Published : I fear my best work behind me

'm happy to announce the release of my debut art book, in a limited edition, from Stranger Press. Available to purchase here I fear my best work behind me

The book will be launched on December 15th at The Poetry Society's Poetry Cafe at 7.30pm, free entry. Details here

Produced to a remarkable standard by Stranger press, I fear ... is a book exploring poetry as a fractured, overwhelmed, handwritten victim of colour, brutalist child-like portraiture, abstract illustration and negative space. 

I'm just messin' about, Karel Appel once said. Nothing was further from the truth. 
I'm just messin' about, says SJ Fowler. Nothing is further from the truth. Bas Kwakman, Director - Poetry International Rotterdam

i fear my best work behind me presents raw simulation of tentative and tender frailty. The respondent stares at fragments of attachment comprehension lost comprehension, becomes involved in a relationship of mark facture and scripted text applied sequentially or contemporary with each other, scripted in tandem or over the smudge. It is as if the intent has been hidden and that there rests an implicit coded discrepancy in each smudge demanding a decode, a search in the rubble, a decipherment that matches the pages of fleeting uncertainty and assured presentation without transcription. The work shakes with an engagement with these conditions.     Allen Fisher poet & artist

The volume features works published by Oxford Poetry, Test Centre magazine, Gorse Magazine, Fractalia and others, and an example can be found online at Partisan Hotel The book is closed by an essay, soon to be published onThe Learned Pig.

The works call back to the post-war and latter 20th century explorations of Henri Michaux, Jacques Racquet and the CoBrA group especially – Christian Dotremont, Pierre Alechinsky, Asger Jorn, Lucebert, Gerrit Kouwenaars, Karel Appel. This book is a reconnection to their principles and practises, knowing it to be familiar ground, but one rarely tread and increasingly necessary in a still predominantly colourless medium.

Part of Poem Brut, supported by Arts Council England.