A note on: An Incident of Originality for BBC Radio 3's The Verb

A new commission on The Verb, for a programme exploring the notion of the fake, in poetry and beyond. I had the best time visiting the studios in Salford once again and the producers of the show, like Ian McMillan himself, are the nicest and most generous people. The other guests couldn't have been cooler to hang out with too. This show is really one of a kind in the UK, a must listen.

My text also features cameo contributions from brilliant poets and artists Maja Jantar, Zuzana Husarova and Prudence Chamberlain. You can read more about the piece here www.stevenjfowler.com/theverb and listen to it clicking the link above. For the full show, below. 

A note on: new BBC Radio 3's The Verb commission - An Incident of Originality

Very excited to appear on The Verb once again this week coming. Here is the page for the show : http://www.bbc.co.uk/programmes/b08n24fc

I've written a new piece about the concept of originality, authenticity and fake-ness for the show, as this is the theme. I'll be appearing alongside poet Ira Lightman, novelist Delphine de Vigan and comedian Mark Steel. 

The last commission I was lucky enough to do for The Verb, The Worm in its Core, actually began a whole new series of texts and so with this piece, An Incident of Originality, I've happily kept a certain aesthetic connection to this piece, which can be heard here https://soundcloud.com/sjfowler/theworminitscore 

The commission will be a collaboration too, with a small group of poets from across Europe whom I admire. I've asked them to contribute short bursts of new text, like a dialogue. My text is literary but quite computational too – abstract at times, using more common speech but also quite disembodied. I think modernist theatrical writing has been influence, as I’ve been writing more theatre – Pinter, Beckett, Churchill certainly. It is written for a kind of monologue delivery, addressing an abstract other.

It’s about the impossibility of originality, or something like that. It was in earlier drafts about literal thinking, how that is the root of nearly all ethical malignancy, on both sides of debate nowadays certainly – the false binary that drives the left and right, the death of complexity and ambiguity in discussion and often in poetry too, and how this is connected to the myth of the original poem / poet, and the traditional, formal, metaphysical and romantic notion of the poet as producing original work, as though they invented language itself.

But with further edits, its become more about me burying this commentary in strange tonal and conversational shifts, though it is still about authenticity being a fundamental acceptance of authenticity’s impossibility and the paradox at the heart of that. 

Listen in this coming Friday night! 10pm BBC Radio 3.

A note: my commission for The Verb on BBC Radio 3 - January 15th broadcast

A new page for my second appearance on The Verb, a brilliant, inspiring day at Media City in the company of Ian McMillan, Charles Fernyhough, Jennifer Hodgson and David Morley. 

www.stevenjfowler.com/theverb 

Amazing to be able to write this new piece of poetry, or theatre / performance as I see it, for The Verb and on such a wonderful topic and project. One of my favourite commissions I’d say.

"The Worm in its Core was commissioned as a new poem / performance by Radio 3's The Verb, hosted by Ian McMillan, for broadcast on January 15th 2016, in response to Hearing the Voice - a project which explores, and demystifies auditory verbal hallucinations. A great privilege to write something responding such a vital and intelligently conceived project, and to share it on The Verb, which has always maintained a laudable balance between all forms and modes of literature, bringing them where they belong, together, in brilliant conjunction."

A note on: upcoming in 2016

Thanks to everyone who has made 2015 so special, a few highlights, upcoming, for 2016

The final a World without Words event takes place January 9th at Apiary Studios featuring a host of neuroscientists and artists.

I'll be on BBC Radio 3's The Verb with a new commission responding to the Hearing the Voice project in January. 

Ovinir - The Enemies Project: Iceland, includes a big Camarade reading in Reykjavik where I'll be collaborating with Valgerður Þóroddsdóttir, supported by Reykjavik UNESCO city of literature. Then a reading in London, on January 30th, with over 30 poets, where I'll be presenting a new work with Ásta Fanney Sigurðardóttir

February sees a reading in Buenos Aires, hosted by El tercer lugar, curated by flavia pitella, thanks to the British Council.

The Soundings project will continue with 7 new collaborative performances including works with Tamarin Norwood (February), Sharon Gal (March), Patrick Coyle (April), Phil Minton (June), all responding to prompts from Wellcome Librarians.

I'll be attending the StAnza festival on the weekend of March 5th, speaking at an event on the body and poetry, responding to a film about bp nichol and leading a workshop / curating a Camarade collaborative event.

I'll be curating the English PEN Modern Literature Festival over one day on April 2nd, featuring 50 writers writing new works responding to some of PEN's writers at risk cases. Free to attend, but signing up for membership encouraged!

Very happy to be attending the Tbilisi International Festival of Literature in May 2016, thanks to the British Council, Writers Centre Norwich and the International Literature Fund, beginning a Georgian Enemies project: Mtrebi, which will return to the UK in July, where it'll visit the Ledbury Poetry Festival and the Rich Mix in London.

I'll be curating a Camarade for the Essex Book Festival on March Sunday 20th and I'll be curating further innovative Camarade events, including the University Camarade, on April 23rd, where students from five different creative writing departments (including my own at Kingston) create new collaborations across institutions.

Alongside both Croatian & British collaborators I'll be attending Vicenza's ArtBox reading series in May, curated by Marco Fazzini.

I'll be attending the Milosz Festival in Krakow in June, writing new collaborations with Polish poets / artists, thanks to UNESCO Krakow City of Literature, The British Council & co.

The Kakania project will return with readings in Berlin and London, from February to September 2016, all featuring new commissions of poets and artists responding to figures from Habsburg Vienna.

I'm happy to be part of the ambitious CROWD project, which crosses Europe next summer, travelling from Finland to Cyprus, over many months, with lots of interchanging poets on a bus. I'm doing Graz to Belgrade in June 2016.

Lots more publications, events and projects to be announced next year.

BBC Radio 3 - the Verb

A really gratifying experience to be on the Verb, talking about my new commission for the Electronic Voice Phenomena tour http://www.electronicvoicephenomena.net/. Ian McMillan was immensely friendly and generous, as he has a wide reputation for being, the other guests were charming and erudite and the producers were amazing in their knowledge and affability. They really invested time into my work, into researching it, and making the actual experience of being in the studio, in the booth, really relaxed and enjoyable. And actually travelling to Salford, to the media city, was an experience interesting enough that I could write an essay on that itself, if I had the energy. I decided to read a manifesto poem and a sound poem. I tried also to be calm in the reading, which I am normally not, because it was radio and didn't want to screech down the airwaves. People have been nice about the show, but in retrospect I wish I had been a little more bold. Oh well. Amazing to be on the bbc.

The show was broadcast live on Friday May 3rd, at 10pm, and is now downloadable, and listenable until May 10th. Once gone its gone, so please visit to listen or store away for later. http://www.bbc.co.uk/programmes/b01s35n4


This week Ian's guests are Rebecca Solnit with her new book 'The Faraway Nearby', SJ Fowler, with a piece connecting Electronic Voice Phenomena and Dada, Richard Williams discusses sex and buildings and Rozi Plain performs from her album 'Joined Sometimes Unjoined
Follow The Verb on Twitter: @R3TheVerb.