A day of two halves. The first, a bite talk, 15 minutes on Thomas Bernhard. It was a failed experiment. I overwrote the content, wanting it to be so good because of the passion I have for Bernhard, and was far too loyal to the text. I was boring. The art of lecturing is a practice I am engaged in learning. You learn more from a 'loss' I suppose. Still annoying to speak so poorly about an author I love so much, and if anyone stayed awake through my monotone the actual content had some moments of insight I hope. / I then went on to chair a panel on the Black Mountain college with Alyce Mahon from Cambridge Uni, and my old friends Tim Atkins and Peter Jaeger. It was a brilliant hour, fluid, insightful and balanced. Each speaker brought information from differing perspectives, and were all very generous with their thoughts. Peter offered real insight into John Cage and Zen, Alyce opened up the history of the school with its creative spark offset by administrative suicide, and Tim told everyone that poets killed the college. The list of alumni or teaching staff is unbelievable - Duncan, Olsen, Williams, Cage, Cunningham, Albers, Twombly, Creeley, de Kooning, Rauschenberg, Dorn. The questions were also very positive, and we ended up talking about the modern state of the education system and how restricted it is, against such a hotbed of radical innovation and collaboration as the BMC. / The rest is noise is an awesome opportunity to open up so many discussions that rarely get such a platform. Next up, Walter Abish and Jack Spicer in November
You are invited to the Launch of Enemies
ENEMIES: THE SELECTED COLLABORATIONS OF SJ FOWLER
Please pop along if you can. I'll be reading with Sam Riviere, David Berridge, Tim Atkins, Sarah Kelly, Eirikur Orn Norddahl and Tom Jenks. From the publisher:
"You are invited to join independent poetry publisher Penned in the Margins for the launch of SJ Fowler’s groundbreaking, multi-disciplinary collection Enemies; the result of collaborations with over thirty artists, photographers and writers – each imbued with the energy, innovation and generosity of spirit that has become Fowler’s calling card as a poet.
Meta-diary entries mingle with a partially redacted email exchange; texts slip and fragment, finding new contexts alongside paintings, diagrams and YouTube clips. Animalistic Rorschach blots and behind-the-scenes photographs from the Museum inspire a poetic that is dynamic but unstable: Fowler’s texts walk the high-wire between reason and madness, the individual and the collective, human and animal.
The Enemies are: Tim Atkins, David Berridge, Cristine Brache, Patrick Coyle, Emily Critchley, Lone Eriksen, Frédéric Forte, Tom Jenks, Samantha Johnson, Alexander Kell, David Kelly, Sarah Kelly, Anatol Knotek, Ilenia Madelaire, Chris McCabe, nick-e melville, Eiríkur Örn Norðdahl, Matteo X Patocchi, Claire Potter, Monika Rinck, Sam Riviere, Hannah Silva, Marcus Slease, Ross Sutherland, Ryan Van Winkle, Philip Venables, Sian Williams"
"An overwhelming assault. The geography is unnerving, almost familiar, then stinging in its estrangement.Intensity crackles. Tension teases. At what point does collision become collaboration? When do the bandages come off?"
Iain Sinclair
VLAK 4 imminent - contains Camarade texts
Full list of contents here http://vlakmagazine2.wordpress.com/2013/10/06/vlak-4/ see it to believe it, as ever - Notley, Sollers, Berrigan, Kinsella, Armand, Garcia amongst.
International Translation Day at the British Library
I would honoured to speak at this one day conference / summit / get together of translators and industry professional at the British library on technology, futurology and poetry. It was an embarrassment of riches in terms of the speakers, I actually looked like the child of most of the distinguised peoples in the programme, and I inhabited one of the afternoon breakout seminars with Maya Gabrielle, who is a serious digital programme industry leader, working with the National Theatre and others. She spoke really directly and powerfully about waste and direction in using social media and allowed me to be the good cop really, as I waffled on with my thoughts on the potentiality of the ether for writers, and how the internet is not a tool but a mode, and that its growth is inevitable, its use free and its engagements exponential. It went well, I was able to ramble without notes, feeling quite empassioned, and the people in the full room were knowledgable and positive about my positivity. Robert Sharp mediated us well too. All immensely clever people involved, and great to see friends like Dan Gorman, Sarah Hesketh, Alexandra Buchler amongst new connections I will no doubt benefit from meeting. Also to speak at the British Library is a proud first.
Internet as a creative realm and the decision to be open and positive online. Thanks @stevenjfowler for your ideas at #ITD13 last week!
— Juana Adcock (@jennivora) October 7, 2013
Iain Sinclair's 4th book of Suicide Bridge on 3am
Without doubt the highlight of my editorial career at 3ammagazine, and an enormous privilege to publish extracts from the 4th book of Iain Sinclair's legendary Suicide Bridge. http://www.3ammagazine.com/3am/iainsinclairbookfour/ Without doubt, if anything ensures my opinion that the post war British avant garde has an ethical, human, social streak running through it, it is my personal experiences with the likes of Will Rowe, Tom Raworth, Anselm Hollo, Iain Sinclair and others.
From the first time I sidled up to him at a lecture in Kings college, having heckled the rest of the panel, from the Balkans, about the turgid lack of experimentation in their works, he has been uniformly kind, supportive and generous. Hard to imagine how practically busy he must be, and having a lifetime of brilliance behind him in poetry, fiction and new genres of writing, it is indicative of the man that always makes time for younger writers, not only in gesture but action. He was one of the only writers who really acknowledged the existence of my debut collection, Red Museum, and his collaboration with Ragnhildur Johanns has spanned my event organising career. Moreover, Suicide Bridge and Lud Heat were direct inspirations to me when I first began reading properly, and when I first came to London. I used the map in the granta book to explore the city in fact, and then found the original publications from the Albion Village press in the Poetry Library. These works are from the books of Suicide Bridge, not published, until now, coming out soon with Skylight press. See below for details and buy a copy.
From the first time I sidled up to him at a lecture in Kings college, having heckled the rest of the panel, from the Balkans, about the turgid lack of experimentation in their works, he has been uniformly kind, supportive and generous. Hard to imagine how practically busy he must be, and having a lifetime of brilliance behind him in poetry, fiction and new genres of writing, it is indicative of the man that always makes time for younger writers, not only in gesture but action. He was one of the only writers who really acknowledged the existence of my debut collection, Red Museum, and his collaboration with Ragnhildur Johanns has spanned my event organising career. Moreover, Suicide Bridge and Lud Heat were direct inspirations to me when I first began reading properly, and when I first came to London. I used the map in the granta book to explore the city in fact, and then found the original publications from the Albion Village press in the Poetry Library. These works are from the books of Suicide Bridge, not published, until now, coming out soon with Skylight press. See below for details and buy a copy.
Rest is Noise festival, Britten weekend - on post-war avant-garde British poetry & BS Johnson, and witnessing Anthony Blee
I was especially frightened by these two lectures. The bites format of 15 minutes is as engaging for the audience as it is troubling for the speaker, and these talks would have a fine audience indeed being a part of the Southbank centre's remarkable recapturing of 20th century cultural history through the Rest is Noise festival. Judging how deep to go, or what to cover, becomes a serious issue, and my two talks were on things very close to my heart. I felt a responsibility to do them justice.
The talk on the Avant garde poetry of Britain around the Era of Britten was one of my most gratifying public speaking performances. Not because it was good, but because everyone was saying afterward how the information was new to them and it was easily accessed and understood. And it is important information, to me, that can't be spread wide enough. You can hear it here:
The real highlight of the day was the other speakers though, all genuinely more powerful and clever than I. Diane Silverthorne has inspired me since the first time I saw her speak, I even dedicated a poem to her about Mondrian, and Sophie Mayer is a peer I really admire as a poet and an intellectual. But thank god I asked to switch the original running order just moments before the events began, which I initially was supposed to conclude, because if I hadn't I would've followed the absolutely remarkable Anthony Blee, and fallen quite flat upon myself.
He is an architect, one of the finest our country has produced, and he was speaking about his work on Coventry Cathedral, a world renowned project he began working on at 24 years of age in 1956. I can't express the brilliance, humility and grace of his account of this time in his life. It was genuinely emotional to watch him recount stories of Sir Basil Spence and Yehudi Menuhin, and breathtaking to see this building, this cultural hub, this national pride, grow from his personal slides and memories. To watch a man who has spent a lifetime at the service of a professional artform, and shone so brightly through that life, reduced me to feeling like a very fortunate, very embryonic and very humbled, witness. I had the chance to meet his whole family afterward, who were as gracious and warm as he was, who were unduly kind about my piffling talk, and the experience left me feeling struck in the most organic and valuable of ways. They seemed people truly open, collaborative, kind and able to navigate these very real qualities through their art / practise. This article reflects some of the man, and I'm definitely visiting Coventry cathedral soon. http://www.theguardian.com/culture/2012/feb/27/anthony-blee-geoffrey-clarke-coventry-cathedral
For the earlier session, I spoke on BS Johnson, and I refused the lecture format, as he would've liked, I think, and cut up quotes that were relevant and let people pick the order from a box. A lecture in a box. All can be heard here:
The talk on the Avant garde poetry of Britain around the Era of Britten was one of my most gratifying public speaking performances. Not because it was good, but because everyone was saying afterward how the information was new to them and it was easily accessed and understood. And it is important information, to me, that can't be spread wide enough. You can hear it here:
The real highlight of the day was the other speakers though, all genuinely more powerful and clever than I. Diane Silverthorne has inspired me since the first time I saw her speak, I even dedicated a poem to her about Mondrian, and Sophie Mayer is a peer I really admire as a poet and an intellectual. But thank god I asked to switch the original running order just moments before the events began, which I initially was supposed to conclude, because if I hadn't I would've followed the absolutely remarkable Anthony Blee, and fallen quite flat upon myself.
He is an architect, one of the finest our country has produced, and he was speaking about his work on Coventry Cathedral, a world renowned project he began working on at 24 years of age in 1956. I can't express the brilliance, humility and grace of his account of this time in his life. It was genuinely emotional to watch him recount stories of Sir Basil Spence and Yehudi Menuhin, and breathtaking to see this building, this cultural hub, this national pride, grow from his personal slides and memories. To watch a man who has spent a lifetime at the service of a professional artform, and shone so brightly through that life, reduced me to feeling like a very fortunate, very embryonic and very humbled, witness. I had the chance to meet his whole family afterward, who were as gracious and warm as he was, who were unduly kind about my piffling talk, and the experience left me feeling struck in the most organic and valuable of ways. They seemed people truly open, collaborative, kind and able to navigate these very real qualities through their art / practise. This article reflects some of the man, and I'm definitely visiting Coventry cathedral soon. http://www.theguardian.com/culture/2012/feb/27/anthony-blee-geoffrey-clarke-coventry-cathedral
For the earlier session, I spoke on BS Johnson, and I refused the lecture format, as he would've liked, I think, and cut up quotes that were relevant and let people pick the order from a box. A lecture in a box. All can be heard here:
Enemies is Inpress book of the month
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Will Rowe anthology by Veer books
To celebrate the reading which celebrates the career of Will Rowe on the eve of his retirement from Birkbeck college and the Contemporary Poetics Research Centre, Veer books, of which Will is one of the founders, have published a remarkable anthology of original work dedicated to Will and his achievements. The poets include Bruce Andrews, Allen Fisher, Peter Jaeger, Alan Halsey, Geraldine Monk, Sean Bonney, Maggie O'Sullivan, and many others, and my work, written specifically for Will, found, pictured, below. Go here and email them and buy a copy! http://www.veerbooks.com/
from the Secretum Meum with Tim Atkins in Summerstock issue 7
Livestock Editions is pleased as huckleberry pie to announce the release of Summer Stock, Issue 7: UK Poetry Dossier (Available at www.summerstockjournal.com). Curated by Livestock editor Elizabeth Guthrie, this year’s online poetry crop offers exciting explorations & currencies in experimental poetry from the United Kingdom.
Issue 7 features wild woolly bully writing & literary multimedia from these Brit All Stars: Tim Atkins. Sean Bonney. Paul Buck. Becky Cremin. Laura Foster Twigg. Chris Gutkind. Alan Hay. Jeff Hilson. Peter Jaeger. Antony John. Sarah Kelley. David Kelly. Fabian Macpherson. Sophie Mayer. Richard Parker. Jessica Pujol. Nat Raha. Connie Scozzaro. Marcus Slease. Linus Slug. James Wilkes. Steve Willey. & a collaboration between Steven Fowler & Tim Atkins.
We dedicate this year’s issue to the memory of beloved poet/translator/critic/advisor Anselm Hollo, who passed away earlier this year. Anselm’s life of radical outrider poetry is a shining inspiration to all of us at Livestock. We love you and miss you, Anselm.
Enemies reviewed in the Wire
licking up the ash of Mary Shelley: EVP Bournemouth
Coin Opera 2
the poets of 3am magazine under my reign
The poets I have published since my editorial stint began at 3am in 2011. It is a strong list. A list I am proud of. Open submissions are hard work but evidently worth the (extensive) effort. What better way to link up with brilliant pets from across the earth that I never would have known otherwise. And what a job those at 3am have done to make the magazine so respected, with such reach and power while still maintaining an intellectual but non pretentious aesthetic. Hard to do, harder to maintain.
Voldymyr
Bilik http://www.3ammagazine.com/3am/volodymyr-bilyk/
Ben Stainton http://www.3ammagazine.com/3am/ben-stainton-short-fish/
Robert Kiely http://www.3ammagazine.com/3am/robert-kiely-attempt/
Bruno Neiva http://www.3ammagazine.com/3am/bruno-neiva-pastoral/
Robert Kiely http://www.3ammagazine.com/3am/robert-kiely-attempt/
Bruno Neiva http://www.3ammagazine.com/3am/bruno-neiva-pastoral/
nick-e melville http://www.3ammagazine.com/3am/thought-experiment-31/
Ilenia
Madelaire http://www.3ammagazine.com/3am/the-extreme-clarity-of-things/
David
Kelly http://www.3ammagazine.com/3am/david-kell/
Penny Goringhttp://www.3ammagazine.com/3am/and-you-know-how-they-can-let-you-down-these-people-other-poems/
Penny Goringhttp://www.3ammagazine.com/3am/and-you-know-how-they-can-let-you-down-these-people-other-poems/
Alex Niven http://www.3ammagazine.com/3am/new-york-poems/
Stephen Connolly http://www.3ammagazine.com/3am/stephen-connolly/
Ryan Van Winkle http://www.3ammagazine.com/3am/van-winkle-there-is-no-library-for-what-i-know-of-books/
Stephen Connolly http://www.3ammagazine.com/3am/stephen-connolly/
Ryan Van Winkle http://www.3ammagazine.com/3am/van-winkle-there-is-no-library-for-what-i-know-of-books/
Dustin Luke Nelson http://www.3ammagazine.com/3am/argument-against-brevity-other-poems/
Bobby
Parker http://www.3ammagazine.com/3am/forms-of-divination/
Christopher Rey Perez http://www.3ammagazine.com/3am/the-story-of-the-pocho/
Jacob Silkstone http://www.3ammagazine.com/3am/voices-blank-verse-a-lecture/
Paul Polansky http://www.3ammagazine.com/3am/the-well-other-poems/
William Michael West http://www.3ammagazine.com/3am/crash-other-poems/
Anselm Hollo http://www.3ammagazine.com/3am/your-friend-anselm-hollo/
Jacob Silkstone http://www.3ammagazine.com/3am/voices-blank-verse-a-lecture/
Paul Polansky http://www.3ammagazine.com/3am/the-well-other-poems/
William Michael West http://www.3ammagazine.com/3am/crash-other-poems/
Anselm Hollo http://www.3ammagazine.com/3am/your-friend-anselm-hollo/
Dear World Renga http://www.3ammagazine.com/3am/dear-world-renga/
Cristine Brache http://www.3ammagazine.com/3am/biometrics-cristine-brache/
Will Burke http://www.3ammagazine.com/3am/god-country-family-triggers-my-meat/
Francine Elena http://www.3ammagazine.com/3am/ode-to-a-1980s-baton-twirling-world-champion-other-poems/
Julia Ciesielska http://www.3ammagazine.com/3am/debauchery-other-poems/
Jose Hernandez Diaz http://www.3ammagazine.com/3am/diaz-ballad-of-kukulkan-other-poems/
Gary J. Shipley http://www.3ammagazine.com/3am/shipley-bengal-famine-mix-other-poems/
Jacqueline Lucile Tiven http://www.3ammagazine.com/3am/lucile-tiven-the-nature-of-sin/
Will Burke http://www.3ammagazine.com/3am/god-country-family-triggers-my-meat/
Francine Elena http://www.3ammagazine.com/3am/ode-to-a-1980s-baton-twirling-world-champion-other-poems/
Julia Ciesielska http://www.3ammagazine.com/3am/debauchery-other-poems/
Jose Hernandez Diaz http://www.3ammagazine.com/3am/diaz-ballad-of-kukulkan-other-poems/
Gary J. Shipley http://www.3ammagazine.com/3am/shipley-bengal-famine-mix-other-poems/
Jacqueline Lucile Tiven http://www.3ammagazine.com/3am/lucile-tiven-the-nature-of-sin/
Mark Young - http://www.3ammagazine.com/3am/the-podunk-poems/
Adam Steiner - http://www.3ammagazine.com/3am/adam-steiner-omni-di/
Iain Britton - http://www.3ammagazine.com/3am/lipstick-lady/
Patrick Norris - http://www.3ammagazine.com/3am/patrick-norris-three-poems/
Sian S Rathore - http://www.3ammagazine.com/3am/worlds-worst-boat-race-other-poems/
Sophie Collins http://www.3ammagazine.com/3am/the-white-lady-other-poems/
Julia Tillinghast Akalin - http://www.3ammagazine.com/3am/julia-tillinghast-akalin-how-the-strip-club/
Adam Steiner - http://www.3ammagazine.com/3am/adam-steiner-omni-di/
Iain Britton - http://www.3ammagazine.com/3am/lipstick-lady/
Patrick Norris - http://www.3ammagazine.com/3am/patrick-norris-three-poems/
Sian S Rathore - http://www.3ammagazine.com/3am/worlds-worst-boat-race-other-poems/
Sophie Collins http://www.3ammagazine.com/3am/the-white-lady-other-poems/
Julia Tillinghast Akalin - http://www.3ammagazine.com/3am/julia-tillinghast-akalin-how-the-strip-club/
Gareth
Twose http://www.3ammagazine.com/3am/top-ten-tyres-ltd/
Sarah
Chapman - http://www.3ammagazine.com/3am/sarah-chapman-last-waltz/
Norman
Savage - http://www.3ammagazine.com/3am/norman-savage-smokin-joe/
Rusty
Kjarvik - http://www.3ammagazine.com/3am/rusty-kjarvik-my-new-bride/
Orchid
Tierney - http://www.3ammagazine.com/3am/three-poems-orchid-tierney/
Roberto
Garcia de Mesa (trans. Mario Dominguez Parra) http://www.3ammagazine.com/3am/nausinoos-roberto-garcia-de-mesa/
Gabby
Gabby – http://www.3ammagazine.com/3am/three-poems-18/
Steven
Stark - http://www.3ammagazine.com/3am/three-poems-steven-stark/
Robert
Herbert - http://www.3ammagazine.com/3am/six-poems-robert-herbert/
Samuel
Ace - http://www.3ammagazine.com/3am/frame-of-house/
Tray
Drumhann - http://www.3ammagazine.com/3am/four-poems-tray-drumhann/
Melissa
Lee-Houghton - http://www.3ammagazine.com/3am/four-poems-melissa-lee-houghton/
Dennis
Etzel Jnr - http://www.3ammagazine.com/3am/dennis-etzel-my-secret-war/
Felino
A.Soriano - http://www.3ammagazine.com/3am/five-poems-felino-sorian/
Jo
Langton - http://www.3ammagazine.com/3am/trust-jo-langton/
Steven
Waling - http://www.3ammagazine.com/3am/steven-waling-four-poems/
Greg
Thomas - http://www.3ammagazine.com/3am/five-poems-greg-thomas/
Christine
Herzer - http://www.3ammagazine.com/3am/christine-herzer-five-poems/
Feliz
Lucia Molina - http://www.3ammagazine.com/3am/four-poems-feliz-lucia-molina/
Alistair
Noon - http://www.3ammagazine.com/3am/three-poems-alistair-noon/
Sarah
Crewe - http://www.3ammagazine.com/3am/three-poems-sarah-crewe/
Nico
Vassilakis - http://www.3ammagazine.com/3am/five-poems-nico-vassilakis/
Timothy
O’Donnell - http://www.3ammagazine.com/3am/2-poems-timothy-odonnell/
Thoe
Htane - http://www.3ammagazine.com/3am/thoe-htane-3-poems/
James
Wilkes - http://www.3ammagazine.com/3am/james-wilkes-runners/
Richard
Barrett - http://www.3ammagazine.com/3am/like-milk-richard-barrett/
Tom
Chivers - http://www.3ammagazine.com/3am/the-herbals-tom-chivers/
Claire
Potter - http://www.3ammagazine.com/3am/four-poems-claire-potter/
James
Davies - http://www.3ammagazine.com/3am/james-davies-budgie/
Tim
Atkins - http://www.3ammagazine.com/3am/tim-atkins-wrestlers/
Kristen
Stone - http://www.3ammagazine.com/3am/kristen-stone-4-poems/
Grzegorz
Wróblewski - http://www.3ammagazine.com/3am/grzegorz-wroblewski-5-poems/
Tammy
Ho-Lai Ming - http://www.3ammagazine.com/3am/two-poems-tammy-ho-lai-ming/
Stephen
Emmerson - http://www.3ammagazine.com/3am/stephen-emmerson-three-poems/
Philip
Terry - http://www.3ammagazine.com/3am/philip-terry-canto-xxxiii/
Katerina
Kashchavtseva - http://www.3ammagazine.com/3am/katerina-kashchavtseva-2-poems/
Darran
Anderson - http://www.3ammagazine.com/3am/2-poems-darran-anderson/
Streak Artefacts by Tom Jenks
So honoured to be able to comment on this! New from Jenksian Jenks.
buy it here http://department3.tumblr.com/post/58169904534/streak-artefacts-by-tom-jenks-now-available 5 squid only
holy fluck the camaradefest will be good - october 26th @ rich mix arts centre
Camarade IV – October 26th 2013 2pm to 10pm at the Rich Mix arts centreThe Camarade poetry festival is a unique and unforgettable one day explosion of dynamic collaboration in contemporary avant garde and literary poetics. 100 poets align in 50 pairs, each writing an original collaborative work, written specifically for the festival and premiered on the day. The 5th Camarade event, and the crescendo of the Enemies project’s first year, this ambitious exploration of the possibilities of collaboration in poetry will evidence the true width and depth of poetry that is happening now.
Featuring:
Kirsty Irving & Jon Stone
Ahren Warner & Mark Waldron
Stephen Connolly & Emily Hasler
Chris McCabe & Tom Jenks
Carol Watts & George Szirtes
David Berridge & Mary Paterson
Chrissy Williams & Nia Davies
Giles Goodland & Alistair Noon
Ben Stainton & Nathan Hamilton
Sophie Collins & Rachael Allen
Sam Riviere & Joe Dunthorne
Becky Cremin & Ryan Ormonde
Deborah Pearson & Tamarin Norwood
Andy Spragg & Joe Kennedy
Ollie Evans & Robert Kiely
Stephen Watts & Will Rowe
James Davies & Philip Terry
Sean Bonney & Nick-e Melville
Tim Atkins & Jessica Pujol I Duran
Oli Hazzard & Caleb Klaces
Ryan Van Winkle & William Letford
Jeff Hilson & Fabian MacPherson
Robert Sheppard & Robert Hampson
Jack Underwood & Alex MacDonald
Ekaterina Paronian & Sophie Mayer
Sarah Crewe & Jo Langdon
Matt Dalby & Steven Waling
James Byrne & Sandeep Parmar
Matthew Gregory & Robert Herbert
Nathan Jones & Sam Skinner
Sarah Kelly & Gabriele Lebanauskaite
Mendoza & Nat Raha
Rhy Trimble & Harry Gilonis
Joel Shea & Ricardo Marques
Pascal O'Laughlin & Scott Thurston
Marcus Slease & Claire Potter
Daniele Pantano & Nikolai Duffy
Holly Pester & Emma Bennett
Tom Chivers &Amy Cutler
Marek Kazmierski &Wioletta Grzegorzewska
Joanna Rzadkowska & Kristen Kreider
Christodoulos Makris &Kim Campanello
Zoe Skoulding & Ondrej Buddeus
Reza Mohammedi & Ana Seferovic
the Wildermenn collective
david kelly / robert hitzeman / sj fowler / ben morris
Transhumance in the city, animalisms across four art mediums, wholly collective, fundamentally collaborative - the Wildermenn produce artworks that subvert and celebrate the rituals and rites which are essentially linked to that which is forgotten in the sprawl - fertility, procreativity, seasons, elements, creatureliness and death. Anthropomorphic modernist folk practise from cultures now unknown find form in sculpture, noise, performance, fragmented poetry and mud paint.
Wildermenn @wilder_menn FOLLOWS YOU
anthropomorphic art collective #sculpture #poetry #art #sound
The River Thames · wildermenn.weebly.com
First exhibition coming December 2013
Nikolai Duffy interviewed about Like This pressby Rob Mclennan
I have said to everyone who has listened the work Nikolai Duffy did on my two books in boxes with Ben Morris and David Kelly was some of the most astounding publishing I've experienced. Like This is a quality press and Nikolai's work is truly amazing. His erudition is well evidenced in this interview 12 or 20 questions with Rob Mclennan http://www.robmclennan.blogspot.ca/2013/08/12-or-20-small-press-questions-with.html
Three of the most recent titles from Like This Press have been two collaborative works by SJ Fowler, with Ben Morris and David Kelly, and Andy Spragg’s very wonderful To Blart & a Kid. Each title comprises the collation of different materials gathered together in a box, and each fuses word and image in a collaborative process. They are emblematic of everything Like This Press stands and I’m very honoured to have had the opportunity to publish them.
SJ Fowler and David Kelly’s Gilles de Rais comprises 34 loose-leaf postcards in a box and is an interchangeable narrative reflection on the life and legend of Gilles de Rais that fuses avant garde poetry and modernist line drawing.
SJ Fowler and Ben Morris’ The Estates of Westeros also comprises 34 loose-leafed postcards and marks one of the points at which avant garde poetry meets avant garde illustration. The Estates of Westeros is a meditation on the living space of the housing estate framed through the universe of George RR Martin's Game of Thrones. Where Gilles de Rais explores the absurdity of mythmaking in that which once was real, the Estates of Westerosexplores the grinding realism at the heart of the fantastical.
The Wrestlers for the Tate
Happy to say my commission for the Tate has now been published online, as part of their In Focus series and thanks to the amazing work of Dr Sarah Victoria Turner, who has curated an extensive response to the 1914 Henri Gaudier-Brzeska plaster relief The Wrestlers, of which my work is only a small part.
There are ten poems, 9 for each cast of the relief and 1 for the original, as well as two short essays, one on the wrestling depicted in the piece and another on Ezra Pound, who was a close friend of Gaudier-Brzeska and a conduit between his work and my response.
Sarah Turner’s remarkable work on this project is immense, well worth checking out
“The large plaster relief Wrestlers was made in London by the French artist Henri Gaudier-Brzeska (1891–1915) at a time when he was forging a reputation as one of the most radical and innovative sculptors of his generation. Gaudier-Brzeska was killed fighting in the First World War, and his achievements slipped from view in subsequent decades. In the mid-1960s, however, curator Jim Ede had the relief cast in an edition of nine to help make Gaudier-Brzeska’s work better known, and he gave a cast to Tate.
This project explores the circumstances of the making of the relief and the posthumous cast. Drawing on material in the Tate Archive and early twentieth-century sports periodicals, it includes previously unexamined material about Gaudier-Brzeska’s interest in wrestling and asks new questions about representations of sport and physicality in modern art and poetry at the beginning of the twentieth century.”
Enemies at Hardy Tree closing night picfest by Alexander Kell
you can find all these badboys taken by Alexander Kell hier http://www.flickr.com/photos/stevenjfowler/sets/72157634821138764/
SSYK 5
http://www.eggboxpublishing.com/books/show/stop_sharpening_your_knives_5 "Having
been away busy defining a new generation of talented poets and things like that, the long-awaited fifth instalment from Stop Sharpening Your Knives is finally here, this time carrying a playful introduction from Mark Waldron.
The series has proved itself as a hotbed of new poetic talent for nearly 10 years, in one form or another, so we have stopped using the word young as much. Stop Sharpening Your Knives 5 is a selection of work from over 30 of the most exciting poets around, some new and some now more established, edited by Emily Berry, Nathan Hamilton, Heather Phillipson, Sam Riviere, and Jack Underwood.
This instalment includes poetry from Emily Toder, Ben Stainton, Heather Phillipson, Laurence O'Dwyer, Lamorna Elmer, Tim Cockburn, Callan Davies, Chrissy Williams, Catherine Woodward, Andrew McMillan, Harry Burke, Mollye Miller, Robert Herbert, Agnes Lehoczky, Nicholas Liu, SJ Fowler, Lydia Searle, Daniel Rooke, Sarah Chapman, Joe Dresner, Sam Riviere, Theodore Best, Charlotte Geater, Emily Berry, Wayne Holloway-Smith, Nathan Hamilton, Sophie Collins, Benjamin M. Nehammer, Andy Spragg, Rachael Allen, Jack Underwood, Ben Pester, Hayley Buckland and Matthew Gregory."
been away busy defining a new generation of talented poets and things like that, the long-awaited fifth instalment from Stop Sharpening Your Knives is finally here, this time carrying a playful introduction from Mark Waldron.
The series has proved itself as a hotbed of new poetic talent for nearly 10 years, in one form or another, so we have stopped using the word young as much. Stop Sharpening Your Knives 5 is a selection of work from over 30 of the most exciting poets around, some new and some now more established, edited by Emily Berry, Nathan Hamilton, Heather Phillipson, Sam Riviere, and Jack Underwood.
This instalment includes poetry from Emily Toder, Ben Stainton, Heather Phillipson, Laurence O'Dwyer, Lamorna Elmer, Tim Cockburn, Callan Davies, Chrissy Williams, Catherine Woodward, Andrew McMillan, Harry Burke, Mollye Miller, Robert Herbert, Agnes Lehoczky, Nicholas Liu, SJ Fowler, Lydia Searle, Daniel Rooke, Sarah Chapman, Joe Dresner, Sam Riviere, Theodore Best, Charlotte Geater, Emily Berry, Wayne Holloway-Smith, Nathan Hamilton, Sophie Collins, Benjamin M. Nehammer, Andy Spragg, Rachael Allen, Jack Underwood, Ben Pester, Hayley Buckland and Matthew Gregory."

