Published : Excerpts from I Will Show You The Life... on Mercurius

Very cool to have four poems from my book I WILL SHOW THE LIFE OF THE MIND (ON PRESCRIPTION DRUGS) published on Mercurius, a journal brilliantly edited by Thomas Helm here free and out like nowt. Please have a peek www.mercurius.one/home/i-will-show-you-the-life-of-the-mind-on-prescription-drugs

image.jpg

These are four special texts, or rather excerpts (as the book is a poetic conceptual choose-your-own-adventure narrative with all text intermingled somewhat), as they include the book’s opening gambit, describing the human brain.

Published : Zones of Darkness, on science writing and my book 'I will show you...'

200225_exhibition_museumoffutures_278_lowres_045.jpg

I was sent this article by a friend, having not heard of its being written. It places my most recent book in its proper place - science writing on the brain, the hard problem of consciousness, experimentation as a purposeful means to get to insolvable problems of language - which is something that hasn’t happened too much, so it was gratifying to read. It mentions Francis Crick and Henri Michaux in the same article too, alongside analyses of Michael Pollen and Charles Murray, and then me. It’s an ambitious piece. More than this it contextualises the real issue of my book - the brain, the mind, what is happening to ours, our search in popular culture to engage / ignore this issue. Anyway, from Eric Jett, Zones of Darkness https://www.full-stop.net/2020/09/16/features/essays/jett/zones-of-darkness/

Zones1.png
Zones3.png
Zones2.png

A note on: Dan Power reviews I Will Show You ... at SPAM magazine

1580728958.jpeg

Very good of SPAM and Dan Power to offer this review of my book https://www.amazon.co.uk/Will-Show-Life-prescription-drugs/dp/B0849T1PRK/

A few excerpts from the review, which can be found in full https://www.spamzine.co.uk/post/review-i-will-show-you-the-life-of-the-mind-on-prescription-drugs-by-sj-fowler

> Using the second person throughout, Fowler directly implicates you, the reader, in the story. He speaks as your mind speaks to you. Considering this book opens by addressing the unknowability of the mind, what’s surprising is how relatable so much of this is. Is there a universality to even the most intimate experiences that we might prefer to ignore? Are everyone’s anxieties and anguishes the same under late capitalism? Are we wired up to process life in symmetrical ways, or do the drugs standardize our experiences in-house, making ideas digestible and easily transferable, while at the same time neutralizing them?

> It’s also a choose-your-own-adventure! So Fowler gives us a sense of control, the option to use our unique and free decision-making skills to try and steer ourselves back into the light. Of course, this also means that every terrible thing that happens to you is your own fault, the result of poor decision making, of failing to understand the thing that lives inside your skull. But at least you’re free to choose.

> When Gerard Manley Hopkins’ ‘The Wreck of Deutschland’ is filtered through a mind on citalopram, lines from the seed poem blossom into new poems in the sequence. 'lean over an old / and ask / remember? / can you raise / the dead?' (p.29) is almost the ghost of a thought, coming in blips like a distant transmission. But even when the connection is shaky, the consciousness is definitely streaming. Fowler illuminates the structures of the brain not only through the structuring of the book, but through the deconstruction of the text. Ideas spark up and fizzle away, lines bleed into one another. Like the mind, language is an internalized and navigable structure. when one breaks down so does the other. definitions shift across words, syntax dissolves letters drawn to their nearest partners like magnets. disjointed ideas meet / neurons collide at random when their paths are eroded. incoherence, fractured and erratic decision making. brain structure determines bodily action determines brain structure. We are trapped in constant orbit of ourselves.

> The book is also very funny (I should have spent more time saying how funny it is), it’s wry and sharp in a way that allows you to chuckle with the protagonist at their terrible situation, and without undercutting any of the effect. It’s an infectious humour that’s both sincere and playful, frenzied in a way that lets it emerge seamlessly from the ever-changing currents. It does the essential job of keeping the reader afloat through turbulent waters. This book goes to places which are unstable, alarming, vacuumous, but never beyond seeing in a comic, self-deprecating, self-affirming light. Fowler grins into an abyss of his own making. He shouts into the book and the book echoes back, circles itself, ideas like pages are turned and turned over long after it’s concluded. You feel your brain sloshing about in your skull. It does a backflip.

A note on : Dennis Cooper includes I will show you... on his favourite stuff of 2020

dc2.png

>>> https://denniscooperblog.com/mine-for-yours-my-favorite-fiction-poetry-non-fiction-film-art-and-internet-of-2020-so-far/

Dennis Cooper is someone I read when I first started reading novels at all. His George Miles Cycle (an interconnected sequence of five novels that includes Closer, Frisk, Try, Guide, and Period) where startling. I remember reading excerpts to a friend while he ate chips and startling him. He has been writing, editing, organising and supporting others for forty years plus. His recent rundown of novels, poetry collections, albums he's liked from 2020 so far included my book I will show you the life of the mind (On prescription drugs) from Dostoyevskay Wannabe, which is really gratifying. There’s some brilliant works on the list around my depressing book also https://www.amazon.co.uk/Will-Show-Life-prescription-drugs/dp/B0849T1PRK/

dc1.png
dc3.png