Two Renga workshops for the Poetry Parnassus


Im running two workshops as part of the Parnassus. The first will be housed in the Poets Festival village, at 2pm on Friday June 29th, and open only to the Parnassus poets and the local poets chosen to be hosts, or 'buddies.' 

Parnassian Renga: a workshop with SJ Fowler - 2pm on Friday June 29th in the Festival village: Following the tradition of the global adaptation and idiosyncratisation of the form of Renga, this workshop follows the chain games of the Surrealism, the translations of the Vou group, the chainpoets of New York and the Tomlinson / Roubaud / Paz project of the 1970s. A riff on what Charles Henri Ford defined as “intellectual sport … an anonymous shape laying in a hypothetical joint imagination.”

The second is open to all. It starts at 2pm on Saturday June 30th and runs for two hours, meeting outside the Poetry Library on level 5 of the southbank. The caveat is that the lines are all stolen from books housed in the poetry library, but, in fact, they can be from books participants bring, and I don't really care if they are poetry either, or if they are adapted or rewritten. All that matters is the essentially Oulipean / Situationist spirit at the heart of proceedings. http://www.poetrylibrary.org.uk/events/writingpoetry/?id=7768 

Cento, or patchwork text or homage renga or thievery poetry: a workshop with SJ Fowler Saturday June 30th at 2pm in the Poetry Library foyet
The ancient art of Renga, but as an act of homage and theft, creating a Remix poem out of the singled, lost lines of other poets great works. A collaborative work of plagiarism, attendees will be given a set of rules with which to work and let loose.Using the poetry library as a resource, this workshop is a facilitated session where those in attendance work line to line with in concert with each other, creating series of poems in small groups while writing simultaneously to order their lines after writing, and then coming together to write one larger poem in narrative, responsive order. Friday 29th in the Festival village

The first 60 Poetry Parnassus Interviews

#1. Luljeta Lleshanaku - Albania http://ticketing.southbankcentre.co.uk/poetry-parnassus/poets/lleshanaku-luljeta


the Rain of Poems

Just days from the event itself, I had the privilege to attend a briefing on the upcoming Casagrande rain of poems that will take place on June tuesday 26th at 9pm at the Southbank centre. The political context of the project, its genesis being a poetic refutation of Pinochet's bombing of La Moneda during the coup in 1973, and Casagrande's remarkable continued engagement only with sites that have had their history scarred by bombing (Berlin, Dubrovnik, Guernica, Warsaw) is a tremendously valid act, and the project in general is extremely well considered, a thoughtful meditation on the power of literature to encapsulate the essence of a place and its historicity, if that is possible at all. I'm very pleased my poetry will be thrown out of the helicopter. http://www.loscasagrande.org/


http://ticketing.southbankcentre.co.uk/find/literature-spoken-word/tickets/rain-of-poems-1000249

Halfcircle 4 released- Ashbery, Bergvall, Notley et al


Halfcircle 4 is now available online (www.halfcircle.org/Halfcircle_4.html) for £7 incl. P&P. It is 138 pages, perfect bound, and features previously unpublished work by, amongst others: 



John Ashbery, Peter Manson Linus SlugAnatol KnotekJuha VirtanenAlice NotleySean Bonney, SJ FowlerMarianne Morris, nick-e melvilleCaroline Bergvallbruno neivaNat Raha, Frances Kruk & Steve Willey

Hosting the Literature Across Frontiers event at the Poetry Parnassus


Poetry Parnassus June 26 - July 1 2012
Literature Across FrontiersWith over 150 poets visiting the UK for a week-long celebration of poetry, Poetry Parnassus at the Southbank Centre in London is set to be the largest ever gathering of the world’s poets. Inspirational poets, spoken word artists and rappers from each Olympic country will perform their poetry in over 50 languages and dialects.There will be over 100 events taking place: from a World Poetry Summit which will tackle the issues facing the art today and masterclass workshops to edible poetry installations, a session on women’s erotic poetry, garden readings and a poetry tea party for children. Many of these events are free. Literature Across Frontiers is very excited to be involved and will be staging two of these events. We hope you can join us!
 
International Poetry Fair: Literature Across Frontiers Reading
Saturday 30th June 2012,Clore Ballroom, Royal Festival Hall 
11:00am, Free

Literature Across Frontiers celebrates a decade of making literature travel with three poets from Europe. Flemish poet Els Moors (Belgium), Katerina Iliopoulou (Greece) andAna Ristović (Serbia) join moderator Steven Fowler to read and discuss their work.

Poetea!

zimZalla object 015 is Poetea by Jo Langton. This comprises 10 handmade bags in handmade felt sleeves, with each bag containing text relating to a different variety of tea: Builder's; Black; Delicate; Exotic; Fresh; Fruitea; Green; Rich; Strong; White. Available individually or as a set. See http://zimzalla.co.uk/ for more details. Accompanying this object is an interview with Jo describing the aims and methods of the project. This can be found in the Adjuncts section of the site.

I shall writing a poem in response to the Strong tea....

Muyock

Part of my ongoing long poem Muyock, which is about Tiphaine Mancaux, the D-Day landings and Matteo Patocchi's photographs of Aomi Muyock, has been published by Walter Ruhlmann's 'D-Day 68th Anniversary Anthology' through the Anglo-French online press mgversion2.0>datura. http://mgversion2datura.blogspot.co.uk/ You can buy the anthology on Issuu and Lulu, in both digital and hard copies.... an excerpt below


      on m knees
           theearth bere
 ft breaks
       intodryred
         mud
        heavy w birds
                   & gherman pricks
dumpin a  way   that invites...
     until th wet congeals
   everywhere / in the great
     arches of invitation
..

   all th roads ar ebuilt
   now you can fuck
    off back to spider island
  w allthe dead i cant thank enough

Performance at Cafe Oto with Ben Morris for Mercy: Electronic Voice Phenomena

It's the first time I've ever performed at Cafe Oto, though I have attended shows there often. It was really pleasing to do so with Ben Morris, whose practise has been extremely influential to my own for many years. When we met, and still to this day, his understanding and control of his medium is far more advanced than my own, due to both his sense of patience, subtlety and experience, and he has been generous in offering me a new avenue into sonic conceptualism, an organic offshoot from my own work in avant garde poetry.

It was also a great pleasure to perform for Mercy. Nathan Jones is one of a few remarkable figures in poetry and sonic art I am fortunate enough to call my contemporary who is genuinely enthused by complex and intense performance, and who will do the hard work it takes to get that performance a proper stage and reception. He feels a stringent sense of responsibility to promote the work of others and this kind of selflessness is integral to the building of a scene of dynamic poetry and sound performance. I know I speak for Ben when I say to have the opportunity to work with Mercy producing these new commissions is a privilege.

The evening was a really engaging but sadly I was ill and not really able to comprehend properly what was going on around me. I had been dragging some sick around for awhile and then rehearsing for this piece, in the mask, which really boiled me, a few days ago in a tiny studio under a railway bridge in Bermondsey, it really sent me over the edge. We nearly had to cancel the performance in fact, I had been yakking two days up to this night and had stomach cramps and sweats even on the way over to Dalston

In the end, the performance was something I am pleased with, of course never wholly, but conceptually. I had really hoped it would explore avenues of delirium, confusion, kineticism - that it would not just be about violence and force, as some of my other pieces have been. I deliberately made the format of my punching non combative, so I stood still, used 'James Toney' type hands, with sloppy angles and no power form, and would emphasise my breathing and noise and would create motion blurs, using speed, rather than some dumb platform for the force of my punching.

It was gratifying to find an offshoot of my thematic interests, where energy and intensity are fundamental but do not become intimidating, and it was really pleasing that many were kind enough to say they did not experience repulsion but confusion and intrigue. The piece was found strange rather than aggressive I think, and it will be a memory for me, it was torture in the mask, I felt so ill! 

The piece is called "We're getting married tomorrow" and is described as "A piece of conceptual sonic art in collaboration that explores notions of exhaustion, suffocation, exertion & kineticism, drawing together a specific mode of bodily, as well as vocal, experimental expression and innovative performance."

Massive thanks to Alexander Kell, who held the pads for me and is a loyal friend and great training partner, to David Kelly, Tiphaine Mancaux and Catherine Carncross who came to support and film and photo, and of course Nathan and Ben. I have a good feeling more work will emerge from this relationship.

The Revenge of Cotto - preview performance

Philip Venables and I had the preview performance culmination of our London Sinfonietta Blue Touch Paper commission a few weeks ago at the Village Underground in Shoreditch. Philip has kindly aligned the video above. From Phil "The preview version of The Revenge of Miguel Cotto was premiered on 16th May at Village Underground in Shoreditch, London.  What a great evening!  The London Sinfonietta were performing, conducted by Richard Baker, with vocalists Leigh Melrose and Alexander Robin Baker" It was undoubtedly a special evening, the culmination of much hard work by many.

Species published by Sand: Berlin's English language journal

Really proud to feature again in SAND, it's one of the best quaility journals in Europe and to have ties with the Berlin literary scene is important to me. You can see the contents, where the issue is sold and other stuff here http://sandjournal.com/issues The poems included this time are a meditation on species of bears.

{Species}
all bears today have descended from a common ancestor known Ursavus or ‘dawn bear’. This animal, which lived about 20 million years ago, was about the size of a small terrier.
Bernd Brunner
i.                    Ursus Arctos
blonde bear
so populous to be popular
& if blackened, silver tipped
watch for the large hump
of muscle, if you see its worry
you are likely food

ii.                  Ursus Maritinus
give of thy hands
to measure its awful size!
creampuff or fat white its blubber ...........

Museum of death & an interview with Jack Little at Ofi press


The Mexico based journal Ofi press has published the first part of my collaboration with the photographer Alex Kell, due out this summer, the Museum of death http://theofipress.webs.com/collaboration.htm

#1
wife; lunatic
until moonlit
then, a dwarf
of melody
a celestial harmony
perfection
below
thus, a debut
in the unter
tow



Alongside this work, the editor Jack Little, has interviewed me for the site http://theofipress.webs.com/interview.htm


3. Is poetry flourishing today?

Hard to know and of course it depends on each individuals perception. I would say in general probably not, but that isn’t a bad thing necessarily. Perhaps I should only speak for England, or even London. I would say if poetry isn’t flourishing, it is doing poets as much of a service as a disservice.....

This is a genuinely exciting enterprise from Jack Little, a journal that is bringing together some genuinely exciting work from across the globe and really creating a hub for an exploration of contemporary Mexican poetry in and out of that country. 

wolves in chernobyl - featured artist on Counterexample poetics

http://www.counterexamplepoetics.com/2012/05/sj-fowler-featured-artist.html


April 26th 1986


Ю

but even apart from our wood
I do not know how one should say
things in the dark have colour

will the wise do things,
things that are forbidden,
knowing it won’t be found out?
a simple answer isn’t easy to find
but freedom from trouble in the thing
and from pain in the thing
are still in the pleasure,
but joy in the thing, and exultation,
are considered, involving motion.

     Ю

all the day
life in the town goes on as normal
families shop and walk their dogs
fisherman lug their tackle off to the Prypyat river
couples sunbath around the cooling ponds
football matches go ahead
as do sixteen outdoor weddings
sponsored by the communist youth league

...

{such a pleasure to be featured in the remarkable journal Counterexample Poetics, edited by Felino Soriano, one of the most prolific and sophisticated poets in the US. The site has a special section called featured artists, where these poems are housed}

Rattle iii - Brumhold's diary: a collaboration with Lone Eriksen


Rattle issue iii is now available, priced £8 + p&p here.
Brumhold’s Diary     Lone Eriksen & S J Fowler
"....my work with a Danish photographer, Lone Eriksen. She took a series of pictures in Norway, while teaching, deliberately distorting pictures of people taking pictures..... realist fiction, the Scandinavian / Habsburg fin de siecle era. Thus I created a diary in collaboration with the images. I wanted the diary to be like a tiny glimpse of what might seem like a massive narrative, and one that carries with it the tonality of the detail, introspection and excessive information of the 19th century type novel, norwegian and danish novels specifically too, people like Hamsun, Gaborg, Hansen etc..."


October 5th night 1987

I threw up again after the lutefisk. Dagny cried again. She asked me for a review of the meal. I accused her of trying to poison me. She said it was true; she was like the doctor who administers chemotherapy so that she might flush out my ‘polluted’ system. To me she looks old, not clever enough to be unhappy, but she wears a face that would make you otherwise. And she is so tall. Never is she 27 years of age.


Sinfonietta review at the Rambler

http://johnsonsrambler.wordpress.com/2012/05/17/talking-up-not-down-london-sinfoniettas-new-blue-touch-paper-series/


Talking up, not down: London Sinfonietta’s new Blue Touch Paper series

I was lucky to have been invited last night to attend a preview of the London Sinfonietta’s three latest projects in their Blue Touch Paper scheme.
The main part of the evening involved work-in-progress previews of around 20 minutes for each piece (they were all projected to last 45–60 minutes when finished). This was followed by an after-show discussion – we  divided into three small groups to take part in a guided critique/dialogue with the creators of each piece. The three pieces were: 
The Revenge of Miguel Cotto (pdf) was, for my money, the most musically complete of the three. An exploration of the ‘sanctioned violence’ of boxing it was set out in a series of contrasting panels (rounds?), some of them connecting clearly with violent and physical theme, others more contemplative. (I half imagined these as post-endorphin come-downs, or as the fighter’s moments of clarity when decisions are made to punch or block, left or right.) There were lots of great musical effect in a score that always held your attention, but the best was two percussionists marking the beat in one section by alternately thwacking a pair of punch bags with giant plastic tubes. As well as the obvious sonic and theatrical verismo, there was an interesting musical function too. Punchbags are imprecisely made by the standards of modern orchestral percussion, so some thwacks came sounded high, some low. Like a metronome, the high ones sounded like accented beats, the low ones off-beats. So despite the relentless crotchets, the metrical pattern kept shifting, giving an unpredictable edge to the whole ensemble sound.

Poetry & Revolution International Conference at the CPRC, Birkbeck College (Friday 25 May 2012 - Sunday 27 May 2012)


              

Papers: Approximately 45 papers on a wide range of issues over the Saturday and Sunday. Speakers from Portugal, Greece, the USA, Ireland, & the UK

Liaisons and co-operation with Occupied and Free Spaces

Venue:
 Birkbeck Main Building, Torrington Sq., WC1. 
Registration: No registration required. All welcome.

Contact: Stephen Mooney, estaphin@gmail.com

Supported by the Birkbeck Institute of the Humanities, and co-sponsored by the Centre for Modern and Contemporary Writing, University of Southampton


*************************************
Full Conference Schedule below:

Poetry and RevolutionConference Schedule Sunday 27 May 2012


10.00-11.30   8 papers in 3 parallel sessions
11.30-12.00   Coffee break
12:00-13:30   9 papers in 3 parallel sessions
13.30-14.30   Lunch break
14:30-16.00   11 papers in 4 parallel sessions
16:00-16.30   Tea break 
16:30-17:30   Mark Nowak keynote with immigrant workers from UNITE
17:30-18:00   General discussion
18:00-19:00   Wine & chat
All conference rooms are in the Malet Street main building, Birkbeck College, University of London, Bloomsbury
, London WC1E 7HX (entrance on Torrington Sqr)

Sunday 27 May 2012 - Papers


Panel B   (Room 354)    Chair: Luis Trindade
Richard Owens
SHATTERED SPACE AND LYRIC PRACTICE

Steven Fowler 
Dada: the ethical exception.

Maintenant #93 - Charles Simic


What more can be asked of a poet than that they maintain their own sense of integrity towards what they deem poetic? It follows then if the poet who does maintain a writing life of such commitment is a thinker of originality and insight, and that they maintain this commitment across a lifetime, then their work will have a life far beyond them. All the more if they do so with an affability that belies their skill, and a determination that proves them to be enduring. For a lifetime of writing, Charles Simic has been one of world's most engaging and singular poets. He has exerted such an influence over so many and for so long, he has almost come to define an era. His voice is sure, utterly recognisable, both profound and humble, both grounded and flighted, both incisive and witty and he has straddled labels and definitions, as he has the continents of North America and Europe. Never has his own work been occluded by his translations but his lifetime of service to European poetry has fundamentally shaped the perception of Serbian, and Balkan, poetry in the English speaking world at large. He is an immense presence in US poetry and inarguably one of the most important poets of the late 20th century. For edition 93 of the Maintenant series, Charles Simic. 
 
 
To accompany the interview is an original poem, never before published, ‘Ghost Cinema’
 

Aqua Rosa by Sarah Crewe


http://www.erbacce-press.com/#/sarah-crewe/4562125882



A really exciting poet from the northwest, Sarah Crewe, has just realised her first publication with Erbacce press. I was pleased to offer a comment on the book.


'She is the creator of poetic vignettes, an imagery not of the surreal but of the proto-mundane, the elastic and the luminous. Sarah-Louise Crewe is a poet of distinction in vocabulary, author of a lexicon that reaffirms the everyday in its intensity, utilising a finesse that pales the false poetic posturing of those travelling in the roadmarks of what was. This is a stone's throw from Maggie O'Sullivan, from Geraldine Monk, this marks a beginning that can bring only hope to those discerning enough to recognise it.'   SJ Fowler


Here's her work on 3am http://www.3ammagazine.com/3am/three-poems-sarah-crewe/

Lex-Icon Blog Project Post 50 : the charging puffer

http://lex-icon21.blogspot.fr/2012/05/lex-icon-blog-project-post-50-steven-j.html


Following the Maintenant:celebration of Avant-Garde poetry event I had a lovely invitation from the remarkable poet and critic, Jen Dick, a centrifugal force in Parisian poetry, and French poetry in general. Around a conference called "Lex-ICON: treating the text as image and the image as text" which will be held at UHA in Mulhouse, France, she is curating a post-a-day blog project of visual works for 60 days from 20 march through 20 May 2012 on http://lex-icon21.blogspot.fr/ with an image/text + commentary + bio of the artist/author who created it. These are in French and English.


May 8th, post 50, this is my day:

 chargingpuffer 4

"The conceptual brilliance, and historical prevalence, of the calligram need not be overstated, and though forms like square kufic have influenced me, it is Apollinaire's calligrammes which have inspired me, as they have many others. However, the calligram has always attracted me first and foremost precisely because of the illegibility of the handwriting! It allows for multiple readings of the text as well as of the image. Thus I have been faithful to this notion, and though the poem hidden in this fish is indeed real, it is determinately vague."—Steven J. Fowler