The first time that I’ve had the chance to work with Robert and it will not be the last time. We had a plan when we met on the afternoon of the day of the evening event to develop the piece. It went out the window. The notion was intersemiotic translation but the format was about disturbance. I think we created something that worked on multiple levels and succeeded when it failed. It began with a natural pretence about being pedestrian, or about the differences in our performance style, which is varied with us both, and so we embellished, building from the literary and comedic into the archetypal and symbolic, all way into the mindfully awkward. We share quite a few interests and this emerged organically into translations that included stomach punching, rap, google searches, lullabies, cradling, atonement and guilt. People said it stayed with them, which is nice, but maybe not in a good way?
I loved this event. A really strange and intense night, another packed house came to witness, in the salon of the Austrian Cultural Forum near Hyde Park, an event of solo readings and new collaborations. I owe the ACF so much. They were the first to really have faith in the events I put on, the risks I try to take, and their vouching for me has led to things like the European Poetry Festival itself. It was like coming home. And through them I have met so many brilliant contemporary Austrian poets and Robert Prosser, Max Hofler and Daniela Chana are three of the finest.
The opening salvoes from Ana Seferovic, Claudiu Komartin, Giovanna Coppola, Anastasia Mina et al set everyone back in their seats as one after the next the poets brought intense, powerful work. It was really a special atmosphere. Then Robert and I kind of muddied the water before Daniela and Phoebe Power and Max and Iris Colomb finished the night perfectly. I hope every year I get to do a European Poetry Festival we have an Austrian focus event, their scene is really one of the best on the continent. www.europeanpoetryfestival.com/austria
A brilliant night of performances from contemporary European poets and artists, radically recreating and responding to figure of Habsburg Vienna, around one century past, at Lettretage in Berlin, supported by the brilliant Osterreiches Kulturforum http://www.theenemiesproject.com/kakaniaberlin
I had a blast putting this one together, it ended up being so easy to work with everyone from start to finish and the event was welcoming and dynamic in good measure. The performances ranged from playful poetic texts to tech savvy sound performances, and some conceptual performance too. I admire the work, and the generous personalities, of Lea Schneider, Rike Scheffler, Kinga Toth, Norbert Lange and Fabian Faltin, and they made it something special.
The Forum Stadtpark in Graz is a unique place. I’d heard about it for a few years before I met those who mastermind the institution in 2015. Not a gallery or venue, more of a communal centre in the heart of Graz, for all arts and all kinds of discussions and meetings, set the idyllic second city of Austria, it has a reputation for supporting some of the most avant-garde work in Europe. The word they seem to use, the warm hearted, playful, endlessly hospitable people who seem to wander in and out of the stadtpark, is transgressive or provocative, alongside everything all else that might be interested in the now or the future. A chance to visit here, to speak and perform was granted to me by virtue of the CROWD omnibus project and a two day symposium called Text World World Text, bringing poets and organisers from all over Europe. The symposium was led by Max Hofler, a friend and a text artist I admire so much and was essentially about poetry and politics, and whether there was a connection between the two.
I've written a whole webpage dedicated to the trip with detailed travelogue. Please visit http://www.stevenjfowler.com/graz
I am really lucky to have the chance to visit various European nations across May and June through a series of festivals and commissions. By chance, they've aligned around each other and allowed me good time to travel between countries and make a tour of it. More details on the below soon.
May 16th to 23rd – Tbilisi: Mtrebi: a Georgian Enemies project as part of the 2nd International Tbilisi literature festival with Eley Williams, Luke Kennard & co
May 27th – Istanbul: a reading at the DamDayiz Cultural centre with Efe Duyan & others
May 29th – Venice: a reading with Alessandro Burbank, Alessandro Mistrorigo & others
June 10th to 14th – Krakow: a commissioned collaborative performance from UNESCO City of Literature for the Milosz Festival with Tom Jenks, Weronika Lewandowska & Leszek Onak, responding to Aleksandr Wat's 'My Century'
June 16th to 18th – Graz: Forumstadtpark Conference curated by Max Hofler on poetry & politics
June 18th to 24th – Omnibus Tour through Austria, Slovenia, Croatia
June 25th - Belgrade: Krokodil Festival
A wonderful thing to be able to travel to curate something, to be able to leave my home and bring together artists who genuinely excite me, in Berlin. A chance to watch people who offer permission to push boundaries and to learn. Thanks to the generosity of the Österreichisches Kulturforum, I was able to put together a Kakania project in Berlin. I brought together 5 artists from across Europe and each presented a new work responding to a figure of the Habsburg Era, 100 years ago or so. We were in the grand performance space of the Österreichisches Kulturforum itself, just off Tiergarten, an imposing curved hall with giant curtains and high ceilings. The Österreichisches Kulturforum couldn’t have been easier to work with and the performances on the night had some real highlights, definitively making an impact on the audience with some of the best sound poets in the world interspersed with conceptual text performances. There was a really dynamic energy to the evening and a clear enthusiasm and intensity, as I’ve often felt in Berlin. Just great to spend time around so many artists I admire under such professional conditions, and to visit Berlin again, having time to bop down Kurfürstenstraße with old friends.
All the performances are here http://www.theenemiesproject.com/kakaniaberlin
7.30pm at Österreichisches Kulturforum Berlin kulturforum berlin: kulturforumberlin.at
ree Entry - May Monday 9th 2016
Stauffenbergstraße 1, 10785 Berlin. T: +49 30 202 87-114 E: berlin-kf (at) bmeia.gv.at
Very happy to announce that the Kakania project will debut in Berlin, with six new literary performance commissions from contemporary artists, each of whom will present a work that celebrates / responds to a figure from the Habsburg era. The event is free to attend if you're in Berlin, please share with friends in the city if you're not http://www.theenemiesproject.com/kakaniaberlin
Book your place here: http://www.kulturforumberlin.at/veranstaltung/kakania/
Max Höfler on Ludwig Wittgenstein
Maja Jantar on Lou Andreas Salome
Stephen Emmerson on Rainer Maria Rilke
Tomomi Adachi on Josef Matthias Hauer
Ernesto Estrella on Gustav Mahler
Ann Cotten on Otto Neurath
This is the first of two Kakania events that will take place in Berlin in 2016, supported by Österreichisches Kulturforum Berlin and follows six events, a symposium, two publications and over fifty new artist commissions in London from 2014 to 2016 thanks to the Austrian Cultural Forum. www.kakania.co.uk
There has been no one city's culture, at one singular time in modern history, more widely influential on contemporary thought than that of Habsburg Vienna a century ago. A time so densely constituted with intellectual revolution in fields as diverse as poetry, fiction, journalism, music, composition, philosophy, psychology, art … that it seems it can often only be evoked through a wistfulness that belies the melancholy, the energy and the seismic change that constituted it.
With Kakania, decidedly contemporary, avant-garde, original works of text and art are presented in an attempt to be as complex and genre testing as the works, and the people, they are responsive to. This is a project where the past, and our understanding of it, is not be refracted through historical analysis, but the creative process, and one that is utterly contemporary. Kakania is an opportunity for audiences to discover the Habsburg era in a wholly new guise, as our era.
So happy to have been commissioned by the amazing pioneering Forumstadtpark in Austria, curated by the equally groundbreaking Max Hofler, to produce a videotext work, part of their Glory Hole series. This series has been going for years and involves a video with text projected against the side of the Forumstadtpark itself, blown up like a bat signal, in the middle of a huge, beautiful park in the middle of the city. Loads of people see it, and for my work, which runs throughout April, this is true as its being screened while a film festival goes on. Really i had fun making it too, they promote my kind of work. You can see all the glory hole commissions here : https://vimeo.com/forumstadtparkgraz, some great ones, and my edition, the 31st, below
Kakania in London – March 31st 2016: 7pm at Austrian Cultural Forum, London www.theenemiesproject.com/kakania2016
The Event: 7pm – Free Entry / The Symposium: 2pm – Free Entry / 28 Rutland Gate, London SW7 1PQ www.acflondon.org
The Kakania project returns to the Austrian Cultural Forum for a night of brand new performances, each from a contemporary artist or writer responding to a figure of Habsburg Era Vienna. The great, groundbreaking personas of 100 years past are made new by some of the most dynamic and innovative performers and thinkers of our day, without nostalgia, but with faithful invention and intensity. Visit www.kakania.co.uk for more information on the project.
Featuring Harry Man on Erwin Schrodinger ~ Daniela Cascella on Hugo von Hofmannstahl ~ Steve Beresford on Arnold Schoenberg ~ Thomas Havlik on Walter Serner ~ SJ Fowler on Robert Musil ~ Declan Ryan on ...
Preceding the evening’s performances there will be a symposium on Habsburg Vienna, through the kaleidoscope of Kakania’s inventive approach, led and curated by Dr.Diane Silverthorne, a leading voice in Habsburg Viennese studies. The Symposium will feature informal and academic talks about the era, interspersed with poetry and text art readings from poets and writers involved in the first year of the Kakania project, who will also give context to their process. The Symposium will also see a screening of the acclaimed film Altenberg: The Little Pocket Mirror. The schedule is thus:
2pm - A talk by Dr. Diane Silverthorne on expressionist landscapes in music and art and talk by Dr. Leslie Topp, on madness, architecture and Vienna.
3pm - A talk by Jamie Ruers on Cabaret Fledermaus / A talk and reading by Eley Williams on Broncia Koller-Pinel / A talk and reading by Vicky Sparrow on Margarethe Wittgenstein / A talk by Stephen Emmerson on his multi-part performance art response on Rainer Maria Rilke. / A talk by Marcus Slease on writing a new poetry commission on Max Kurzweil. / A screening of Joshua Alexander’s experimental film on Paul Wittgenstein, commissioned for Kakania
4pm - A screening of ALTENBERG: The Little Pocket Mirror A documentary by David Bickerstaff and Gemma Blackshaw | 54 min
Following a brilliant first year in which 40 artists made 40 new commissions, 5 events in 5 venues took place in London and 2 original books was launched, Kakania returns with events in Berlin and London. The project is thoroughly documented here: www.kakania.co.uk and the project is only possible through the generosity of the Austrian Cultural Forum London.
http://www.literaturhauseuropa.eu/?p=4078 "Every nation’s literature contains within it multiplicities. Not only are definitions of these traditions based on approximations, that which has been recorded, assigned, that which has had the fortune of being discovered, but the very concepts around what actually makes a poem or a novel is ever changing. In fact the very intransigence, and ever changing, nature of each language we utilise in Europe makes declarations and definitions fraught. That being said, I have come to realise, reading, writing and programming in many European nations over the last number of years, that certain social and political realities, certain modern histories, have an indelible effect on what kind of poetry a nation produces now, and what kind of literature a nation reads.
Recently I curated a project called Feinde, an Austrian themed Enemies project, which is all about collaboration and exchange between nations. In this case, supported by the immensely open minded and generous Austrian Cultural Forum in London, four contemporary Austrian poets came to London and collaborated, and performed, with British counterparts. In all we put on four major events in a week, heading up to European Literature Night in Edinburgh, via UNESCO City of Literature, to close out the programme.
A first difference, and a vital one. The Austrians poets, Ann Cotten, Jörg Piringer, Max Höfler and Esther Strauss, were all guests of the Austrian Cultural Forum, which isn’t just an organisation in name, but inhabits an incredible space, a building they have run for over fifty years in London. The value of this, in having a home, a locus for the project, in encouraging collaboration, and raising awareness of the iconoclastic post-war Austrian tradition of poetry is incalculable. I intend no vast conclusions here, but I know of few equivalents in London, and I know I have yet to stay in a British house in any other city outside the UK.
More importantly, and forgive my compression here, but the outstanding innovation, elasticity of methodology and range of practise the Austrian poets evidenced, while still being major figures in their nation, suggests a rather different tradition than here in the UK. It exists here, but it is not conducive to repute in the world of poetry. Why is this? Reasons are legion, but it is hard to look past what the two nations needed to face up to after 1945. Where contrarianism and a deep suspicion of language itself seemed necessary to a country who had think through its culpability, so tradition, fixedness and conservative methodology seemed apt to those who saw themselves wholly victorious or proper.
Still, now, 70 years on, my generation of poets, those encouraging consistent dialogue and collaboration across our continent, to build communities of writers and long lasting friendships in the creative act, must be aware and mindful of history, if they are not to repeat it, or be curtailed by it."
Feinde was ambitious, 6 events, an exhibition, 4 extraordinary Austrians over in London with us. It was an extraordinary experience to get to know Esther Strauss, Ann Cotten, Max Hofler and Jorg Piringer better, to see their work and collaborations unfold in my city and have the great privilege of hosting them at Enemies events. Each event had its own character, each its own energy and ebbs and flows. It was a remarkably intense week for me, marked by calm conversation, gentle humour, nuanced discussion, a bit of physical illness and some intense artmaking. It sounds like puff, but alongside thanking those four artists I must thank the Austrian Cultural Forum and Theodora Danek for being so sophisticated in their / her support. & what an honour for me to work with Jorg Piringer twice, means the world to me to do so.
You can see all the videos, via link or embedded, with detailed documentation of all 3 London readings & exhibition here http://www.theenemiesproject.com/feinde alongside Alexander Kell's beautiful pictures.
I have also set up my own Feinde page on my site too www.stevenjfowler.com/feinde
I’m proud to present one of the most ambitious international Enemies projects yet, Feinde. Over four events in two cities and a two week exhibition in the heart of London, we will present the best of the brilliantly innovative contemporary Austrian poetry scene through new collaborations with their British counterparts. http://www.theenemiesproject.com/feinde
The four remarkable Austrian poets coming to the UK - Ann Cotten, Jörg Piringer, Max Höfler & Esther Strauss - are a powerful representation of one of Europe’s great avant-garde traditions, from linguistic innovation to sound poetry, from concrete poetry to conceptualism & performance. Feinde is generously supported by the Austrian Cultural Forum.
Feinde at the Rich Mix Arts Centre: Main Space - May Friday 8th: 7.30pm
35 - 47 Bethnal Green Road : E1 6LA - Free entry http://www.richmix.org.uk/whats-on/event/feinde--the-enemies-project-austria/
The premiere performance event of the Feinde project. Taking place in the main space of the Rich Mix Arts Centre, this event will showcase eight brand new collaborations from the best of 21st European avant-garde poetics, including the collaborations between the four visiting Austrian poets & their core collaborative counterparts, & other brilliant London based artists & poets. It will be a unique night of performance and poetry. Featuring:
Jörg Piringer & I
Ann Cotten & Prudence Chamberlain
James Wilkes & Esther Strauss
Max Höfler & Robert Herbert McClean
Tim Atkins & Jeff Hilson
Philip Terry & James Davies
Erica Scourti & Mira Mattar
Jonathan Bohman & Adam Bohman
This two week exhibition celebrates the visual poetry of the Feinde: Austrian Enemies project, with over 20 artists exhibiting poetry that explores the conceptual, the concrete and the material.
Calling back to the great tradition of postwar British and Austrian concrete poetry, so defining of that medium, this exhibition of 21st century poets brings together over 30 artworks from concrete poetry pioneers like Viennese-based Anatol Knotek and London’s Victoria Bean.
The exhibitions includes works from: Anatol Knotek, Victoria Bean, Jen Calleja, Simon Barraclough, Ben Borek, Sophie Collins, Tim Atkins, Ollie Evans, Adam Bohman, Jeff Hilson, Fabian Macpherson, Peter Jaeger, mjb, Jörg Piringer, Prudence Chamberlain & Ann Cotten, Esther Strauss, Robert Herbert McClean & Max Hofler.
Special view / Poetry reading: May Sunday 10th 7pm - 9.30pm Free entry
There will be a special view of the exhibition, with readings from British based poets and artists, and those visiting from Austria, including Cristine Brache, Emma Hammond, Simon Pomery, Ollie Evans, Prudence Chamberlain, mjb, Jörg Piringer, Ann Cotten, Esther Strauss & Robert Herbert McClean.
May Tuesday 12th - Feinde at the Austrian Cultural Forum: 7pm
Free Entry http://www.acflondon.org/literature-and-books/enemies-feinde
The final performance in London for the Feinde project will take place in the beautiful environs of the Austrian Cultural Forum itself, just off Hyde Park. This evening will allow the visiting poets to present their work with solo readings and performances alongside another host of London based poets.
Featuring Rebecca Perry, Eley Williams, Jen Calleja, Jörg Piringer, Max Höfler, Ann Cotten, Esther Strauss, James Wilkes, Robert Herbert McClean & Prudence Chamberlain.
Feinde at Unesco European Literature Night Edinburgh - May 14th
The European Literature Night 2014 is being co-curated by the Enemies project and acting as the grand finale of the Feinde project, the four Austrian visiting poets will travel to Edinburgh to present their solo works and brand new collaborations at the evenings closing show at Summerhall. More details on the specific times and location of the ELN program can be found here: www.theenemiesproject.com/eln
Some of the poets involved in Feinde will also read at Ian Hamilton Finlay's famous Little Sparta poetry garden on May 15th. www.theenemiesproject.com/littlesparta More information on European Literature Night and Little Sparta coming soon.
Installing as we speak...
This two week exhibition, which focuses the Feinde: Austrian Enemies project (which has four events in 2 cities over two weeks) right in the heart of London, in the Kings Cross based Hardy Tree Gallery is a wonderful opportunity for me to bring together over a dozen new visual poetry artworks in exhibition, all from contemporary artists, with a decided nod to the legacy of the British and Austrian postwar Concrete poetry pioneers. http://www.theenemiesproject.com/feinde
http://hardytreegallery.com 119 Pancras Road. London, UK. NW1 1UN :
Gallery Hours - Thursday to Sunday Midday to 6pm.
Poets like Bob Cobbing, Edwin Morgan, HC Artmann, Friedrich Achleitner, Konrad Bayer & Gerhard Rühm have had an indelible influence on contemporary visual poets who are able to interrogate visuality, materiality and the very appearance of their language. I have taught their works at the Poetry school and Kingston University, and this exhibition is a way for me to bring together some of the work that evidences the necessity of this movement and how it can compliment everybody's work. This is a huge part of the exhibition, that the poets involved are not just Concrete poets, they work across poetic methodologies. We owe this flexibility disproportionately to the poets working in Austria and the UK from that period.
The exhibition will feature works by Anatol Knotek, Victoria Bean, Peter Jaeger, Fabian Macpherson, Tim Atkins, Jeff Hilson, Nat Raha, Sophie Collins, Esther Strauss, Robert Herbert McClean, Ann Cotten, Prudence Chamberlain, Simon Barraclough, Max Hoefler and many others.
The opening hours will be Thursday to Sunday midday to 6pm, and we have a special view reading on Sunday May 10th, beginning at 7pm, free entry, with many of the exhibitors and readings from Emma Hammond, Cristine Brache & Ollie Evans.
Thanks to the Austrian Cultural Forum in London
I’m happy to present the new Enemies project website in time to announce our full Spring program. The website explains our previous programs and future plans in some depth, and stands as a resource of documentation for all the work the 400 poets and artists have put into the project so far. Please have a look and share the word.
You can also follow the project on Twitter @enemiesproject
Enemigos: a Mexican Enemies project www.theenemiesproject.com/enemigos
April Tues 14th : 7.30pm : Rich Mix Arts Centre: Main Space : Free Entry
in partnership with the British Council, the London Book Fair & Conaculta
New collaborations from Rocio Ceron & Holly Pester, Nell Leyshon & Carmen Buellosa, Adriana Diaz Enciso & Fabian Peake, and Amanda de la Garza & I. Also the launch of the long awaited Enemigos anthology.
Co-curated by Rocio Ceron.
Feinde: an Austrian Enemies project www.theenemiesproject.com/feinde
in partnership with the Austrian Cultural Forum
May Friday 8th : 7.30pm : Rich Mix Arts Centre: Main Space : Free Entry
New collaborations from Jörg Piringer & I, Max Höfler & Robert Herbert McClean, James Wilkes & Esther Strauss. Also featuring Ann Cotton, Tim Atkins & Jeff Hilson Philip Terry & James Davies, Purdey Lord Kreiden & more.
May Tuesday 12th : 7.30pm: Austrian Cultural Forum
Solo readings from Ann Cotton, Rebecca Perry, Jen Calleja & more.
The Feinde exhibition – May 1st to 14th at the Hardy Tree Gallery
An exhibition of contemporary European concrete & visual poetry, celebrating the contribution of Austria to this tradition, among others. New works from Anatol Knotek, Victoria Bean & others. There will be a special view and reading held on May Sunday 10th at the Hardy Tree Gallery, free entry, from 7.30pm.
European Literature Night: Edinburgh www.theenemiesproject.com/eln
in partnership with UNESCO, Edinburgh City of Literature, Caesura & others.
May Thursday 14th: multiple venues, 6pm then 8.30pm : Free Entry for all
4 simultaneous events with solo performances from poets travelling across Europe culminate in a massive 24 poet collaborative camarade event in the city of Edinburgh. Featuring Mariusz Pisarski, Valgerður Þórodds, Eduard Escoffet, Martin Bakero, J.Johanneson Gaitan & many others.
Co-curated by Ryan Van Winkle, Graeme Smith, Iain Morrison & Colin Herd.
Gelynion: a Welsh Enemies project www.theenemiesproject.com/gelynion
in partnership with Arts Council Wales, Poetry Wales and the Hay-on-Wye festival
Enemies Cymru: Six poets – Nia Davies, Joe Dunthorne, Zoë Skoulding, Eurig Salisbury, Rhys Trimble & I - touring new collaborations across Wales drawing in poets for Camarade events in each location. Beginning in Newport on May 19th, Gelynion visits Cardiff, Swansea, Aberystwyth, Bangor before a culminating premiere performance at the Hay-on-Wye festival on May 29th. Then the project will close for 2015 with a reading at the Rich Mix in London on June 5th.
Co-curated by Nia Davies.
Mahu: an exhibition www.theenemiesproject.com/mahu
June 6th to 27th at the Hardy Tree Gallery, Kings Cross, London.
An exhibition exploring asemic live writing where an entire novel will be inscribed onto the walls of the gallery only to be erased when the exhibition finishes. Ten events over three weeks features events celebrating presses (Test Centre, Influx, Blart, If p then q), poets (Tom Raworth, Tomaz Salamun) and collaborative practise.
a Berlin Camarade www.theenemiesproject.com/berlin
June Tuesday 23rd: at Lettretage in Kreuzberg 7.30pm : Free Entry
in partnership with Lettretage & Kookbooks.
Drawing on vast and brilliant vanguard poetry community of Berlin, this Camarade event, taking place during the Berlin poetry festival, will feature new collaborative work in multiple languages from some of the most exciting poets in Europe.
Featuring Max Czollek, Ernesto Estrella, Tom Breseman, Alexander Filyuta, Daniella Seer, Cia Rinne, Uljana Wolf, Monika Rinck, Alexander Gumz, Christoph Szalay, Eugene Ostashevsky, Georg Leß & more.
More information forthcoming about each project as it arrives and our equally exciting summer and winter program for the year. www.theenemiesproject.com
The third installment of Kakania was held in the legendary avant-garde hub the Horse Hospital right in the heart of Bloomsbury London. It featured some of the most interesting live artists from across the continent, including Joerg Zemmler, Caroline Bergvall, Martin Bakero and Damir Sodan. You can watch the videos from the performances here www.theenemiesproject.com/kakaniaevents
In just under two weeks time, on January Thursday 22nd, I’m delighted to say Kakania will once again feature contemporary artists and poets presenting original commissions on the life & work of a figure of Habsburg Vienna from one century ago. This time Kakania will be in the extraordinary setting of the Freud Museum, with the artists performing their works in the rooms of what was once the house of Sigmund Freud in north London. The audience will tour with the artists, going room to room, as each performance unfolds.
Spaces are limited and the event is ticketed, so please do book using this link: http://www.freud.org.uk/events/75773/kakania/
Directions to the Freud Museum can be found here: http://www.freud.org.uk/visit/
Emily Berry on Sigmund Freud
Esther Strauss on Anna Freud
Tom Jenks on Otto Gross
Jeff Hilson on Ludwig Wittgenstein
& Phil Minton on Carl Jung
I’m happy to announce the final details and lineups for the third and fourth Kakania events to take place in February and March. Please pop them in your diaries.
Kakania III at the Horse Hospital - February thursday 19th
Caroline Bergvall on Gustav Klimt
Martin Bakero on Arnold Schoenberg
Colin Herd on Oskar Kokoschka
Marcus Slease on Max Kurzweil
Damir Sodan on Gustav Mahler
Joerg Zemmler on Karl Kraus
Stephen Emmerson on Rainer Maria Rilke
Kakania IV at the Austrian Cultural Forum – March Thursday 26th
George Szirtes on Arthur Schnitzler
Ben Morris on Ernst Krenek
Joshua Alexander on Paul Wittgenstein
Thomas Duggan on Ernst Mach
Fabian Faitlin on Otto Wagner
Stephen Emmerson on Rainer Maria Rilke
Jeff Hilson on Ludwig Wittgenstein
Emily Berry on Sigmund Freud
Colin Herd on Oskar Kokoschka
The Freud Museum event will also be the first time the two ambitious Kakania project publications will be available, with both books to have specific launches later in the program. Both have been designed by http://www.polimekanos.com as part of the Austrian Cultural Forum’s Occasions series.
Oberwilding is a collaborative poetry collection, written by Colin Herd and I, with a poem marking each year of Oskar Kokoschka’s life - an avant garde exploration of the great painters century in collaborative, experimental poetics.
Kakania: an anthology is a groundbreaking collection of brand new works from 40 amazing artists and poets, that features poetry, portraiture, woodcuts, conceptual texts, photography, graphic design and a multitude of arts and artists. It contains work by:
George Szirtes on Arthur Schnitzler, Martin Bakero on Arnold Schoenberg, Emily Berry on Sigmund Freud, Stephen Emmerson on Rainer Maria Rilke, Colin Herd on Oskar Kokoschka, Sharon Gal on Anton Webern, Jeff Hilson on Ludwig Wittgenstein, Tom Jenks on Otto Gross, Maja Jantar on Lou Andreas-Salome, David Kelly-Mancaux on Egon Schiele, Diane Silverthorne & Ariadne Radi Cor on Alma Mahler, Dylan Nyoukis on Raoul Hausman, Damir Sodan on Gustav Mahler, Marcus Slease on Max Kurzweil, Joerg Zemmler on Karl Kraus, Michael Zand on Hugo von Hofmannstahl, Jaime Robles on Ludwig Boltzmann, Alison Gibb on Bruno Walter, Pascal O'Loughlin on Wilhelm Reich, Vicky Sparrow on Margarethe Wittgenstein, Kim Campanello on Alban Berg, Jack Little on Peter Altenberg, Eley Williams on Broncia Koller-Pinell, Andy Jackson on Oscar Straus, JT Welsch on Hermann Broch, Fabian Peake on Franz Werfel, Aki Schilz on Hermann Bahr, Fabian Faltin on Otto Wagner, Iain Morrison on Alexander von Zemlinsky, Clare Saponia on Julius Wagner-Jauregg, Rhys Trimble on Felix Salten, myself on Robert Musil, Robert McClean on Max Reinhardt, Ryan Van Winkle on Ernst Weiss, Andrew Spragg on Koloman Moser, Peter Jaeger on Theodor Herzl, Nia Davies on Viktor Ullman and Esther Strauss on Anna Freud.
All Kakania events, including this next one at the Freud Museum, will also feature the beautiful books of Pushkin press, with a book table to peruse, accompanied by a Kakania flyer which offers a discount on buying their Habsburg era books online. http://pushkinpress.com/
& with thanks to the Austrian Cultural Forum http://www.acflondon.org/