A note on: Forumstadtpark: Graz, Austria - June 2016

The Forum Stadtpark in Graz is a unique place. I’d heard about it for a few years before I met those who mastermind the institution in 2015. Not a gallery or venue, more of a communal centre in the heart of Graz, for all arts and all kinds of discussions and meetings, set the idyllic second city of Austria, it has a reputation for supporting some of the most avant-garde work in Europe. The word they seem to use, the warm hearted, playful, endlessly hospitable people who seem to wander in and out of the stadtpark, is transgressive or provocative, alongside everything all else that might be interested in the now or the future. A chance to visit here, to speak and perform was granted to me by virtue of the CROWD omnibus project and a two day symposium called Text World World Text, bringing poets and organisers from all over Europe. The symposium was led by Max Hofler, a friend and a text artist I admire so much and was essentially about poetry and politics, and whether there was a connection between the two.

I've written a whole webpage dedicated to the trip with detailed travelogue. Please visit http://www.stevenjfowler.com/graz

Lettretage - a conference of literary activists : January 2015

I was properly excited to attend this unique conference of literary organisers and activists, hosted and led by the extraordinary Lettretage - Tom Bresemann, Katharina Deloglu, Moritz Molsch & co, in Berlin, precisely because, absurdly, it seemed wholly focused on the extremely niche thing that I have found myself doing in poetry - that is organisation, curation, innovation, but also something more fundamental than this - the two extensive days of discussion in a room in Kreuzberg were about action. and the possibilities of doing that across Europe, with ambition and energy, while maintaining consideration and ephemeral sensitivity to what literature might be, rather than what it should be.

Lettretage itself is cutting a path for things like the Enemies project. It is doing what I've often inadvertently found myself trying to do. This conference was the best possible example of this, having been around near a decade, Lettretage is now innovating ways to grow and centralise a network of similarly minded people and organisations. They have secured fantastic funding support from creative europe and many others to create a tour of Europe, through their CROWD project and to develop things like an app which will allow visitors to new cities to get 'local' information on readings and performances. Always their emphasis is on the ground up outfits, the artists and curators who are building up from communities and live, contemporary cultures of poetry, literature and performance arts. Rather than shutting up shop after their successes, they are aggressively searching out those who share their mission and their general attitude of openness and innovation.

I have waffled about so many theoretical notions that gel perfectly with their approach, it was genuinely gratifying and made me feel wholly at home visiting them. So I trotted out these ideas again in Berlin - people before poetry, process over product, respect in the world, disrespect in the text... The guerrilla nature of Enemies was brought into sharp focus here, how reactive I am, and how grounded Lettretage and the many other organisers here are in their worlds and communities. I realised London is different place to organise, in a sense wonderful and anonymous and incremental because of its sprawl. The participants here are more rooted, they take responsibility with deeper ties, and all the while they maintain these positions of giving space to mostly avant garde, or contemporary, work and supporting artists while reaching actual people with that work. 

I came across so many artists and organisers I had never met before and felt a genuine kinship with so many of them. I got to know the brilliant Daniela Seel and admire her incredible editorship of Kookbooks, I met the committee from Forumstadtpark in Graz, with the immensely charming Max Hofler leading their poetry program, Andrea Inglese too, who runs Nazione Indiana. Valgerður Þórodds from Reykjavik who has revitalised the poetry scene in Iceland with her ground up, community led, handmade press medgonguljod. Sasha Filyuta, Lily Michaelides & many more - it was such an intense two days, 10 hours of talking and listening back to back, it's not yet really sunk in how the environment was such a gift to someone like me, because really its purpose to was affirm the notion of mindful, self-orientated activity that stakes out the ground of our generations literary spaces. This has always been in my mind curating Enemies, but as an emphemeral notion. Lettretage solidified this idea, gave it back to me in a way.

I'm sure this will be the beginning of many relationships that Lettretage provided me, friendships I would venture to say, and I hope my work intersects with theirs often, for they are lighting a path I want to follow. www.lettretage.de

ENTER+ Repurposing in Electronic Literature at Kingston Uni

Had a grand day at Kingston Uni with Zuzana Husarova, my fellow TRYIE collectivist, visiting from Bratislava and Maria Mencia, who teaches in the media dept with a focus on E-literature, sharing some found text poetry, and discussing reappropriation and technology. Most importantly this special seminar with Maria's students and the wonderful Mariusz Pidarski also presenting his work (an amazing adaptation of Bruno Schulz into videogame format amongst that), was the launch of a journal which seems to be a brilliant summation of much of the pioneering work Maria and Zuzana have done, exhibiting in Kosice as well as commissioning a myriad of articles. I read from Minimum Security Prison Dentistry and Recipes, couching my use of found text as a way of actualising my poetic engagement with the world of language around me, emphasising my work as the result of a refractive, reflective process, rather than an originary one, right to the roots of that thinking, and that the use of the language of the internet is a necessary engagement with the language world I live in. Moreover, it is a very specific language world, one that is founded on community and generosity but is in fact the ultimate example of the ethical notion that what a person does when no one is looking is who they are, morally, as people on the net are regularly awful en masse because they are relatively anonymous. So my use of net text is really an ethical injunction, attempting to show we need new tools of discussion to tackle new realms of language, and how throwaway it can be. I also emphasised how this wasn't a strict practise, but blended ambiguously with other writing methods and approaches. I finished by reading some trolling text, my poem Black Pepper Enchilladas, which finishes with fuck you, fuck you all.= We all then had crisps and a long pleasant chat about the potential of technology and spying and such. 

Modernist mashup at the BAMS modernism now conference reading

The BAMS modernism now conference was the kind of thing I shouldve attended, and maybe contributed too, but didnt, as I find myself finding it difficult to do actual academic study at this point, with so much creative opportunity abounding. Fortunately JT Welsch offered me the chance to share some work with the people of the conference via a reading, a simple reading. The idea was to contextualise contemporary practise, my writing, in the modernist tradition, how it fed my poetry etc...So I took poems from seven modernists and mashed fragments of their work up with my own. I pretty much lifted my Enthusiasm poems from these writers anyway, so their close sitting makes sense.

Translation Games workshop for TCCE conference

I had a really fun afternoon at the TCCE conference in the swanky Guildhall building next to the Barbican doing a seminar with the brilliant Ricarda Vidal for the Translation games project http://translationgames.net/?page_id=346 (click the link to see loads of great pictures of the day and the work that was written)

 I was a wee bit ill and wonky, though that tends to make me more relaxed and so far more palatable, but the whole of the day seemed so positive and open that it always seemed like itd be a success. This conference is for creative professionals to share ideas, to try new projects, to network, in the best way, and we had a nice group that Ricarda led through the concepts around cross medium translation before they actually had a go at rendering Anna Cady's film back into the poetry from whence it came. I was really positively surprised with the openness of the participants and thought Ricarda did an amazing job. Such a lovely thing to continue my work with Translation Games, long may that grow.

Kingston writing school international pedagogy conference

I gave a off the cuff chit chat paper on the Enemies project and innovation in poetry projects, alongside for more erudite talking by Kim Campanello, James Miller and Fiona Curran, and that was nice, we had a nice audience and a wide ranging chat. Then I went hollywood and went home. Then I returned for a really intimate and enjoyable reading in a lecture theatre in the Galsworthy building of Kingston U. Which is quite modern and clean and new, and like Kingston itself, new to me, and strange. I was one of only two men in a room of about twenty, and so went all dirty magician with my reading, interactively forcing a gentle goose cacophony through the Estates of Westeros book in a box. Saw Philip Gross, Kim Campanello and Jane Yeh read too, having heard of but never seen, all of them. Then I tried to walk the 8 miles home, and got locked in Richmond park in the dark and had to climb into someone's back yard. 

Kingston Writing School 1st International Conference: Pedagogy and Practice: Writing and Higher Education

http://fass.kingston.ac.uk/activities/item.php?updatenum=2496 On Wednesday July 10th I’ll be taking part in a panel discussion on innovative pedagogy in creative writing practise at the 1st International Kingston Writing School conference in the John Galsworthy building of the Uni’s campus. Should be a really interesting discussion, led by the novelist James Miller. Hanif Kureshi will be there that day too. I’ll be reading that night too at 7.30pm, alongside some interesting poets.