Really pleased to feature in the special collaboration issue of Lighthouse magazine, thanks to Meirion Jordan, Angus Sinclair & co. My Estates of Westeros collaboration with the artist Ben Morris remains one of my very favourite works and in typical fashion, Lighthouse did an amazing job of rendering the visually complex work. A great magazine, one of the best in this country, supporting new writers as a mission, so pleased to be included
In uploading the videos of the 4th and magisterial final act of the Kakania project I waded through all the Kakania webpages to change the tense from future to past. Not too sad a labour as I have stated so often, especially in the light of such an amazing final act, how satisfying the project now seems, how complete.
You can read all my past tenses here www.theenemiesproject.com/kakania
Kakania at the Austrian Cultural Forum - March 26th 2015
The end, for now. But as Kakania ended with war, perhaps our hopes should be too high. This incarnation of the time certainly ended with a beautiful, graceful, varied and dynamic evening of works in the appropriately resplendent salon-like surroundings of the Austrian Cultural Forum. A night for me personally to appreciate just how extraordinary the project has been, and how much this is owed to the generosity of the artists and the almost unheard of support, trust and enthusiasm of the Austrian Cultural Forum itself. Theodora Danek and her colleagues have been remarkable, and this was a night where I able to thank them.
The final event was not to be a culmination, it was, as each event has been, it's own entity, curated with it's own rhythm and feel, relative to the venue and artists. Yet, there was a natural build towards it. It was built on language works, poets, both new to Kakania and those who have acted as a sort of creative spine to the project, read - Stephen Emmerson so beautifully engaging with Rilke (his son is called Rainer), Colin Herd so brilliantly evoking Kokoschka, George Szirtes born to write about Schnitzler. These poets were complimented with some radically different mediums, Josh Alexander with his abstract film on Paul Wittgenstein, which when screened in the dark of that room genuinely moved me, Fabian Faltin with a conceptual performance on Otto Wagner which was utterly unforgettable and witty and energetic, and finally Ben Morris, a sound art beast, on Ernst Krenek.
The point was to create a specific energy and experience throughout the evening that rested upon complimentary and responsive artforms, artworks and artists. And more than that to show how powerful the connection is in 21st century London to the iconoclasts of early 20th century Vienna. Each work spoke to the next, as together they were far more about the artists through the ghost voices of their Habsburg predecessors, than the details of the individual artworks themselves. It was like all of Kakania, unique, and warm hearted and brilliant.
The Kakania project closes its program for now with a grand event at the Austrian Cultural Forum, just off Hyde Park, in London. Four new commissions, and four new iterations of previous commissions blend poetry, avant-garde music, performance art and video art, all from contemporary artists and poets each responding in their own unique way to a figure of Habsburg Vienna around one century ago.
George Szirtes reads poems on Arthur Schnitzler
Ben Morris offers experimental music on Ernst Krenek
Joshua Alexander screens his video art on Paul Wittgenstein
Emily Berry reads poems on Sigmund Freud
Colin Herd reads poems on Oskar Kokoschka
Fabian Faltlin performs in response to Otto Wagner
Stephen Emmerson shares things in response to Rainer Maria Rilke
eff Hilson reads poems on Ludwig Wittgenstein
The event is completely free, but please do use this link to book your place
Both Kakania publications, the Kakania anthology with over 40 contributors, and Oberwildling: On the Life of Oskar Kokoschka by Colin Herd & I, will be available to buy at the event.
Once this phase of Kakania is complete, the remaining copies of the books will be available online and the anthology will have a special reading launch in June at the Hardy Tree gallery in Kings Cross, London.
Also in situe at Kakania IV will be books from the imitable Pushkin Press, who have generously supported the Kakania project and who publish some of the finest authors of the era we are emploring. http://pushkinpress.com/kakania/
Thanks too to Theodora Danek, Elisabeth Kögler and the team at the Austrian Cultural Forum and all those who’ve helped make the project so special. www.kakania.co.uk