I Stand Alone by The Devils, and other poems on films
Broken Sleep Books : 33 pages : £5 www.stevenjfowler.com/istandalone
A book, though lean, I have been working on for years. It’s been a pleasure to bring it into life with Aaron Kent, editor of Broken Sleep. From the publisher = "26 new poems celebrating 26 cult films of the 20th and 21st century, I Stand Alone by The Devils is a slim volume of cinematic poetic ekphrasis. At play is an aberrant intersemiotic translation between the mediums of popular or arthouse cinema and contemporary, modernist poetry. The poems aim to re-imagine moving image in language, often cutting in tone, taking on the dark, symbolic and sardonic on film. Each poem is a single film, interpreting, reflecting, embodying and transposing, exploring both films familiar to many, and digging out, often from 20th century European cinema, more unorthodox motion pictures. From Querelle and The Baby of Mâcon, to American Werewolf in London and Don’t Look Now. From Aguirre and Festen to The Fly and Breaking the Waves, these poems are a strange and playful musing on cinema’s impact on poetry and language and a useless thinking through of how films are actually consumed."
A full list of films featured - Angel Heart, Querelle, Last Year at Marienbad, Ali : Fear Eats The Soul, The Fly, The Devils, Breaking the Waves, American Werewolf in London, Don’t Look Now, I Stand Alone, A short film about Love, En Coeur En Hiver, The Baby of Mâcon, Nightwatch (Nattevagten), Silence of the Lambs, Satan’s Brew, Aguirre, wrath of god, The Long Good Friday, Stalker, Salo, Festen, Three Colours Blue, Yojimbo, Possession, Beau Travail, M.
LAUNCH : August Thursday 29th 2019 at the Cinema Museum, London, alongside a screening of Peter Greenaway’s The Baby of Mâcon
7pm doors for 7.30pm entry. £8 (£5 concessions)
Readings, featuring Jonathan Catherall, Yvonne Litschel, Chris Kerr, David Spittle and more, alongside SJ Fowler, will mark this unique celebration of cinematic poetry, before a screening ofThe Baby of Mâcon, Peter Greenaway’s remarkable and challening 1993 film. More details to come soon.