A note on : The end of Fiender in Malmo

A final event in the Fiender project, a Swedish collaborative enterprise that Harry Man and I put together, 12 poets presented new collaborations in Malmo, one of the most interesting cities in Sweden. The event was really thanks to Kristian Carlsson, whom I had met in Georgia in 2016, a remarkable activist and publisher living in the city, he was our key co curator.

We took over the Poet on the Corner shopfront venue for one night and poets from Mexico, Iran, Uruguay, American, England and Sweden trod the boards, a signifier of Malmo’s international character. It was an intimate, gentle, often quiet, even timid, Camarade, but as ever, meeting the poets and discovering new spaces, especially alongside old friends like Harry and JT Welsch, was rewarding. My collaboration with Iranian poet Naeimeh Doostdar was a literary work, quite careful, but opening into some interesting textual spaces at times. We always seemed at a remove from each other, no matter what I tried to do to allow her the space to define the context and content it always seemed gentle, generous but not really collaborative. A rare thing for me nowadays, and a lot to take from it, certain barriers can’t be crossed quickly, these things are miniature friendships and that takes time. So Naeimeh and I got on well, but it was merely a beginning.


Malmo is an interesting place but it didn’t reveal itself immediately, felt metaphorically connected to the limitations of the event and my collaboration. It appeared obvious or residential on its surface, but clearly promised a great deal. This is attractive in a sense, enticing if not immediately gratifying. Certainly finishing another rare visit to Sweden, where I have blood ties and a quarter of me is actually from, sat around a dinner table with friends old and new, is something to prize.