A concept that cannot be understood until it is realised. I had three days from exhibition opening to when I arrived back in London from time in Wales. During that time I had three events, including the launch of my book. I spent 25 hours in those three days in the Hardy Tree Gallery, writing the beginning of my novel by hand. I did not plan the content, but I did try and keep it, strictly, narrative (if strange and menacing) and clear. I began by writing on the wall, then I realised this would be a profound waste. So we got scrolls of paper to hang on the wall. Then I wrote on the scrolls. Then after 5 hours and one scroll done, I got deep stress position pains. So I took the other scrolls down and wrote on them while at a desk, pulling the paper slack up as it was needed.

The story is of a lonely, scholarly farm child called Mahu, living in the countryside of Wiltshire. The townspeople think him strange and he only goes into town to buy supplies for his ailing, if distant mother. His 12 brothers and sisters all have jobs, while he schemes of ways to keep from working so he can keep secretly reading the church histories and occult papers he has stolen in the company of his dog. He meets someone and his priorities shift. She disappears, and he begins to follow her, leaving Devizes for the first time in his life, down the polluted banks of the river Kennet.

Now I'll be writing a wall of the gallery for each week of the run, so by the end, by June 27th, all four walls will be covered and the novel will be finished. The first wall was an experience of chest pain and some agitation, but I have already forgotten that pain and the response from those who have seen it so far has been really pleasing. They say my handwriting is neat.