International Translation Day at the British Library

I would honoured to speak at this one day conference / summit / get together of translators and industry professional at the British library on technology, futurology and poetry. It was an embarrassment of riches in terms of the speakers, I actually looked like the child of most of the distinguised peoples in the programme, and I inhabited one of the afternoon breakout seminars with Maya Gabrielle, who is a serious digital programme industry leader, working with the National Theatre and others. She spoke really directly and powerfully about waste and direction in using social media and allowed me to be the good cop really, as I waffled on with my thoughts on the potentiality of the ether for writers, and how the internet is not a tool but a mode, and that its growth is inevitable, its use free and its engagements exponential. It went well, I was able to ramble without notes, feeling quite empassioned, and the people in the full room were knowledgable and positive about my positivity. Robert Sharp mediated us well too. All immensely clever people involved, and great to see friends like Dan Gorman, Sarah Hesketh, Alexandra Buchler amongst new connections I will no doubt benefit from meeting. Also to speak at the British Library is a proud first.

Iain Sinclair's 4th book of Suicide Bridge on 3am

Without doubt the highlight of my editorial career at 3ammagazine, and an enormous privilege to publish extracts from the 4th book of Iain Sinclair's legendary Suicide Bridge. http://www.3ammagazine.com/3am/iainsinclairbookfour/ Without doubt, if anything ensures my opinion that the post war British avant garde has an ethical, human, social streak running through it, it is my personal experiences with the likes of Will Rowe, Tom Raworth, Anselm Hollo, Iain Sinclair and others. 

From the first time I sidled up to him at a lecture in Kings college, having heckled the rest of the panel, from the Balkans, about the turgid lack of experimentation in their works, he has been uniformly kind, supportive and generous. Hard to imagine how practically busy he must be, and having a lifetime of brilliance behind him in poetry, fiction and new genres of writing, it is indicative of the man that always makes time for younger writers, not only in gesture but action. He was one of the only writers who really acknowledged the existence of my debut collection, Red Museum, and his collaboration with Ragnhildur Johanns has spanned my event organising career. Moreover, Suicide Bridge and Lud Heat were direct inspirations to me when I first began reading properly, and when I first came to London. I used the map in the granta book to explore the city in fact, and then found the original publications from the Albion Village press in the Poetry Library. These works are from the books of Suicide Bridge, not published, until now, coming out soon with Skylight press. See below for details and buy a copy.

Rest is Noise festival, Britten weekend - on post-war avant-garde British poetry & BS Johnson, and witnessing Anthony Blee

I was especially frightened by these two lectures. The bites format of 15 minutes is as engaging for the audience as it is troubling for the speaker, and these talks would have a fine audience indeed being a part of the Southbank centre's remarkable recapturing of 20th century cultural history through the Rest is Noise festival. Judging how deep to go, or what to cover, becomes a serious issue, and my two talks were on things very close to my heart. I felt a responsibility to do them justice.

The talk on the Avant garde poetry of Britain around the Era of Britten was one of my most gratifying public speaking performances. Not because it was good, but because everyone was saying afterward how the information was new to them and it was easily accessed and understood. And it is important information, to me, that can't be spread wide enough. You can hear it here:

The real highlight of the day was the other speakers though, all genuinely more powerful and clever than I. Diane Silverthorne has inspired me since the first time I saw her speak, I even dedicated a poem to her about Mondrian, and Sophie Mayer is a peer I really admire as a poet and an intellectual. But thank god I asked to switch the original running order just moments before the events began, which I initially was supposed to conclude, because if I hadn't I would've followed the absolutely remarkable Anthony Blee, and fallen quite flat upon myself. 

He is an architect, one of the finest our country has produced, and he was speaking about his work on Coventry Cathedral, a world renowned project he began working on at 24 years of age in 1956. I can't express the brilliance, humility and grace of his account of this time in his life. It was genuinely emotional to watch him recount stories of Sir Basil Spence and Yehudi Menuhin, and breathtaking to see this building, this cultural hub, this national pride, grow from his personal slides and memories. To watch a man who has spent a lifetime at the service of a professional artform, and shone so brightly through that life, reduced me to feeling like a very fortunate, very embryonic and very humbled, witness. I had the chance to meet his whole family afterward, who were as gracious and warm as he was, who were unduly kind about my piffling talk, and the experience left me feeling struck in the most organic and valuable of ways. They seemed people truly open, collaborative, kind and able to navigate these very real qualities through their art / practise. This article reflects some of the man, and I'm definitely visiting Coventry cathedral soon. http://www.theguardian.com/culture/2012/feb/27/anthony-blee-geoffrey-clarke-coventry-cathedral

For the earlier session, I spoke on BS Johnson, and I refused the lecture format, as he would've liked, I think, and cut up quotes that were relevant and let people pick the order from a box. A lecture in a box. All can be heard here:

Enemies is Inpress book of the month

Dear Reader,
As you most likely know, being so discerning and possessing such fine taste in poetry-selling websites, today is National Poetry Day.
This morning we learnt from Valley Press poet Miles Salter that as a nation we spend about £67 million each year on Pringle’s crisps, and only £6.5 million on poetry books. Suitably humbled, we can only hope to slowly begin to redress the balance.
With that in mind, and in honour of the occasion, we're giving you lucky people 25% off all online orders until Sunday if you enter the code NPD2013 at the checkout.
Stuck for ideas on what to buy? Then read on, October is going to be a very good month for new releases...
Book of the Month
SJ Fowler is a poet and artist living in London. He has published four collections of poetry, most recently the limited-edition Recipes, published by Red Ceilings in 2012. He has produced poetry, sonic art, installation and performance artworks for the Tate, the Voiceworks project and the London Sinfonietta. He is the poetry editor of 3:AM Magazine and also works as a martial arts instructor, and as an employee of the British Museum. A lovely lad, by all accounts, I'm sure you'll agree. But it seems even the most altruistic soul rubs up against a few people the wrong way along life's turbulent path. SJ Fowler, we are reliably informed, has enemies.
This ground-breaking, multi-disciplinary collection is the result of collaborations with over thirty artists, photographers and writers. Diary entries mingle with a partially-redacted email exchange; texts slip and fragment, finding new contexts alongside prints, paintings, diagrams, Rorschach blots, YouTube clips and behind-the-scenes photographs at the British Museum. Trust us, it really is as mad as it sounds, in the very best way possible.
Including collaborations with the unrivalled Sam Riviere and the indisputably brilliant Chris McCabe this is a collection of poetry unlike anything you will have ever read before. Iain Sinclair called it, "An overwhelming assault," and we're not about to disagree.
Want to know what on earth it's all about? Well, you can buy it here.

Will Rowe anthology by Veer books

To celebrate the reading which celebrates the career of Will Rowe on the eve of his retirement from Birkbeck college and the Contemporary Poetics Research Centre, Veer books, of which Will is one of the founders, have published a remarkable anthology of original work dedicated to Will and his achievements. The poets include Bruce Andrews, Allen Fisher, Peter Jaeger, Alan Halsey, Geraldine Monk, Sean Bonney, Maggie O'Sullivan, and many others, and my work, written specifically for Will, found, pictured, below. Go here and email them and buy a copy! http://www.veerbooks.com/

from the Secretum Meum with Tim Atkins in Summerstock issue 7



Livestock Editions is pleased as huckleberry pie to announce the release of Summer Stock, Issue 7: UK Poetry Dossier (Available at www.summerstockjournal.com). Curated by Livestock editor Elizabeth Guthrie, this year’s online poetry crop offers exciting explorations & currencies in experimental poetry from the United Kingdom.
Issue 7 features wild woolly bully writing & literary multimedia from these Brit All Stars: Tim Atkins. Sean Bonney. Paul Buck. Becky Cremin. Laura Foster Twigg. Chris Gutkind. Alan Hay. Jeff Hilson. Peter Jaeger. Antony John. Sarah Kelley. David Kelly. Fabian Macpherson. Sophie Mayer. Richard Parker. Jessica Pujol. Nat Raha. Connie Scozzaro. Marcus Slease.  Linus Slug. James Wilkes. Steve Willey. & a collaboration between Steven Fowler & Tim Atkins.
We dedicate this year’s issue to the memory of beloved poet/translator/critic/advisor Anselm Hollo, who passed away earlier this year. Anselm’s life of radical outrider poetry is a shining inspiration to all of us at Livestock. We love you and miss you, Anselm.

licking up the ash of Mary Shelley: EVP Bournemouth

A reunion on the south coast for the Electronic voice phenomena tour. In a derelict theatre built by mary shelley's son for her to watch her favourite plays from her specially built god's eye portico dumb waiter while ill and invalided. As part of the Bournemouth arts festival on the very southest of coasts, in Boscombe. An amazing space to perform in, crumbling and mysterious. I was utterly profane, rewriting my whole piece to be about Shelley and Frankenstein. I heard her voice while retching, I told the audience about the new technology and possibilities of galvanism and urged them not to fear death as their favourite body part might be resurrected, I sat in a couch before them while we screened the prologue to the Bride of Frankenstein. I even finished by doing my nut as normal but with the added twist of this time licking her ash, poured from an urn I 'found upstairs', from the stage floor. So good to see the brilliant Hannah Silva, Ross Sutherland and Tom Chivers again and to explore Boscombe beach in meditation before the performance. A privilege to be able to rework my acting chops, spread the avant intensity and travel with performance. 

Coin Opera 2

http://www.drfulminare.com  Allow me to heap enormous praise on Kirsty Irving and Jon Stone for the amazing job they have done with the coin opera 2 anthology. its not only exquisitely produced and really one the best looking books I've held in my hands in awhile but it is also full of really interesting work that has been very specifically tailored to the remit. The intro is also on point and the whole concept is very well fleshed out. Such a privilege to be asked to provide work for it, I love writing to task. I wrote poems on altered beast / donkey Kong / golden axe. really worth looking out for the work of ross sutherland, Harry man, chrissy williams and Hollyhopkins amongst others. they also produced, amazingly, next to the bios, individual video game old school character renditions of each poet that actually resemble them! Here's mine and the whole crew of them.

the poets of 3am magazine under my reign

The poets I have published since my editorial stint began at 3am in 2011. It is a strong list. A list I am proud of. Open submissions are hard work but evidently worth the (extensive) effort. What better way to link up with brilliant pets from across the earth that I never would have known otherwise. And what a job those at 3am have done to make the magazine so respected, with such reach and power while still maintaining an intellectual but non pretentious aesthetic. Hard to do, harder to maintain.

Roberto Garcia de Mesa (trans. Mario Dominguez Parra) http://www.3ammagazine.com/3am/nausinoos-roberto-garcia-de-mesa/


holy fluck the camaradefest will be good - october 26th @ rich mix arts centre

Camarade IV – October 26th 2013  2pm to 10pm ​​at the Rich Mix arts centreThe Camarade poetry festival is a unique and unforgettable one day explosion of dynamic collaboration in contemporary avant garde and literary poetics. 100 poets align in 50 pairs, each writing an original collaborative work, written specifically for the festival and premiered on the day. The 5th Camarade event, and the crescendo of the Enemies project’s first year, this ambitious exploration of the possibilities of collaboration in poetry will evidence the true width and depth of poetry that is happening now. 
Featuring:


​​​​Kirsty Irving & Jon Stone
Ahren Warner & Mark Waldron
Stephen Connolly & Emily Hasler
Chris McCabe & Tom Jenks
Carol Watts & George Szirtes
David Berridge & Mary Paterson
Chrissy Williams & Nia Davies
Giles Goodland & Alistair Noon
Ben Stainton & Nathan Hamilton
Sophie Collins & Rachael Allen

Sam Riviere & Joe Dunthorne
Becky Cremin & Ryan Ormonde
Deborah Pearson & Tamarin Norwood
Andy Spragg & Joe Kennedy
Ollie Evans & Robert Kiely
Stephen Watts & Will Rowe
James Davies & Philip Terry
Sean Bonney & Nick-e Melville
Tim Atkins & Jessica Pujol I Duran
Oli Hazzard & Caleb Klaces
Ryan Van Winkle & William Letford

Jeff Hilson & Fabian MacPherson
Robert Sheppard & Robert Hampson
Jack Underwood & Alex MacDonald
Ekaterina Paronian & Sophie Mayer
Sarah Crewe & Jo Langdon
Matt Dalby & Steven Waling
James Byrne & Sandeep Parmar
Matthew Gregory & Robert Herbert
Nathan Jones & Sam Skinner
Sarah Kelly & Gabriele Lebanauskaite

Mendoza & Nat Raha
Rhy Trimble & Harry Gilonis
Joel Shea & Ricardo Marques
Pascal O'Laughlin & Scott Thurston

Marcus Slease & Claire Potter
Daniele Pantano & Nikolai Duffy
Holly Pester & Emma Bennett
Tom Chivers &Amy Cutler
Marek Kazmierski &Wioletta Grzegorzewska
​Joanna​ Rzadkowska & Kristen Kreider
Christodoulos Makris &Kim Campanello
Zoe Skoulding & Ondrej Buddeus
Reza Mohammedi & Ana Seferovic

the Wildermenn collective

http://wildermenn.weebly.com/

visual art / sculpture/ poetry / sound art
david kelly / robert hitzeman / sj fowler / ben morris

Transhumance in the city, animalisms across four art mediums, wholly collective, fundamentally collaborative - the Wildermenn produce artworks that subvert and celebrate the rituals and rites which are essentially linked to that which is forgotten in the sprawl - fertility, procreativity, seasons, elements, creatureliness and death. Anthropomorphic modernist folk practise from cultures now unknown find form in sculpture, noise, performance, fragmented poetry and mud paint. 

Wildermenn @wilder_menn 

anthropomorphic art collective    
The River Thames · wildermenn.weebly.com
First exhibition coming December 2013

Nikolai Duffy interviewed about Like This pressby Rob Mclennan

I have said to everyone who has listened the work Nikolai Duffy did on my two books in boxes with Ben Morris and David Kelly was some of the most astounding publishing I've experienced. Like This is a quality press and Nikolai's work is truly amazing. His erudition is well evidenced in this interview 12 or 20 questions with Rob Mclennan http://www.robmclennan.blogspot.ca/2013/08/12-or-20-small-press-questions-with.html

Q18– Tell me about three of your most recent titles, and why they’re special.

Three of the most recent titles from Like This Press have been two collaborative works by SJ Fowler, with Ben Morris and David Kelly, and Andy Spragg’s very wonderful To Blart & a Kid. Each title comprises the collation of different materials gathered together in a box, and each fuses word and image in a collaborative process. They are emblematic of everything Like This Press stands and I’m very honoured to have had the opportunity to publish them.

SJ Fowler and David Kelly’s Gilles de Rais comprises 34 loose-leaf postcards in a box and is an  interchangeable narrative reflection on the life and legend of Gilles de Rais that fuses avant garde poetry and modernist line drawing.

SJ Fowler and Ben Morris’ The Estates of Westeros also comprises 34 loose-leafed postcards and marks one of the points at which avant garde poetry meets avant garde illustration. The Estates of Westeros is a meditation on the living space of the housing estate framed through the universe of George RR Martin's Game of Thrones. Where Gilles de Rais explores the absurdity of mythmaking in that which once was real, the Estates of Westerosexplores the grinding realism at the heart of the fantastical.

The Wrestlers for the Tate

Happy to say my commission for the Tate has now been published online, as part of their In Focus series and thanks to the amazing work of Dr Sarah Victoria Turner, who has curated an extensive response to the 1914 Henri Gaudier-Brzeska plaster relief The Wrestlers, of which my work is only a small part.

There are ten poems, 9 for each cast of the relief and 1 for the original, as well as two short essays, one on the wrestling depicted in the piece and another on Ezra Pound, who was a close friend of Gaudier-Brzeska and a conduit between his work and my response.


Sarah Turner’s remarkable work on this project is immense, well worth checking out

The large plaster relief Wrestlers was made in London by the French artist Henri Gaudier-Brzeska (1891–1915) at a time when he was forging a reputation as one of the most radical and innovative sculptors of his generation. Gaudier-Brzeska was killed fighting in the First World War, and his achievements slipped from view in subsequent decades. In the mid-1960s, however, curator Jim Ede had the relief cast in an edition of nine to help make Gaudier-Brzeska’s work better known, and he gave a cast to Tate.

This project explores the circumstances of the making of the relief and the posthumous cast. Drawing on material in the Tate Archive and early twentieth-century sports periodicals, it includes previously unexamined material about Gaudier-Brzeska’s interest in wrestling and asks new questions about representations of sport and physicality in modern art and poetry at the beginning of the twentieth century.”

SSYK 5

http://www.eggboxpublishing.com/books/show/stop_sharpening_your_knives_5 "Having
been away busy defining a new generation of talented poets and things like that, the long-awaited fifth instalment from Stop Sharpening Your Knives is finally here, this time carrying a playful introduction from Mark Waldron.

The series has proved itself as a hotbed of new poetic talent for nearly 10 years, in one form or another, so we have stopped using the word young as much. Stop Sharpening Your Knives 5 is a selection of work from over 30 of the most exciting poets around, some new and some now more established, edited by Emily Berry, Nathan Hamilton, Heather Phillipson, Sam Riviere, and Jack Underwood.

This instalment includes poetry from Emily Toder, Ben Stainton, Heather Phillipson, Laurence O'Dwyer, Lamorna Elmer, Tim Cockburn, Callan Davies, Chrissy Williams, Catherine Woodward, Andrew McMillan, Harry Burke, Mollye Miller, Robert Herbert, Agnes Lehoczky, Nicholas Liu, SJ Fowler, Lydia Searle, Daniel Rooke, Sarah Chapman, Joe Dresner, Sam Riviere, Theodore Best, Charlotte Geater, Emily Berry, Wayne Holloway-Smith, Nathan Hamilton, Sophie Collins, Benjamin M. Nehammer, Andy Spragg, Rachael Allen, Jack Underwood, Ben Pester, Hayley Buckland and Matthew Gregory."

Enemies is coming thanks to Penned in the Margins

http://www.pennedinthemargins.co.uk/index.php/2013/07/new-titles-autumnwinter-2013/
In September we publish a groundbreaking anthology of collaborative poetry by the experimental writer SJ FowlerEnemies is the result of collaborations with over thirty artists, photographers and writers – each imbued with the energy, innovation and generosity of spirit that has become Fowler’s calling card as a poet. You can find out more about the widerEnemies project.
Enemies: The Selected Collaborations will be launched on Friday 25 October at Toynbee Studios, London E1, with readings by Fowler & collaborators.