my performance in a Parisienne circus for Festina Lente

I've read in Paris before, but I read, and I hope, relatively speaking, those days are temporarily coming to a close. Now is a time to read in public far less, and perform more. So this was an invitation I was grateful to receive from the amazing and intense Chilean poet Martin Bakero, who lives in Paris and curates the Festina Lente in the Circus Electrique, part of the Pantheon of Poets festival in the city. This was all sound poets and sonic artists, and as I've felt with the art writers of my generation in London who've influenced me so much, and are now friends (Pat Coyle, Holly Pester, Hannah Silva etc) this is a real community in Europe. After meeting Jorg Piringer and Heike Feidler last year, here I got to connect to Julien d'abrigeon and the wonderful Maja Jantar, whose performance was spellbinding and I learnt masses from just by watching. It's a privilege to be part of that community, if even peripherally, it is defined by exciting work, by real exploration and intensity and I feel very welcome by the people who seem to be defining it.

My performance piece, mort & homme, was an attempt to utilise mantra like repetition through different vocal ranges, beginning with something like murky song into ulluation and finishing with doom. That was to be contrasted against electronic chinese music, and then a conceptual element Ive wanted to do for awhile, book sawing. I don't really care if the result is a success, but it was a satisfying experience, as I had to go out of my comfort zone, and that's all I want to do at the moment. The piece was new, an experiment and a departure with the only goal that it didn't seem that way. I'm not interested in thinking about the quality of the work, just the experience of making it. I had a wonderful time. Video below. I also managed to snag some videos of some of the other amazing performances that made up the day, one of a series now set up in Paris over the next few years.
Maja Jantar & Martin Bakero