A note on : Poem Brut phase 3 and Hawkins at Second Step

Poem Brut is entering a third phase. I began the project hoping my approach would create a nice series of events. I wanted to promote poetry methods that engaged in their context, innovatively, in a contemporary way, with the handmade, the visceral, the visual and the live while also asking what effect our brains have on our writing. I wanted to include knowledge from those with alternative cognitive experiences. But I didnt want to make them definitional. I didn’t want to advertise it, or make the project about ‘outsider’ poetry, or people’s bio. This is all seems to have worked. I’ve had emails over the lockdown asking me about the ‘movement’ of Poem Brut. It’s a bowel word but that’s nice that people see the project as a thing.

Our first phase was events and publications. Our second was about continuing that energy, including exhibitions and then commissioning and mentoring individuals who are often left out of that kind of stuff because they are so original. In both cases the open submissions of our 3am series kept the people involved ever changing, growing, open minded and open doored.

This third phase, planned for 2021, will continue all these activities, but go further in helping poets branch out with their own projects. A brilliant example of this is the incredible teaching work of Paul Hawkins at the Second Step mental health charity in Bristol. Paul has done an amazing job sharing Poem Brut work and ideas to people using Second Step’s service. You can read about that here https://www.poembrut.com/secondstep and the tweet above says it all. / More coming soon on Poem Brut in the new year, when hopefully we are all able to meet again in person.

A note on : Poem Brut books on Good Press

The Glaswegian bookshop Good Press has two of my poem brut books in stock to buy, with profits to the brilliant Hesterglock press and the good cause of Good Press itself. They have laid the books out beautifully, with lovely images from within.

“Ǥᗝᗝᗪ ᑭᖇᗴᔕᔕ is a volunteer run, informally organised shop and event space dedicated to the promotion, distribution and production of independently or self published printed matter, with a focus on visual arts and writing, occasionally music or artist objects. All of the publications you find in-store and on-line are either self published or produced by an independent small press, gallery, group or organisation.”

A note on : a golden time for BIP - Hawkins, Papachristodoulou, Wells, Cor, Turrent, Spittle, Biddle, Knight, Sutton, Shirley, Lewis, Kent

I have often said I am lucky to have got into poetry, by accident, around 2010. I came into British poetry just at a moment when dozens of genuinely open, intelligent, energetic independent presses arrived. More than that, it seems to me, I came around when hundreds of poets from the UK are out working at material that is contemporary because it is innovative. Poetry that is responding to the world as it changes. As it changes seismically, fundamentally, in language.

Lockdown brains us. If we are the fortunate unaffected, physically, as I am (I am mega-fortunate in all ways, I believe). It has inevitably turned many of us in. We reflect and find understandable negative and positive in what we are doing. I have been candid in telling many people I think I am wasting my life writing poetry, because that very well might be true, but not in a catastrophic way. I do not dislike myself for doing it, I am just suspicious of what I am doing, as I try to be suspicious about everything, in order to be more aligned / balanced / decent, and more contented.

I have then had many chats with peers, friends, who feel unappreciated. This is an existential reality. But it is often, in the context of British Innovative Poetry (The BIP) true. I can make a long list of people whose work should be lauded. What is lauding? I wrote something here I then deleted. All I’ll say is, the poets overlooked because they are complex, I read them, I see them, I fucking appreciate them. I appreciate the presses who keep working, keep digging in, keeping sharing. It is proper impressive. I know. People just keep doing the work. It’s brilliant.

I work abroad a lot and bring to these European citizens this UK poetry they have never heard of. They think the UK scene is 5 poets. I share with them the people I admire and I see, dozens of them, through their eyes, I am right.. And I reflect on this and realise further how lucky I am to know the work of these poets, to get the books, to follow their ideas and experiments. And there is no longer the concentric “scenes” where poets are represented by their tribe as well as their work, I don’t think, and brilliant. Who wants that? Petty patty. The internet has scuppered it. We are often alone working and connected briefly. But this is why I put on events, curate, to make those connections, but not make solid any movements, group or crew. Because that is naff.

How often have I shared a friend’s book with someone outside of the BIP to see them say surprised “this is amazing, why isn’t this in shops?” yes yes yes, because you don’t buy it mate. But it exists, it’s good. This cannot be denied. I see it. I see it. Do my eyes not count? Yes they do. I have made sure they do.

All this is leading to me saying simply, it’s a golden time for interesting, innovative British poetry. We are lucky. Many don’t know it but if they looked, they’d see. Here are some books out recently or coming out soon which prove what I’m saying. All you need do is get them and find out. iF YOU BOUGHT EVERY ONE OF THESE, IT’S 100 SQUID, AND IF YOU READ THEM, THE IDEAS, THE THOUGHTS THAT WOULD FLOW. WOULDN’T THAT MAKE LIVING BETTER? TO BE GROWING THROUGH THE LANGUAGE OF THE EARTH REFLECTED BACK AT YOU BUT CLEVER LIKE? IT DOES FOR ME. TRY IT NOW! JUST ONE HUNDRED SPONDULICS

A note on : Poem Brut, Paul Hawkins, Second Step in Bristol

Paul Hawkins is one of the most interesting poets working in the UK and really a fundamental part of the Poem Brut project www.poembrut.com For the new year of poem brut I wanted to offer some commissions with those who had become deeply involved in the work - exploring method and mess, the mind and brain - but to make the nature of those commissions completely as open as the content of them. Paul, characteristically, used his to create a new set of workshops with Bristol based mental health organisation Second Step. It makes me proud that this is part of poem brut, and has happened just because it should, and not with some overt gesture. Paul is authentic is he is anything, and that’s why I admire him.

You can find out more about these workshops and second step here https://www.second-step.co.uk/wellbeing-college-blogs-poems-without-words-celebrating-vibrancy-scribbling-scrawling/ and attached is a work made by one of the people, Allison, who attended Paul’s sessions.