, and how poetic is the process of naming each one of these bombs. The perfect source material to mulch through. And Ailbhe's mulching, so different than mine, maybe not even a word eater as I am, she's an actual poet - so persuasive in her always exacting, intricate graceful work, that she's pulled me, in this book at least, into being more careful, more fixated, and perhaps, by osmosis, I have done the opposite to her, dragging her into the radioactive mud.
More on this soon, an exciting announcement and in the meantime visit, and buy, Gorse http://gorse.ie/.
I love extinction if it’s me first
he stupid animals
get together
all the time
for gatherings.
Some even to mark the absence
of one of them
from the gathering.
Suspicious of the prolific
but otherwise
warm blooded pretending
that that blood cannot leave that which
currently contains it,
no matter what.
Might be true, we say.
Available to buy: http://knivesforksandspoonspress.co.uk/houseofmouse.html
To be launched as part of The Poetry School Camarade on July 17th 2016 at Rich Mix &The CapLet 1st year anniversary reading on August 10th at St Margaret's House, both near Bethnal Green.
I'm always interested in collaborating as a form of learning, growing as a poet and a person through the intelligence and idiosyncrasies of my collaborator. This book, and my ongoing collaborative work with Prudence Chamberlain, is a great example of that. These poems are unique for me, drawing me into new ways of writing, and this is such a beautiful book, dotted with new artworks by a variety of visual artists. Hopefully the humour, the intensity and the style will show through to readers too.
From the publisher: "Discursive, playful, obscene and satirical, The House of Mouse is a collection of ten poetic collaborations written by British poets SJ Fowler and Prudence Chamberlain - each responding to a famed cartoon, each uncovering the bizarre overt and covert symbols and signs of these pervasive animations.
Dotted with original illustrations by contemporary artists like Lizzy Stewart and Duncan Marchbank, this unique collaborative collection aims to show that maybe the only thing stranger than corporate cartoon animals is avant-garde poetry."
One of the texts, Bambi, was published by the online poetry journal Country Music, edited by Scott Abels, in March 2016 is available to read below. http://countrymusicpoetry.org/index.php?pr=chamberlain-fowler
The Night-Time Economy: an exhibition
by Kate Mercer and SJ Fowler in London at Rich Mix Gallery
www.theenemiesproject.com/nighttimeeconomy
July 18th to 29th 2016 (Monday - Sunday 9 a.m. - 10 p.m.)
Address: Rich Mix Cinema & Arts Centre, 35 - 47 Bethnal Green Road, London E1 6LA
Special View - July Tuesday 19th 2016. Readings & performances from SJ Fowler, Nia Davies, Marcus Slease, Vanni Bianconi, Ghazal Mosadeq & others.
A collaborative exhibition of photography and poetry exploring the often fractious energy and environment of Newport, Wales' nightclubs and pubs. Conceived and created in close collaboration between photographer Kate Mercer and poet & artist SJ Fowler, this exhibition will play off the complimentary possibilities for expressive abstraction in both visual and linguistic mediums, all centred around the complexity, energy and intensity of Newport on Friday and Saturday nights.
On July Tuesday 19th there will be a special view and reading from 7pm in the Gallery, which is adjacent to Rich Mix Cafe. For the evening multiple poets will present brand new work responding to the exhibition and its themes. https://www.richmix.org.uk/events/exhibitions/night-time-economy
A detailed description of how the project came to be, by Kate Mercer, can be found here http://katemercer.co.uk/funding-support-by-arts-council-of-wales-the-night-time-economy-with-s-j-fowler/ and an interview with Ben Glover of the Wales Arts Review, which explains further the exhibition and its process can be found here http://www.walesartsreview.org/24536/
The exhibition comes to London after a successful run at The Riverfront Arts Centre in Newport this past April. The poetry in the exhibition will be presented in English and Welsh, the latter translated by Eurig Salisbury. The project is possible thanks to the generous support of Arts Council Wales.
I had the chance to attend Krokodil through CROWD Literature’s Omnibus project, which takes 100 poets, on a bus, through Europe, changing poets with the countries and readings, on a weekly basis. And as I mentioned, my fifth visit to Serbia. It was one of my favourite places to explore when I was in my early twenties, twice I took public transport through the whole Balkans, from Slovenia into Greece. What charmed me then about the Serbia was the very things that wore me down on my last few visits – the bluntness, the brusqueness, the self-awareness, the intense historicism and the combustible nature of some of the people I met. This trip completely flipped that on its head, I benefited from some of the most generous hospitality I can recall, twice being given meals for free, many times engaging in conversations with strangers. And the whole atmosphere of the festival was an extension of these lovely experiences, the audience always patient, intelligent, intellectually lively and friendly. This with both nights of the festival running to over three hours, with many poets from all over Europe and interviews and music.
I've written a full travelogue here www.stevenjfowler.com/belgrade
The Forum Stadtpark in Graz is a unique place. I’d heard about it for a few years before I met those who mastermind the institution in 2015. Not a gallery or venue, more of a communal centre in the heart of Graz, for all arts and all kinds of discussions and meetings, set the idyllic second city of Austria, it has a reputation for supporting some of the most avant-garde work in Europe. The word they seem to use, the warm hearted, playful, endlessly hospitable people who seem to wander in and out of the stadtpark, is transgressive or provocative, alongside everything all else that might be interested in the now or the future. A chance to visit here, to speak and perform was granted to me by virtue of the CROWD omnibus project and a two day symposium called Text World World Text, bringing poets and organisers from all over Europe. The symposium was led by Max Hofler, a friend and a text artist I admire so much and was essentially about poetry and politics, and whether there was a connection between the two.
I've written a whole webpage dedicated to the trip with detailed travelogue. Please visit http://www.stevenjfowler.com/graz
An amazing few days in Krakow to attend and present a brand new commissioned collaborative performance for the Miłosz Festival, thanks to the brilliant curator Justyna Jochym. The project came about thanks to the International Literature Showcase Fund and I was able to work with Tom Jenks and Weronika Lewandowska on the piece, which was a multi-part experimental response to the book My Century / Mój wiek, essentially a massive interview Czesław Miłosz conducted with Aleksandr Wat at the end of his life.
The book has been a favourite of mine for a very long time, I found it so extraordinary when I first came across it, learnt so much about the Polish avant-garde, Polish political history and developed such a powerful respect for Wat, his work and his character, that this opportunity, to connect to the Milosz Festival, was a perfect way to express my feeling that the work should get more attention.
I've written a whole webpage dedicated to the trip with detailed travelogue. Please visit http://www.stevenjfowler.com/krakow
PRAXIS 3 - Áine O'Dwyer, Maja Jantar & Steven J Fowler (duo), Cali Dux (Moot Press) Friday 15th of July, at Parasol unit foundation for contemporary art, 14 Wharf Road, London N1 7RW
Third instalment o ivativ poetry serie, part of RH Poetics Research Centr
7.30 pm ∙ £5 suggested donation ∙ Booking require Please email: lala@parasol-unit.org
PRAXIS is an innovative live poetry series that seeks to bring experimental, digital, sound and visual poetry to the Parasol unit foundation for contemporary art, inviting artists to perform original works and to collaborate in response to exhibitions at Parasol. This new series of workshops and events is curated by Simon Pomery and Lala Thorpe in association with the Royal Holloway Poetics Research Centre.
Very pleased to have two new poems up on Queen Mob's Tea House, edited by Erik Kennedy, on the poetry front. My kind of publication. The poems are both ekphrastic, if that term applies to films as well as artworks. I assume it does. Two films that I feel are somehow bound, Snowpiercer and Yojimbo. Certainly my poems about them are bound. I doubt itll happen but if the poems make you watch the films, then that's a result http://queenmobs.com/2016/06/poems-sj-fowler/
Great to be speaking at and curating three events for Wellcome Collection's exhibition on consciousness, States of Mind. These events will bring together expertise from a wide array of fields, from neuroscience to performance art, from philosophy to filmmaking, in order to explore the notion of consciousness through the concepts of language, sound and narrative. www.stevenjfowler.com/statesofmind
Through informal academic talks alongside newly commissioned artworks, the variance of speakers, with their uniformly exciting and innovative approaches to the notion of consciousness, will ensure three remarkable events, free to attend, this July, in London.
https://wellcomecollection.org/exhibitions/states-mind-tracing-edges-consciousness Tickets available from late June.
Thursday 7 July, 19.00-20.30
FREE | TICKETED at Wellcome Collection
From the perspective of the neuroscientist, the poet, the translator - a discussion of the role of language in constituting our consciousness, presenting talks and newly commissioned works for performance on the night.
Featuring: Daniel Margulies, SJ Fowler, Noah Hutton & Jen Calleja.
Thursday 14 July, 19.00-20.30
FREE | TICKETED at Wellcome Collection
This event asks what role sound takes in shaping our experience and understanding of consciousness and offers artist’s reflections on the pivotal role sound has in the firmament of our daily lives, drawing from the worlds of neuroscience, anthropology, film, composition and sound poetry.
Featuring: John Gruzelier, Nick Ryan, Vincent Moon & Maja Jantar.
Thursday 21 July, 19.00-20.30
FREE | TICKETED at Wellcome Collection
Within and without language, how does the notion of narrative define our experience of the world through consciousness? An event featuring some of the most dynamic contemporary artists, neuroscientists and writers, exploring how narrative interacts with consciousness and what happens when this begins to break down, whether through trauma or conditions like aphasia.
Featuring: Lotje Sodderland, Srivas Chennu, Sam Winston and Barry Smith.
Poets rarely cover their peers or poets from the past who have influenced them. The Covers Project began in 2011, and has run intermittently, as a video series, allowing myself and the poets involved to choose from their contemporaries or those who have had a profound affect upon their work, and read their work, to make it new in their voices. Over 50 covers are available https://coversproject.wordpress.com/
I began to record my own covers more regularly in 2016, not only to show testament to those who have helped me grow as a writer but to document spaces I find myself in when travelling or in London. On the page you'll find covers of Blaise Cendrars, Tom Raworth, Bill Griffiths, Christodoulos Makris, Nikos Engonopoulos, Chris McCabe, Anselm Hollo, Marcus Slease and a few covers of my work, offered by those I've met when travelling. http://www.stevenjfowler.com/covers
