Patrick Coyle & SJ Fowler at You Call Him Doctor Jones!
Blue Touch Paper scheme with the London Sinfonietta
Following an open, national call the London Sinfonietta has selected a group of composers and multidisciplinary artists to participate in the Blue Touch Paper programme. The three composer-collaborator partnerships, who have all been awarded a Jerwood Blue Touch Paper bursary, are:
- Steve Potter (composer) & Kélina Gotman (Writer/Dramaturg)
- Elspeth Brooke (composer), Seonaid Goody (Puppeteer) & Anna G Jones (Director)
- Philip Venables (composer) & Steven J Fowler (Poet)
The three exciting ideas for new multidisciplinary pieces from these partnerships will be presented at a work-in-progress preview event in May 2012. The projects are:
- a music-theatre piece which explores the reality of dreams through staging political, utopian and everyday examples such as Martin Luther King’s rally against the Vietnam War.
- a re-imagining of the Greek myth of Persephone, experimenting how effects from early animated film could transfer to the art of puppetry, integrated with live musical performance
- a piece exploring the violence, sanctioned by society, that is boxing, through music and poetry
Maintenant Camarade - pictures
Preparing for Mercy performance with Ben Morris
Transtromer review up on Eyewear
Maintenant Camarade - the visitors
Maintenant Camarade - the collaborations
Covers!! episodes 8-19
Review of Tomas Tranströmer
Kaminsky & Co at Oxfam poetry
Other room preview
SJ Fowler – a preview
SJ Fowler will be reading at the next Other Room on Wednesday 26th October at The Old Abbey Inn on Manchester Science Park. You can read some of his work a the Voiceworks site and much more at hisown site. Or watch a film of him reading at the launch of his collection Fights on Veer Publications.
Preview of Colin Herd to follow soon. Click here to read a preview of Jennifer Cooke.
Camarade publication available to buy
Maintenant poetry at "Linguistically innovative €#*@$?!"
& parts one, two,three, four, five,six
For a 21st century expanding European generation of poets new international networks are emerging fast. Through, for example, 3:AM Magazine Maintenant and Poetry Kit hub - the internet provides updates on local, regional, and international scenes. Universities have their own creative writing bubbles and old London town has plural exhibition/music/poetry spaces.
Both Norwegian poet Paal Bjelke Andersen and Swedish poet Aase Berg, in recent Maintenant interviews with younger generation British poet Steven Johannes Fowler; seem to suggest, in their individual and distinctive ways that 'innovative', 'experimental' may now be the dominant published poetry in Scandinavia, with small press its mainstream vehicle.
Maintenant: the Camarade project has brought into the picture new collaborative possibilities between English-speaking and foreign language-speaking poets.
New small publishers like The Red Ceilings Press, who've published the Maintenant Camarade mini-anthology as perfect-trim A6 artzine, produce inexpensive limited edition print plus open access screen readings. Working from regional locality it is difficult to envisage this little press and others as new mainstream-in-the-making.
These rough 'Notes on the old new little press' will conclude next post before addition to planned Songs Our Teachers Learn Us, or, Lessons To Be Learnedpublication."
Maintenant #75 - Anna Auziņa
Maintenant #76 - Kārlis Vērdiņš
just two weeks until the big Maintenant event: Camarade!
Poetry Book Society article

Earlier this year, Alec Newman's Knives, Forks and Spoons Press was shortlisted for the Michael Marks Award for outstanding UK publisher of poetry in pamphlet form. It is easy to understand why. KF&S has been putting out an amazing range of innovative poetry at an extraordinary rate. There is a buzz and an urgency about the whole project which has made it a particularly welcome addition to the British poetry scene. The website is riddled with unpredictability - as well as some enticing offers, such as three books for £10.
The first KF&S pamphlet I can remember reading was by S J Fowler and was the first in his fightsseries. There are now at least twenty of these, each one inspired by a different boxer. The first fifteen have been assembled and published in a single volume by Veer books, in July 2011, under the title fights cycles I-XV.
Maggie O'Sullivan describes this as a dazzling, visceral, proficient, kinetic work. Tim Atkins agrees, saying there are not many books of poetry where you turn the page not knowing what is coming next, but this is one of them.
Steven Fowler was born in Cornwall in 1983. He studied philosophy at Durham, then at the University of London. Somehow he finds time to edit the Maintenant interview series for 3 am magazine, write extensively, study for a PhD in contemporary poetics at Birkbeck, and hold down a job at the British Museum. He has been an employee of the museum since 2007 and its vast holdings inform his recent volume Red Museum, (Knives, Forks and Spoons Press, 2011).
It is difficult to convey the breadth of reference in this book. Perhaps listing a few of the titles will give some idea: a cubic mile is sufficient to contain one hundred billion souls, provided they are packed tightly, 'like anchovies'; the Crusaders treacherously Crucify those taken at Odessa; William of Orange; how to shorten the yard; Tamerlane harvests horses; how to enlarge the Pudenda; Porphyria; The Hospitalier grand master Guillaume de Villiers or Guillaume de Clermont defends the walls of Acre without enthusiasm; Blue cocoon; Pagan depression; the sixth fiddle; Oswald Spengler has a go; Jesus wept; I leave my meals to Neseus.
I feel that this should whet your appetite. Iain Sinclair is impressed too:
A tremendous and persuasive surge of the red and the black: conflicted doctrines, scorched paper. Gothic scripts and plague-year screenplays for an apocalyptic cinema. Death chess. Heretical crusades. Hurt flesh. Fire angels. Madness. A grimoire for a haunted river-city. The poetry lies in the interpretation of malfated woodcuts. It is sinewy, knotted, persistent. And true.
So it has been a year of formidable achievements by Alec Newman and Steven Fowler. Red Museum is just one of their accomplishments, but it is the most startling book of poetry in English to appear this year. I hope they are sitting somewhere sunny, nursing chilled drinks, enjoying well-deserved breaks. But something tells me that they're not.
Peter Hughes' poetry publications include Paul Klee's Diary, Blueroads, Nistanimera, The Summer of Agios Dimitrios and The Pistol Tree Poems. Nathan Thompson writes of it as ‘flickering, intense, innovative and utterly mesmerising'. Peter also runs Oystercatcher Press, based on the Norfolk coast, which has published more than 40 poetry pamphlets over the last three years.