Happy to say my commission for the Tate has now been published online, as part of their In Focus series and thanks to the amazing work of Dr Sarah Victoria Turner, who has curated an extensive response to the 1914 Henri Gaudier-Brzeska plaster relief The Wrestlers, of which my work is only a small part.
There are ten poems, 9 for each cast of the relief and 1 for the original, as well as two short essays, one on the wrestling depicted in the piece and another on Ezra Pound, who was a close friend of Gaudier-Brzeska and a conduit between his work and my response.
Sarah Turner’s remarkable work on this project is immense, well worth checking out
“The large plaster relief Wrestlers was made in London by the French artist Henri Gaudier-Brzeska (1891–1915) at a time when he was forging a reputation as one of the most radical and innovative sculptors of his generation. Gaudier-Brzeska was killed fighting in the First World War, and his achievements slipped from view in subsequent decades. In the mid-1960s, however, curator Jim Ede had the relief cast in an edition of nine to help make Gaudier-Brzeska’s work better known, and he gave a cast to Tate.
This project explores the circumstances of the making of the relief and the posthumous cast. Drawing on material in the Tate Archive and early twentieth-century sports periodicals, it includes previously unexamined material about Gaudier-Brzeska’s interest in wrestling and asks new questions about representations of sport and physicality in modern art and poetry at the beginning of the twentieth century.”
