A note on: top 10 for 2016 on 3am magazine

http://www.3ammagazine.com/3am/top-reads-2016-steven-j-fowler/

Vladimir Mayakovsky, Volodya: Selected Works, edited by Rosy Patience Carrick (Enitharmon Press)
I’ve been reading Mayakovsky my whole poetry life, which isn’t that long, but he’s always been important to me, but this volume, well I suppose it did what it was supposed to do – crystallise, refocus, intensify appreciation. It blew me away. I read it cover to cover, twice over, and dipped further. I bought copies for friends who don’t read poetry. It’s artfully edited, beautifully produced, and just the man’s energy, his range, his deep innovation, it sings from the pages. Huge credit to Enitharmon, always a great list – just look to David Gascoyne, Lee Harwood, UA Fanthorpe etc.. – the last few years have been especially exciting times from the Bloomsbury based press.

Vahni Capildeo, Measures of Expatriation (Carcanet)
The significance of Vahni Capildeo’s book doing so amazingly well with prizes and critics is that it is deeply, resonantly complex, intellectual and innovative. It is multifaceted and challenging, insightful but never cloy. This is the modern poetry I have been moaning has not been receiving its due for years. It is a brilliant book, like her last book from Shearsman Books, and the one before that from Eggbox. Suddenly it caught alight in people. I will now shut up about prizes overlooking the actually contemporary / modern / avant-garde. For a few months. Credit to Carcanet too.

Stephen Emmerson, Family Portraits (If P Then Q)
Emmerson is criminally underrated, he should be seen as a major, pioneering figure of the British avant garde and his work from publisher If P Then Q furthers that reputation. It’s a gesture in a book, an austere refusal of the indulgent lyric.

Harry Man, Finders Keepers (Sidekick Books)
A true collaboration with the artist Sophie (which places it close to my heart from the off), this is poetry that is actually mindful of its engagement with ecological themes. As ever with Harry Man the poems are hard to pin down into one literary tradition, he is an original, never obtuse but neither overtly complex. It’s a beautiful book and a real achievement as a project.

Diane Williams, Fine, Fine, Fine, Fine, Fine (CB Editions)
Charles Boyle Editions are a list I follow just on previous form (look to David Markson, JO Morgan, Will Eaves, Francis Ponge etc..) and I have to admit I hadn’t come across Diane Williams before I picked this up. Now I am in deep, her work is everything I look for, and this book really impacted my writing, it’s fiction but it’s poetry too, as I’d deem it – full of expert twists on banal detail, mishearing, disjunction and play. Sophisticated and really funny.

Jen Calleja, Serious Justice (Test Centre)
A great debut, another great book from Test Centre. Her poetry is a intricate, subtle, conversational fusion of Calleja’s expertise, without being reductive, which is punk music and the European high literary tradition. It’s original, vital, memorable, get it.

Tom Jenks, Sublunar (Oystercatcher Press)
Oystercatcher is one of those British presses poets know, and follow, their backlist is a resource and Sublunar from Tom Jenks is a 2016 highlight for me. Jenks is the most exciting conceptual poet I know, but his range is like his prolificism, to be admired. Still the rarified nonsense of publishing once every 7 years lingers around British poetry, just so romantic dinosaurs can insist on their genius as though their poems were faberge eggs made better by their scarcity. Jenks is doing the work to unpick this, publishing brilliantly and frequently. Get everything he’s done.

Luke Kennard, Cain (Penned in the Margins)
A wonderful book, beautiful to behold, dark in its way, witty too, of course, as Kennard’s work has long been lauded – he’s been a feature on the British poetry scene for a decade, massively to his credit traversing many different spaces and practises. This book is really so striking – conceptually clever, and gorgeously designed, as usual, from Penned in the Margins. It won a prize for design in fact. It should win for that which lies within the covers too.

Gabriele Tinti, Last Words (Skira)
Tinti’s book is a service – the project, to record and repatriate suicide notes, and one best received by poetry readers looking for insight often where it resides least, in the thoughts of those who think themselves professionally insightful. Tinti removes the barrier, it’s a difficult read because things are difficult.

Mark Waldron, Meanwhile, Trees (Bloodaxe Books)
Waldron is not underrated, as he’s properly well known, but I have this suspicion he is misunderstood, portrayed as casually, observationally misanthropic almost as though that’s token in a dayglow world of poetry about bees and mushrooms, written while the world burns. His work is intimidatingly poised, beautifully crafted, engaging, thoughtful, wears its intelligence in its technique, lightly and completely absorbing. A highlight from Bloodaxe this year.

Portobello road pop up shop reading

This was a really enjoyable, relaxing afternoon visit to the Portobello road pop up shop run by Charles Boyle and Todd Swift of CB editions and Eyewear publishing respectively. Charles was very charming, and the books he produces are genuinely beautiful objects. I felt very much a west london poet at home in his presence. Some of the work he has put out, to be found here http://www.cbeditions.com/ is quite iconic and brilliant - Bursa, Apollinaire, Josipivici, amongst others, including this http://www.cbeditions.com/ponge.html which I simply couldn't leave without having. The nature of the enterprise, quite an adventurous one, to stake up a shop full of poetry in the middle of Portobello, meant that passing traffic was not as forthcoming as one would've hoped but the reading was still very much worthwhile and it's always nice to spend sometime in the company of Michael Horovitz, who was as charming as ever.

Portobello Road pop up shop reading July 5th

http://www.eyewearpublishing.com/about-us/pop-up-shop/ Thanks to the generosity Eyewear publishing and CB editions, Todd Swift and Charles Boyle, respectively, I'm delighted to be part of a project running on Portobello Road, just ten minutes from my door, right on my backyard, on July 5th. 

"Summertime – and though for poets and independent publishers the living isn’t exactly easy, it’s time to come out onto the street and play. Specifically: THE SHOP. For the first week of July, 1st to 7th, Eyewear Publishing is joining forces with 
CB Editions. We will be taking a pop-up shop in Portobello Road, London: number 201, a block along from the Electric Cinema. We’ll be selling books from our own presses and those of some others (ArcFive LeavesFlipped Eye among them, and not exclusively poetry), and there’ll be photographic prints by Ken Garland and other things. And balloons. The shop is essentially a shop, and is hardly the most comfortable of reading venues, but there’ll be events in the evenings and pop-up readings by various poets during the daytime."

The week features friends like James Byrne, Sandeep Parmar, Astrid Alben, Michael Horovitz and many others, please do wander down if you're free, I'll be bringing some books and a buddha box and smashing out some poetry on Boxing and Prisons.